Neglected upon its initial release in 1995, John Carpenter's In the Mouth of Madness has since developed a healthy cult reputation. It now appears as one of his most thematically complex and stylistically audacious pieces of work, prescient and more essential than ever. This book seeks to position this overlooked masterpiece as essential Carpenter.

Introduction by China Miéville Long acknowledged as a master of nightmarish visions, H. P. Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition’s uncanny discoveries–and their encounter with untold menace in the ruins of a lost civilization–is a milestone of macabre literature. This exclusive new edition, presents Lovecraft’s masterpiece in fully restored form, and includes his acclaimed scholarly essay “Supernatural Horror in Literature.” This is essential reading for every devotee of classic terror.

'My first serious blackout marked the line between sanity and insanity. Though I would have moments of lucidity over the coming days and weeks, I would never again be the same person ...' Susannah Cahalan was a happy, clever, healthy twenty-four-year old. Then one day she woke up in hospital, with no memory of what had happened or how she had got there. Within weeks, she would be transformed into someone unrecognizable, descending into a state of acute psychosis, undergoing rages and convulsions, hallucinating that her father had murdered his wife; that she could control time with her mind. Everything she had taken for granted about her life, and who she was, was wiped out. Brain on Fire is Susannah's story of her terrifying descent into madness and the desperate hunt for a diagnosis, as, after dozens of tests and scans, baffled doctors concluded she should be confined in a psychiatric ward. It is also the story of how one brilliant man, Syria-born Dr Najar, finally proved - using a simple pen and paper - that Susannah's psychotic behaviour was caused by a rare autoimmune disease attacking her brain. His diagnosis of this little-known condition, thought to have been the real cause of devil-possessions through history, saved her life, and possibly the lives of many others. Cahalan takes readers inside this newly-discovered disease through the progress of her own harrowing journey, piecing it together using memories, journals, hospital videos and records. Written with passionate honesty and intelligence, Brain on Fire is a searingly personal yet universal book, which asks what happens when your identity is suddenly destroyed, and how you get it back. 'With eagle-eye precision and brutal honesty, Susannah Cahalan turns her journalistic gaze on herself as she bravely looks back on one of the most harrowing and unimaginable experiences one could ever face: the loss of mind, body and self. Brain on Fire is a mesmerizing story' -Mira Bartók, New York Times bestselling author of The Memory Palace Susannah Cahalan is a reporter on the New York Post, and the recipient of the 2010 Silurian Award of Excellence in Journalism for Feature Writing. Her writing has also appeared in the New York Times, and is frequently picked up by the Daily Mail, Gawker, Gothamist, AOL and Yahoo among other news aggregrator sites.

A Nightmare on Elm Street. Halloween. Night of the Living Dead. These films have been indelibly stamped on moviegoers’ psyches and are now considered seminal works of horror. Guiding readers along the twisted paths between audience, auteur, and cultural history, author Kendall R. Phillips reveals the macabre visions of these films’ directors in Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film. Phillips begins by analyzing the works of George Romero, focusing on how the body is used cinematically to reflect the duality between society and chaos, concluding that the unconstrained bodies of the Living Dead films act as a critical intervention into social norms. Phillips then explores the shadowy worlds of director Wes Craven. In his study of the films The Serpent and the Rainbow, Deadly Friend, Swamp Thing, Red Eye, and Shocker, Phillips reveals Craven’s vision of technology as inherently dangerous in its ability to cross the gossamer thresholds of the gothic. Finally, the volume traverses the desolate frontiers of iconic director John Carpenter. Through an exploration of such works as Halloween, The Fog, and In the Mouth of Madness, Phillips delves into the director’s representations of boundaries—and the haunting consequences for those who cross them. The first volume ever to address these three artists together, Dark Directions is a spine-tingling and thought-provoking study of the horror genre. In analyzing the individual works of Romero, Craven, and Carpenter, Phillips illuminates some of the darkest minds in horror cinema.

A milestone of American supernatural fiction from the author who has been hailed as the link between Poe and Stephen King. 12 gripping stories, with an introduction by E. F. Bleiler.

First published: London: SelfMadeHero, 2010.

[STANDARD EDITION - SAME CONTENT AS THE COLOR EDITION, BUT WITH BLACK & WHITE INTERIOR] THERE'S MORE TO THE MASTER OF HORROR THAN MEETS THE EYE! His name is synonymous with horror thanks to the landmark hit HALLOWEEN (1978), but there's a lot more to John Carpenter than just that.Like so many, Carpenter found a much-needed escape from reality at the movies-and his love of the medium inspired him to start up his own fanzines when he was just a kid. He initially aspired to make westerns, but fate had other ideas in mind. Sooner than resist being typecast as a horror filmmaker, Carpenter embraced the moniker of "master of horror," all the while dipping in and out of the genre as he tried his hand at everything from sci-fi romps like THEY LIVE (1988) to gritty action thrillers like ESCAPE FROM NEW YORK (1981) and romantic fantasies like STARMAN (1984). Carpenter's love of old school Hollywood, embodied in his passion for the films of Howard Hawks, inspired him to create a persona which eschews arthouse pretentions in favor of classical storytelling and craftsmanship. Working with budgets low and high, he always saw to it that his films looked and sounded as slick and professional as possible-and his use of anamorphic Panavision in virtually all of his theatrical features gives even the smallest of his films a larger-than-life pictorial allure. Carpenter doesn't specialize in real life: he specializes in movies-and all the artifice that entails. Then there's the music-that distinctive minimalist approach to synthesizer scoring which gives his films an even more unmistakable personality. As the son of an accomplished musician and music historian, Carpenter brought his flair for music, as well as his sense of timing, to bear on a variety of subjects. One of the constant themes running through Carpenter's work is a deep distrust of authority in its various forms. Early hopes of finding acceptance within the Hollywood system soon gave way to an understanding that he preferred being his own boss, working outside of the system in order to preserve the integrity of his vision. ASSAULT ON THE SYSTEM: THE NONCONFORMIST CINEMA OF JOHN CARPENTER charts Carpenter's trajectory from screenwriter-for-hire to director of low-budget oddities like DARK STAR (1974) to his meteoric rise and fall within the very system he came to distrust. All of Carpenter's films are analyzed in detail, including his forays into made-for-TV fare, and his various sideline projects as a writer, a composer, and a producer are also examined. Brand new interviews with Carpenter, his wife Sandy King-Carpenter, and actor Keith Gordon also help to provide a glimpse into the man, his methods, and what makes him tick.In addition, there are hundreds of eye-catching images, including theatrical posters, stills, behind the scenes shots, and more.The end result is a comprehensive celebration of one of America's great, yet oft-unsung auteurs, and a true independent spirit in his chosen medium. Guest essays by: Matty Budrewicz & Dave Wain, Lee Gambin, John Harrison, Randall D. Larson, Robert Russell LaVigne, Francesco Massaccesi, Paul Poet, and Nick Smith. Published by WK Books, publishers of Weng's Chop Cinema Megazine and Monster! Digest.