This compendium assembles 4 volumes that explore city commons through the works presented at the Seoul Biennale 2017. The first book shows an exploration not of distant utopias, but of the very near future, because the emerging commons is changing the way we connect, make, move, recycle, sense, and share, and the way we manage air, water, energy and the earth. The second book presents contemporary urbanism thoughts on nine imminent commons, which engage collective ecological and technological resources relevant to all cities and even extra-urban territories. The third book sets up a dialogue on the current state and near future of cities of the world through the lens of public initiatives, projects, and urban narratives. The fourth book highlights Seoul's complex urban fabric as a theatre on which the Seoul Biennale was played out. 4 books for the price of 3: Imminent Commons: The Expanded City Imminent Commons: Urban Questions for the Near Future Imminent Commons: Commoning Cities Imminent Commons: Live from Seoul

This book condemns slavery, by appealed to whites' rational self-interest, rather than any altruism towards blacks. Helper claimed that slavery hurt the Southern economy by preventing economic development and industrialization, and that it was the main reason why the South had progressed so much less than the North since the late 18th century.

Architects build in and for a system that is not only pathological, but toxic. It is ruining the only planet we have, and we are clearly at the end of what is still possible within this ecology. The architecture presented in this book is a form of resistance – one which actively engages in the societies and territories it is inscribed in and which presents an antidote to the accelerating banalization of our everyday environments. The search for singularity is not a search for formal distinction or a fetishism of the architectural object, but instead the desire to inscribe oneself into a unique territory and moment in time. This compendium of essays and projects presents a confrontation of radically dissimilar projects which underscores the exploration of architectural empowerment at the core of the o ce’s work. Four themes are presented in four volumes: Cultural Resistance, Occupying Earth, Public Prerogatives, and Territory and Transgressions.