A history of icons in the Menil Collection Clare Elliott -- The icon and the museum Bertrand Davezac -- How icons look Anne Marie Weyl Carr -- Icons from the centuries of the Byzantine Empire (AD 324-1453) Annemarie Weyl Carr, Bertrand Davezac -- Post-Byzantine icons from the Balkans, Greece and the Islands -- Russian icons

This book explores four foundations of scientific endeavour - the cosmos, human intelligence, cultural beliefs, and technological structures - and investigates some of the paradoxes each of them raises. The concurrent study of all four together reveals several tensions and interconnections among them that point the way to a greater unification of faith and science.Kaiser shows that the resolution of these paradoxes inevitably leads us into theological discourse and raises new challenges for theological endeavour. In order to address these challenges, Kaiser draws on the wider resources of the Judeo-Christian tradition and argues for a refocusing of contemporary theology from the perspective of natural science.

This book is one of a kind. It traces the history of human awareness of God and belief back to its earliest roots, long before the Bible, the Koran, the Upanishads and other writings. It shows how the foundation for belief in God was contained within the instant of creation itself. Scientists call this the big bang. It shows that as the universe developed there came a point in human development where we had the capability to begin to be aware of an afterlife. These ideas were primitive by our standards today but they served to create a solid foundation for increasing complex and more thorough understandings of who God is and our relationship with Him. This book covers the well known axial age where there was a watershed or flood of prophets and holy men who advanced understandings of both philosophy and theology and science in the hundreds of years before the coming of Jesus Christ. In a real sense they prepared the way for God’s son and His gospel. It is these men who changed the course of human understanding of God with new revolutionary ideas that advanced the self revelation of God to humankind. The last part of the book looks at religion today and how we got here and ends with God’s view of humanity as we constantly strive toward God on our individual spiritual journeys.

The Food of Gods is Jasmuheen's 18th book on metaphysical matters and her third book in the Divine Nutrition series. It is not necessary to have read the previous books on this subject which cover her personal journey and the solution for world health and world hunger issues as "The Foods of Gods" takes the pranic nourishment discussion to another level and offers simple yet powerful tools to satiate all of our hungers. Jasmuheen writes: The most important difference with our focus with Divine Nutrition is that It has the ability to feed us on all levels and that we can still benefit from increasing Its flow through our bio-system even if we continue to choose to enjoy eating. Allowing this Divinely Nutritional stream to be increased in our system means that we can be fed emotionally, mentally and spiritually and as such the techniques and guidelines shared in this book, will benefit us all by freeing us from our current personal and global emotional, mental and spiritual states of anorexia.

Reconstructs the idea of the creation of man in the image of God attributed in the Midrash and the Talmud.

From the visual and textual art of Anglo-Saxon England onwards, images held a surprising power in the Western Christian tradition. Not only did these artistic representations provide images through which to find God, they also held mystical potential, and likewise mystical writing, from the early medieval period onwards, is also filled with images of God that likewise refracts and reflects His glory. This collection of essays introduces the currents of thought and practice that underpin this artistic engagement with Western Christian mysticism, and explores the continued link between art and theology. The book features contributions from an international panel of leading academics, and is divided into four sections. The first section offers theoretical and philosophical considerations of mystical aesthetics and the interplay between mysticism and art. The final three sections investigate this interplay between the arts and mysticism from three key vantage points. The purpose of the volume is to explore this rarely considered yet crucial interface between art and mysticism. It is therefore an important and illuminating collection of scholarship that will appeal to scholars of theology and Christian mysticism as much as those who study literature, the arts and art history.

Taking Hugh of St. Victor's On the Sacraments of the Christian Faith as his source text, Dillard applies the methods of analytic philosophy to develop a systematic theology in the spirit of Christian Platonism, exploring questions that remain pressing for readers interested in philosophy, theology, religion, and the history of medieval thought.