Originally published in 1989, this book presented the first study of the image of Stalin in literature. Analysing the literary presentaiton of historical character and the treatment of 20th Century tyrants in European prose fiction, the book draws a comparison between the depiction of Hitler in German literature and Stalin in Russian literature. It explores the way in which Stalin has been portrayed by Soviet, emigré Russian, and European writers including Orwell, Nabokov, Mandelstam, Pasternak and Solzhenitsyn. It examines in detail two important novels which had hitherto received little critical attention: the revised (1978) version of Sozhenitsyn's The First Circle and Anatoly Rybakov's Children of the Arbat. This book will be of interest to students of Soviet/Russian literature, history and politics and those intsted in the relationship between history and fiction in the 20th Century.

Originally published between 1952 and 1989 the 3 volumes in this set Utilize unpublished documents to build up a picture of Stalin with all his qualities and faults, crimes & achievements. Examine the change from revolutionism to nationalism which took place in the Soviet Union during the 1930s. Explore the way in which Stalin has been portrayed by Soviet, emigré Russian, and European writers including Orwell, Nabokov, Mandelstam, Pasternak and Solzhenitsyn

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.

This book describes the life of Joseph Stalin, who was the dictator of the Soviet Union from 1928 to 1953.

This biography examines the life of Joseph Stalin using easy-to-read, compelling text. Through striking historical and contemporary images and photographs and informative sidebars, readers will learn about Stalin's family background, childhood, education, and his time as dictator of the Soviet Union. Informative sidebars enhance and support the text. Features include a table of contents, timeline, facts page, glossary, bibliography, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

Originally published between 1926 and 1984, the 6 volumes in this set: Discuss the problems of Leninism and socialist construction, as well as the October Revolution and the relationship of the USSR and the West in the years following the First World War. Give an invaluable picture of what the Russian leader Joseph Stalin understood by Leninism. Provide illuminating study of the political thought and action of the Russian intelligentsia, in the decade up to and including the Revolution of 1905-6. Include the first biography of Lenin which tied together extensive material unearthed in WWII, explaining the complex personality and riddle of Lenin's seemingly impossible rise to power. Critique certain phases of revolutionary dictatorship in Russia. Reconsider the effect of Lenin on the politics and culture of the 20th Century. personality and riddle of Lenin's seemingly impossible rise to power. Critique certain phases of revolutionary dictatorship in Russia. Reconsider the effect of Lenin on the politics and culture of the 20th Century.

This book is devoted to the phenomenon of removal of people declared "public enemies" from group photographs in Stalin’s Russia. The book is based on long-term empirical research in Russian archives and includes 57 photographs that are exceptional in terms of historical interest: all these images bear traces of editing in the form of various marks, such as blacking-out, excisions or scratches. The illustrative materials also include a group of photographs with inscriptions left by officers of Stalin’s secret police, the NKVD. To approach this extensive visual material, Denis Skopin draws on a wealth of Stalin-era written sources: memoirs, diaries and official documents. He argues that this kind of political iconoclasm cannot be confused with censorship nor vandalism. The practice in question is more harrowing and morally twisted, for in most cases the photos were defaced by those who were part of victim’s intimate circle: his/her colleagues, friends or even close family members. The book will be of interest to scholars working in history of photography, art history, visual culture, Russian studies and Russian history and politics.