This very timely and advantageous work is truly a godly help to Christ’s church, a present help in a time of plague. It is filled with godly directions from various authors who took time to thoughtfully set down specific biblical directions, pleading with the people of God to forsake sin, and follow Christ’s prescription for holiness and righteousness. These authors are all of one mind, though they lived at different times over a span of almost 200 years. This is because all godly directions taken from careful Scriptural study will always end up in the same place. It is true, each writer deals with various texts, from various angles. But, still, their conclusions are the same, and they all offer the church today godly directions that will deliver the church from under the heavy hand of God’s judgments. The authors are well known to those who have taken an interest in the preachers of old, and in times of reformation. The works included have been chosen to be helpful, not overbearing. They are, however, clear in their content, though more examples could certainly be added (having whole books written on this subject of the plague). There are four sermons, one by John Hooper (on Mark 1:15) which is a shortened homily, a sermon by Lancelot Andrewes (on Psa. 106:29–30), one by John Owen (on 2 Timothy 3:1) and one by Thomas Manton (on Psalm 119:67). There is an extended prayer given by William Crashaw (which is amazing and experimentally helpful) coupled by an exhortation given by him about the plague, as well as an extended exhortation by Henry Burton on self-denial and humiliation (on Luke 9:23). Finally, Thomas Draxe sets down a series of simple questions and answers to the difficulty of a plague and how the godly should conduct themselves. In all of these the church around the world would do well to heed their godly directions in this time, that God would hear from heaven, and forgive their sin, and remember his covenant for their good.

Original essays by distinguished scholars from many disciplines examine the many ways in which diseases have been defined throughout the ages and how they, and their victims, are considered today. Included are chapters on responses to plague in early modern Europe, plagues and morality, AIDS and the tradition of homophobia, and pandemics as natural evolutionary phenomena. Annotation copyrighted by Book News, Inc., Portland, OR

A Litany in Time of Plague is K.D. Miller's first collection of short fiction. The `plague' of the title story is a reference not only to AIDS but to its ironic companion, loneliness. Miller's child characters are like little aliens dropped into a world that wavers from incomprehensible to bewildering, and yet, there is a knowing in them, an attunement to the `voice under the voice' that is disquieting. In `This Is Important' in Litany in Time of Plague, Arley is being questioned by her mother and a policeman about the man who followed her home from Brownies in his car. As she listens to them, she remembers the man `who came out of the dark. He was like a piece of the dark' and, unlike the policeman and her mother, talked to her `in his real voice, ' and treated her with respect and courtesy. `Nobody ever talked to me like that before.... It was harder to say no thank you that time.' The dark stranger comes to represent the answer to all the mysteries the grownups withhold from her, the knowledge of good and evil, like the serpent in the Garden of Eden. Only when she hears through to the need and fear beneath his voice, does she turn away. Each of the characters in the ten linked stories comes to the end of his or her spiritual rope. Kelly attends a Requiem Mass where she adds her and her ex-husband's names to a list of the dead. Arley pursues a dangerous fantasy down one dark alley after another. Raymond learns that his inability to love is exactly matched by his need to do just that.

Plague is both metaphor and physical presence. The poems in this volume, written between January and June of 2020, address the plagues of COVID-19; racism, police brutality; and political indifference, ineptness, and malfeasance. The poems offer the hope that the first plague has taught us about the good fruits of compassion and community and that the continuing nonviolent protests in the United States over the second plague, racism, will help birth a resurrection in the hearts, minds, and souls of all Americans, a new Easter. The twentieth-century theologian Karl Barth astutely said, "The pastor and his congregation should not imagine that they are a religious society that is fixated [only] on certain themes, but that they live in this world. We do indeed need, according to my old formulation, the Bible and the newspaper." With the poems in this volume, the author, newspaper in hand, reflects on events from January to early June 2020 and does so by integrating reflections on Scripture with current events.

Here is a small part of my soul I pulled out and shaped like this It is still bleeding, but only a little It won't mess your hands much, And you can wash them after. For years Hugo and Nebula award winning writer Jo Walton has been writing poems and posting them online, first on usenet, then on livejournal, more recently on Patreon. Some have been collected in chapbooks and in Starlings, but most of them have just stayed online. Here at last is a comprehensive collection of her poems from 1996-2020 with table of contents and an index of first lines, and arranged in thematic categories, Love Pain and Death, New Myths For Old Gold, Red As Blood, By Their Spaceships Ye Shall Know Them, Shakespeare, The News, The Turning Year, and Whimsy. Some of the poems are fantastical, others are about everyday life, or politics. If there's one thing that links Walton's very different work it's the quality of "where did that come from?" Here we have a poem about lions becoming extinct after being persecuted by martyrs, one about Henry V's conquest of Constantinople, alongside one about a skydiver friend who died and fell up into the sky. These poems, written over decades, are quirky, unpredictable, and have excellent scansion.

Chronicles the history and mystery of several centuries of plague including bioweapons programs initiated by the former Soviet Union.

This is a collection of original poems by Christopher Bursk. The poems are inspired by Vergil's Aeneid and deal with modern issues of love, loss, family, masculinity, and more. Many of the epigraphs are in Latin from the Aeneid and some are translated into English.