Best-selling author Louise L. Hay has spent her life teaching people that their thoughts create their lives, and she has written numerous books for adults that have helped them discover their own self-worth. Similarly, Louise has always believed that if children could learn the power of their thoughts early on, their journey through life would be happier and more rewarding, with fewer struggles along the way. In this new book, Louise teaches boys and girls about the importance of affirmations—the thoughts and words we use in our daily lives that express what we believe to be true. Within these pages, there are wonderful examples of kids turning "negative" thoughts such as worry, anger, and fear into positive words and actions that express joy, happiness, and love. There are also tips that show children how they can apply affirmations to their daily lives. Vibrant illustrations and simple text make these concepts easy to understand for even the youngest child. Parents and children will have so much fun learning about the power of positive affirmations and what a difference they can make!

A New York Times Best Thriller of the Year An Amazon Best Book of the Month An Apple Best Book of the Month “A tale not just of profound misunderstanding but dynastic wealth and dysfunction, of how money and power can warp a community...[A] shocker of a finale.” —New York Times ''Wicked and smart. Everything you want in a great thriller.'' —Adrian McKinty, New York Times bestselling author of The Chain One secret.Eight cryptic words.Lifetimes of ruin. From the New York Times and internationally bestselling author Wayland Maynard is just eight years old when he sees his father kill himself, finds a note that reads I am not who you think I am, and is left reeling with grief and shock. Who was his father if not the loving man Wayland knew? Terrified, Wayland keeps the note a secret, but his reasons for being afraid are just beginning. Eight years later, Wayland makes a shocking discovery and becomes certain the note is the key to unlocking a past his mother and others in his town want to keep buried. With the help of two friends, Wayland searches for the truth. Together they uncover strange messages scribbled in his father’s old books, a sinister history behind the town’s most powerful family, and a bizarre tragedy possibly linked to Wayland’s birth. Each revelation raises more questions and deepens Wayland’s suspicions of everyone around him. Soon, he’ll regret he ever found the note, trusted his friends, or believed in such a thing as the truth. I Am Not Who You Think I Am is an ingenious, addictive, and shattering tale of grief, obsession, and fate as eight words lead to lifetimes of ruin.

My writing career has been, at least in this one respect, idiosyncratic: it had to mark and chart, step by step, its own peculiar champaign. My earliest papers, beginning in 1942, were technical articles in this or that domain of Uralic linguistics, ethnography, and folklore, with a sprinkling of contributions to North and South American linguistics. In 1954, my name became fecklessly associated with psycholinguistics, then, successively, with explorations in my thology, religious studies, and stylistic problems. It now takes special effort for me to even revive the circumstances under which I came to publish, in 1955, a hefty tome on the supernatural, another, in 1958, on games, and yet another, in 1961, utilizing a computer for extensive sorting of literary information. By 1962, I had edged my way into animal communication studies. Two years after that, I first whiffled through what Gavin Ewart evocatively called "the tulgey wood of semiotics." In 1966, I published three books which tem porarily bluffed some of my friends into conjecturing that I was about to meta morphose into a historiographer of linguistics. The topmost layer in my scholarly stratification dates from 1976, when I started to compile what eventually became my "semiotic tetralogy," of which this volume may supposably be the last. In the language of "Jabberwocky," the word "tulgey" is said to connote variability and evasiveness. This notwithstanding, the allusion seems to me apt.

Who is the strange woman in the white car watching Ginger? She appears at Ginger's birthday party, at her school, and in front of her house, but Ginger has never met her before. When she confronts Ginger, she reveals a secret that will change Ginger's life. And when the woman's confrontations become threatening, Ginger is forced into a crisis of loyalty and honor—a crisis from which her family might never recover.

A memoir in which actor Carroll O'Connor recalls his life, discussing his service in the merchant marine during World War II, his education and early career in Dublin, and his years on "All in the Family"; and sharing the painful story of his son's cocaine addiction and suicide.

This hilarious and thoughtful memoir from comedy legend Anjelah Johnson-Reyes explores questions of identity, belonging, and her two dreams as a kid: to be an actress and to be a chola. You may know Anjelah Johnson-Reyes for her viral sketch "Nail Salon" (over 100 million views globally) or her beloved MadTV character Bon Qui Qui, but it's her clean humor and hilarious storytelling that make her one of the most successful stand-up comedians and actresses today. With her razor-sharp wit, Anjelah recounts funny stories from her journey--from growing up caught between two worlds (do chips and salsa go with potato salad?) to unexpectedly embracing faith ("I love Jesus, but I will punch a 'ho") to her many adventures in dating (she may or may not have accepted dates simply for the food). Through it all, Anjelah transforms from a suburban-adjacent kid with Aquanet-drenched hair into a devoted Christian who abstains from drinking and premarital sex, into a mall-famous Oakland Raiders cheerleader, and then an actually famous comedian traveling the world and meeting people from all-walks of life, including Oprah. No biggie. (Huge biggie.) As she travels the world, Anjelah has eye-opening experiences, and she morphs from square, rigid Anjelah into "Funjelah," and learns that she can still ride with Jesus without squashing the other parts of her personality. Anjelah's stories explore subjects such as navigating your racial identity, finding your place in the world, chasing your crazy dreams, embracing the messiness of an evolving faith, and searching for belonging and meaning. Through her journey, Anjelah gets closer to discovering her true identity and encourages readers to have the audacity to dream big.

Presents a cartoon that depicts the special bond between friends, that thrives on swapping books, mutual reblogs, and the happiness felt when together, known as friend-love.