"This amazing story is marvelously well told, in an exuberant, racing style that makes it impossible to lay the book aside once the first page is read."—San Francisco Chronicle Ill Met By Moonlight is the gripping account of the audacious World War II abduction of a German general from the island of Crete. British special forces officers W. Stanley Moss and Patrick Leigh Fermor, together with a small band of Cretan partisans, kidnapped the general, then evaded numerous German checkpoints and patrols for nearly three weeks as they maneuvered across the mountainous island to a rendezvous with the boat that finally whisked them away to Allied headquarters in Cairo. "It was a mad adventure, and it came off. Moss recorded the whole escapade in a diary, which survives as a thrilling account of one of the most reckless and dramatic actions of the war."—Patrick Leigh Fermor "A twin masterpiece of action and narrative."—Spectator "[An] exciting account of a feat which demanded an extreme of daring and determination."—London Times The 2011 Paul Dry Books edition includes an Afterword by Patrick Leigh Fermor.

GOD (AND ELFLAND) SAVE THE QUEEN Peace reigns in Elfland. Incredibly, King Oberon and his exquisite but willful queen, Titania, are at peace with one another. But still the FarSeers of the Selieghe Court are uneasy. They fear trouble is coming to the mortal world of England, which is close to Elfhame Avalon. King Henry VIII is ageing but the futures shown when the FarSeers lift the great crystal lens are unchanged. The rule of the son Great Harry finally succeeded in begetting will bring gray lives and a misery of dull oppression to England. Worse will come if his eldest daughter comes to the throne--a queen warped by fanaticism who might easily summon the Inquisition to rule by torture and fire, burning out heresy ... and every bright aspect of life. The prize at the end of the rainbow is the possibility of a red-haired queen with lion-gold eyes, brilliant with interest and curiosity, welcoming the blossoming of art, music, and literature. But now the last image is flickering, edged in a dark menace. Years before, Prince Vidal had tried to seize the child Elizabeth and replace her with a simulacrum who would soon die. Vidal had been wounded almost to death in the attempt--but so also had Denoriel, Elizabeth's principal protector. Denoriel is now healing--but so, unbeknownst to those of the Bright Court, is Vidal. And when Vidal wakes to himself, his determination to hurl England into a new dark age is fiercer than ever, fueled by his fury over his defeat and injury. Also, his Dark Court feeds on human suffering and dark emotions. To ensure his own power, he must at all costs prevent Elizabeth from coming to the throne. To gain this goal, Vidal has set in motion a plan of which Denoriel and his comrades are dangerously unaware. . . . At the publisher's request, this title is sold without DRM (Digital Rights Management).

This collection of interconnected essays relates the Undead in literature, art and other media to questions concerning gender, race, genre, technology, consumption and social change. A coherent narrative follows Enlightenment studies of the vampire's origins in folklore and folk panics, the sources of vampire fiction, through Romantic incarnations in Byron and Polidori to Le Fanu's Carmilla. Further essays discuss the Undead in the context of Dracula, fin-de-siècle decadence, Nazi Germany and early cinematic treatments. The rise of the sympathetic vampire is charted from Coppola's film, Bram Stoker's Dracula, to Buffy the Vampire Slayer and Twilight. More recent manifestations in novels, TV, Goth subculture, young adult fiction and cinema are dealt with in discussions of True Blood, The Vampire Diaries and much more. Featuring distinguished contributors, including a prominent novelist, and aimed at interdisciplinary scholars or postgraduate students, it will also appeal to aficionados of creative writing and Undead enthusiasts. www.opengravesopenminds.com

Before I reached the stairwell, I saw something out of the corner of my eye. A strange and beautiful man had dropped to his knees in front of me, unencumbered, unembarrassed. I stopped short. He was slender, almost Asiatic looking, wearing baggy combat trousers and a T-shirt. He was flirting, and then he was laughing at my reaction. There was not much for me to do but also smile... Janine and Bruno first fell in love as young reporters in the besieged city of Sarajevo. Years later - after endless phone calls, much of what the French call malentendu, secret trysts in foreign cities, numerous break-ups, three miscarriages, countless stories of rebel armies and a dozen wars that had passed between them - they arrive in Paris one rainy January to begin a new life together. The remnants of their separate lives, now left behind, are tentatively unpacked into their shared apartment on the Right Bank: Bruno's heavy blanket from Ethiopia, a set of long feathered arrows from Brazil, an ash tray stolen from a hotel in Algeria, and Janine's flak-jacket and canvas boots, still full of sand from the Western Desert in Iraq. But having met in another lifetime - in another world - ordinary, civilian life doesn't come easily. War has become part of them: it had brought them together, and, though both are damaged by it, neither can quite leave it behind. And the difficult journey that follows, through their mix of joy and terror at becoming parents, Bruno's battle with post-traumatic stress and addiction, and Janine's determination to make France her home, leads to an understanding of the truth that people who deeply love each other cannot always live together. A searing, profoundly moving love letter, beautifully written, Ghosts by Daylight is a powerfully raw portrait of marriage and motherhood in the aftermath of war.

The battle over the fate of sixteenth-century England continues as the evil Unseleighe Sidhe, under the dark leadership of Vidal, continue their plans to prevent Elizabeth's rise to the throne.

One of the most daring feats in Patrick Leigh Fermor’s daring life was the kidnapping of General Kreipe, the German commander in Crete, on April 26, 1944. Abducting a General, now published for the first time in the United States, is Leigh Fermor’s own account of the kidnapping. Written in his inimitable prose, and introduced by the acclaimed Special Operations Executive historian Roderick Bailey, it is a glorious firsthand account of one of the great adventures of the Second World War. Also included in this book are Leigh Fermor’s intelligence reports sent from caves deep within Crete, which bring the immediacy of SOE operations vividly alive, as well as the peril under which the SOE and Resistance were operating, and a guide to the journey that Kreipe took, from the abandonment of his car to the embarkation site, so that the modern visitor to Crete can relive this extraordinary trip.