Artist Cat Seto, founder of the acclaimed Ferme à Papier brand, introduces you to the City of Light as never before in this distinctive volume—both a visual feast and celebration of the artistic process—filled with lavish illustrations and descriptive meditations that capture the quotidian pleasures of France’s capital city and how they have inspired creativity. In Impressions of Paris, Cat Seto takes you on a dazzling and enlightening tour of Paris, from familiar sights to hidden surprises, to reveal this legendary city as never before. Combining informative and entertaining vignettes, stories, and notes with stunning full-color illustrations, she draws parallels between the city and the art it inspires. Organized around four main principles of art—color, pattern, perspective, and rhythm—Impressions of Paris is a celebration of the artistic spark in the city’s mundane yet marvelous details: the pistachio and cassis palette triggered by the ice cream case at Berthillon; how a rainy stroll through an open air market transforms into a smudgy gouache (pronounced gwash) pattern; the lovely ubiquity of the iconic French stripe, the Breton. Pretty and inventive, surprising and stimulating, Impressions of Paris captures the beauty and charms of this stunning city and extols its power to stimulate the creative imagination—inviting artists and art appreciators to intimately experience a painter’s process.

Impressions of France traces the development of the French painted landscape from1860 to 1890, a period of dramatic artistic evolution. Taking as his context the Paris Salons - "the central forum for the display of contemporary art in Paris, and the focus for discussions of the state of modern art"--John House explains how the Impressionist landscapes exhibited there both reflected, and forever changed, the cultural tastes of the age.

Phillips presents spirit-lifting takes on classic style from a modern point of view, as she creates twenty-first-century comfort with lasting French flair.

‘Impressions from Paris’ studies the contributions of various women artists and writers who lived in Paris during the Interwar Years, from the 1920s to 1940. The “Roaring Twenties” constituted years of experimentation and freedom to test new techniques and lifestyles at a time affected by serious political changes leading to World War II. Their trajectories have left traces that can be mapped out, studied, and addressed today, a hundred years later. The volume revisits their experiences through various lenses that include art history, gender, fashion, literary analysis, psychology, philosophy, as well as film and food. The volume revisits the artistic, literary, and journalistic contributions of women worldwide, including France, as they flocked to Paris from the 1920s to 1940. The overall principle lies in the inclusion of female painters, visual artists, and writers from diverse international and national backgrounds. Scholars who participate in the volume explore the possibilities presented in a modern literary and artistic history while building on previous scholarship. Two seminal books and a documentary film inspire this project: Shari Benstock’s ‘Women of the Left Bank. Paris 1900-1940’ (Texas UP 1986) and Andrea Weiss’s ‘Paris was a woman. Portraits from the Left Bank’ (HarperSanFrancisco 1995), which in turn produced an eponymous film (Greta Schiller/Andrea Weiss 1996). These works highlight the community of women artists, editors and writers during the interwar years in Paris. There is scholarship in the area, although most of it is scattered in single monographs, crossing various genres, and various languages, from (recent) graphic novels, to fiction, biographical studies, cultural histories as well as scholarly artistic and literary studies.

Matched only by Hemingway’s A Moveable Feast, Paris France is a "fresh and sagacious" (The New Yorker) classic of prewar France and its unforgettable literary eminences. Celebrated for her innovative literary bravura, Gertrude Stein (1874–1946) settled into a bustling Paris at the turn of the twentieth century, never again to return to her native America. While in Paris, she not only surrounded herself with—and tirelessly championed the careers of—a remarkable group of young expatriate artists but also solidified herself as "one of the most controversial figures of American letters" (New York Times). In Paris France (1940)—published here with a new introduction from Adam Gopnik—Stein unites her childhood memories of Paris with her observations about everything from art and war to love and cooking. The result is an unforgettable glimpse into a bygone era, one on the brink of revolutionary change.