On the example of the Czech lands, the book discusses the transformation of the representation of Purgatory in the period between the late Reformation debates at the end of the sixteenth century and partial rejection of Purgatory by the so-called reform Catholicism of the late eighteenth century. The authors, moving permanently in-between history and art history, gradually analyse theology, iconography, practice, and reception of Purgatory. They address the questions of space and time in Purgatory, of emotions and the early modern "affects", treatment of images in religious practice, circulation and diffusion of meditative texts and images, or the problem of revenant souls. The book offers a comprehensive consideration of the development of a fascinating cultural phenomenon in a crucial period of significant changes in people’s thoughts and behaviour.

The Vision of Purgatory and Paradise is an unchanged, high-quality reprint of the original edition of 1893. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

After a week of hearing ghostly noises, a man is visited in his home by the spirit of his mother, dead for three decades. She reproaches him for his dissolute life and begs him to have Masses said in her name. Then she lays her hand on his sleeve, leaving an indelible burn mark, and departs... A Lutheran minister, no believer in Purgatory, is the puzzled recipient of repeated visitations from "demons" who come to him seeking prayer, consolation, and refuge in his little German church. But pity for the poor spirits overcomes the man's skepticism, and he marvels at what kind of departed souls could belong to Christ and yet suffer still... Hungry Souls recounts these stories and many others trustworthy, Church-verified accounts of earthly visitations from the dead in Purgatory. Accompanying these accounts are images from the "Museum of Purgatory" in Rome, which contains relics of encounters with the Holy Souls, including numerous evidences of hand prints burned into clothing and books; burn marks that cannot be explained by natural means or duplicated by artificial ones. Riveting!

The concept of Purgatory was a central tenet of late-medieval and early-modern Catholicism, and proved a key dividing line between Catholics and Protestants. However, as this book makes clear, ideas about purgatory were often ill-defined and fluid, and altered over time in response to particular needs or pressures. Drawing upon printed pamphlets, tracts, advice manuals, diocesan statutes and other literary material, the study traces the evolution of writing and teaching about Purgatory and the fate of the soul between 1480 and 1720. By examining the subject across this extended period it is argued that belief in Purgatory continued to be important, although its role in the scheme of salvation changed over time, and was not a simply a story of inevitable decline. Grounded in a case study of the southern and western regions of the ancien régime province of Brittany, the book charts the nature and evolution of 'private' intercessory institutions, chantries, obits and private chapel foundation, and 'public' forms, parish provision, confraternities, indulgences and veneration of saints. In so doing it underlines how the huge popularity of post-mortem intercession underwent a serious and rapid decline between the 1550s and late 1580s, only to witness a tremendous resurgence in popularity after 1600, with traditional practices far outstripping the levels of usage of the early sixteenth century. Offering a fascinating insight into popular devotional practices, the book opens new vistas onto the impact of Catholic revival and Counter Reform on beliefs about the fate of the soul after death.

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In this richly illustrated volume, Paul Binski provides an absorbing account of the social, theological, and cultural issues involved in death and dying in Europe from the end of the Roman Empire to the early sixteenth century. He draws on textual, archaeological, and art historical sources to examine pagan and Christian attitudes toward the dead, the aesthetics of death and the body, burial ritual, and mortuary practice. Illustrated throughout with fascinating and sometimes disturbing images, Binski's account weaves together close readings of a variety of medieval thinkers. He discusses the impact of the Black Death on late medieval art and examines the development of the medieval tomb, showing the changing attitudes toward the commemoration of the dead between late antiquity and the late Middle Ages. In one chapter, Binski analyzes macabre themes in art and literature, including the Dance of Death, which reflect the medieval obsession with notions of humility, penitence, and the dangers of bodily corruption. In another, he studies the progress of the soul after death through the powerful descriptions of Heaven, Hell, and Purgatory in Dante and other writers and through portrayals of the Last Judgment and the Apocalypse in sculpture and large-scale painting.