The Indian Arts & Crafts Board

The Indian Arts & Crafts Board
Title The Indian Arts & Crafts Board PDF eBook
Author Robert Fay Schrader
Publisher Albuquerque : University of New Mexico Press
Total Pages 394
Release 1983
Genre Social Science
ISBN

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Fact Sheet

Fact Sheet
Title Fact Sheet PDF eBook
Author United States. Indian Arts and Crafts Board
Publisher
Total Pages 8
Release 1978
Genre Indian art
ISBN

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Indian Arts and Crafts

Indian Arts and Crafts
Title Indian Arts and Crafts PDF eBook
Author United States. Congress. Senate. Committee on Indian Affairs (1993- )
Publisher
Total Pages 164
Release 2000
Genre Art
ISBN

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Fact Sheet

Fact Sheet
Title Fact Sheet PDF eBook
Author United States. Indian Arts and Crafts Board
Publisher
Total Pages 8
Release 1978
Genre Indian art
ISBN

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Fact Sheet

Fact Sheet
Title Fact Sheet PDF eBook
Author United States. Indian Arts and Crafts Board
Publisher
Total Pages 6
Release 1978
Genre Indians of North America
ISBN

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Indian Arts and Crafts Board

Indian Arts and Crafts Board
Title Indian Arts and Crafts Board PDF eBook
Author
Publisher
Total Pages
Release 1968
Genre
ISBN

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More Than Curiosities

More Than Curiosities
Title More Than Curiosities PDF eBook
Author Susan L. Meyn
Publisher Lexington Books
Total Pages 298
Release 2001
Genre Art
ISBN 9780739102497

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Beginning in the 1920s anthropologists, traders, and other admirers of traditional Native American cultures--appalled by the degradation of fine crafts into tourist trinkets--began cultivating a fine-arts market for indigenous textiles, jewelry, ceramics, and basketry. In More Than Curiosities, Susan Labry Meyn explores how this grassroots revival led to the founding of the Indian Arts and Crafts Board in 1935. Meyn demonstrates how the Board and its activities--such as development and marketing of quality arts and crafts, targeted loan programs, and the creation of artisans' cooperatives--not only aided in the development of a source of sustained income for Native artists, but also were pivotal in overcoming the larger Euro-American indifference toward Native culture. Under the leadership of René d'Harnoncourt, the Board facilitated cross-cultural understanding and provided the mechanisms that allowed Native American artists to revive traditional practices and adapt them to an Anglo market. Meyn's novel study will become an invaluable contribution to scholars of the period, artists, and anyone interested in Native American studies.