Following Françoise d’Eaubonne’s creation of the term “ecofeminism” in 1974, scholars around the world have explored ways that the degradation of the environment and the subjugation of women are linked. In the nearly three decades since the publication of the classical work Ecofeminism by Maria Mies and Vandana Shiva in 1993, several collections have appeared that apply ecofeminism to literary criticism, also known as feminist ecocriticism. The most recent of these include anthologies that emphasize international perspectives, furthering the comparative task launched by Mies and Shiva. To date, however, there have been no books devoted to gaining a broad-based understanding of feminist ecocriticism in India, understood in its own terms. Our new volume Indian Feminist Ecocriticism offers a survey of literature as seen through an ecofeminist lens by Indian scholars, which places contemporary literary analysis through a sampling of its diverse languages and in the context of millennia-old mythic traditions of India.

Ecofeminism and the Indian Novel tests the theories of ecofeminism against the background of India’s often different perceptions of environmental problems, challenging the hegemony of Western culture in thinking about human problems. This book moves beyond a simple application of the concepts of ecofeminism, instead explaining the uniqueness of Indian novels as narratives of ecofeminism and how they can contribute to the development of the theory of ecofeminism. In examining a selection of novels, the author argues that Indian texts conceptualize the ecological crisis more as a human problem than as a gender problem. The book proposes that we should think of ecofeminism as ecohumanism instead, seeing human beings and nature as a part of a complex web. Novels analysed within the text include Kamala Markandaya’s Nectar in a Sieve (1954), Shivram Karanth’s Return to Earth (2002) and Na D’Souza’s Dweepa (2013). Ecofeminism and the Indian Novel will be of great interest to students and scholars of ecofeminism, ecocriticism, ecological feminism, environmental humanities, gender studies, ecological humanities, feminist studies and Indian literature.

The theory and praxis of ecofeminism has barely been investigated in an Indian context. Ecofeminism is an inclusive theory and provides an intersectional study of feminism, ecocriticism, and literature. Ecofeminism and Indian Women Writing in English unearths the sensibility of Indian women writings through the lens of ecofeminism. This book gives all the required details about ecofeminism, major movements and ecofeminist theories, in both the Indian as well as Western perspectives. It will help the readers understand the discourse of ecofeminism. The reader will get a thorough understanding on how to critically examine an ecofeminist element in a particular text. The book's main objective is to re(store) the cultural heritage of India against its colonial history that had mis(interpreted) the environmental ethics of Indian philosophy, affinity of women with nature and animals. The so-called developmental models of post-modern era will be beneficial only when they will focus on mutual sustainability of man and nature.

There are countless ways of thinking, feeling, and acting like an ecofeminist. Ecofeminism includes a plurality of perspectives, thriving in dialogue between diverse theories and practices involving ecological and feminist matters of concern. Deepening the dialogue, the contributors in this anthology explore critical and complementary interactions between ecofeminism and other areas of inquiry, including ecocriticism, postcolonialism, geography, environmental law, religion, geoengineering, systems thinking, family therapy, and more. This volume aims to further the cultural and literary theories of ecofeminism by situating them in conversation with other interpretations and analyses of intersections between environment, gender, and culture. This anthology is a unique combination of contemporary, interdisciplinary, and global perspectives in dialogue with ecofeminism, supporting academic and activist efforts to resist oppression and domination and cultivate care and justice.

Bringing together ecofeminism and ecological literary criticism (ecocriticism), this book presents diverse ways of understanding and responding to the tangled relationships between the personal, social, and environmental dimensions of human experience and expression. Literature and Ecofeminism explores the intersections of sexuality, gender, embodiment, and the natural world articulated in literary works from Shakespeare through to contemporary literature. Bringing together essays from a global group of contributors, this volume draws on American literature, as well as Spanish, South African, Taiwanese, and Indian literature, in order to further the dialogue between ecofeminism and ecocriticism and demonstrate the ongoing relevance of ecofeminism for facilitating critical readings of literature. In doing so, the book opens up multiple directions for ecofeminist ideas and practices, as well as new possibilities for interpreting literature. This comprehensive volume will be of great interest to students and scholars of ecocriticism, ecofeminism, literature, gender studies, and the environmental humanities.

Ms. M. Suguna, Assistant Professor, Department of English, Thanthai Hans Roever College(Autonomous), Perambalur, Tamil Nadu, India. Mrs. A. Akthar Parveen, Teacher, Government Higher Secondary School, Tholar, Tamil Nadu, India. Mrs. S. Saheetha Banu, Assistant Professor, Department of English, Jamal Mohamed College (Autonomous), Tiruchirappalli, Tamil Nadu, India. Mrs.S.Subashini, Guest Lecturer, Department of English, Government Arts and Science College, Aranthangi, Tamil Nadu, India.

Relke (women's and gender studies, U. of Saskatchewan) divides her book into what she calls three chronological "moments in feminist ecocritical consciousness": poetic, ecological, and ecocritical. Essays included under poetic consciousness are preoccupied with woman's search for subjectivity in a literary universe that can't accommodate women poets of nature, examining, for example, Atwood's Journals of Susanna Moodie. To ecological consciousness, Relke assigns essays examining how Dorothy Livesay, Isabella Valancy Crawford and Daphne Marlatt understand the metaphor, woman = nature, and how they use it to address green concerns. Lastly, essays under ecocritical consciousness focus on the critical act itself and on the masculine construction of Canadian literary history. The book's constant theme, writes Relke, "concerns the struggle by women poets to make the best of a bad idea--namely, patriarchy." Canadian card order number: C99-910815-8. Distribute by Raincoast Distribution Services. Annotation copyrighted by Book News, Inc., Portland, OR.