This collection of original essays brilliantly interrogates the often ambivalent place of Africa in the imaginations, cultures and politics of its “New World” descendants. Combining literary analysis, history, biography, cultural studies, critical theory and politics, Imagining Home offers a fresh and creative approach to the history of Pan-Africanism and diasporic movements. A critical part of the book’s overall project is an examination of the legal, educational and political institutions and structures of domination over Africa and the African diaspora. Class and gender are placed at center stage alongside race in the exploration of how the discourses and practices of Pan-Africanism have been shaped. Other issues raised include the myriad ways in which grassroots religious and cultural movements informed Pan-Africanist political organizations; the role of African, African-American and Caribbean intellectuals in the formation of Pan-African thought—including W.E.B. DuBois, C.L.R. James and Adelaide Casely Hayford; the historical, ideological and institutional connections between African-Americans and South Africans; and the problems and prospects of Pan-Africanism as an emancipatory strategy for black people throughout the Atlantic.

Sixteen nationally acclaimed authors reflect on how their Midwestern heritage has affected their attitudes, values, and development as writers. Includes brief biographies and bandw photos of contributors. Annotation copyright by Book News, Inc., Portland, OR

In an age of shifting social and political landscapes, there is one constant challenge individuals and groups have to face: that of internalizing the tension between the two opposing tendencies that rule the world today, homogenization and heterogenization. People transgress the limits of nationality, ethnicity, and culture in order to become citizens of the world, while at the same time longing for stability and certainty. Imagining Home: Exilic Reconstructions in Norma Manea and Andrei Codrescu’s Diasporic Narratives interprets the polymorphous development of two exiled writers’ identities, from the point of view of their “migrant” condition. Their restless, nomadic existence, perfectly reflected in the geographical territories mapped by the books under discussion, involves crossing boundaries, negotiating difference, and the colonizing imposition of a foreign culture. The outcome provides an insight into the concepts of Romanianness and Americanness, analysing them through the notions of alo-images and infra-images, while at the same time developing a context and a reading approach for Eastern European immigrant narratives.

"Houses can become poetic expressions of longing for a lost past, voices of a lived present, and dreams of an ideal future." Carel Bertram discovered this truth when she went to Turkey in the 1990s and began asking people about their memories of "the Turkish house." The fondness and nostalgia with which people recalled the distinctive wooden houses that were once ubiquitous throughout the Ottoman Empire made her realize that "the Turkish house" carries rich symbolic meaning. In this delightfully readable book, Bertram considers representations of the Turkish house in literature, art, and architecture to understand why the idea of the house has become such a potent signifier of Turkish identity. Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity—as well as the social roles of women and the family—could be approached, contested, revised, or embraced during this period of tumultuous change.

The relatively recent "worship wars" over styles of worship — traditional, contemporary, or blended — have calmed down, and many churches have now reached decisions about which "worship style" defines them. At a more fundamental level, however, change has yet to begin. In From Memory to Imagination Randall Bradley argues that fallout from the worship wars needs to be cleaned up and that fundamental cultural changes — namely, the effects of postmodernism — call for new approaches to worship. Outlining imaginative ways for the church to move forward, this book is a must-read for church leaders and anyone interested in worship music.