In a world overtaken by zombies, the only hope for survival lies in learning the language of the undead. How to Speak Zombie demonstrates how to blend in and avoid being eaten while carrying on with everyday activities like ordering a latte from a zombarista and shopping at a zombie-infested mall. This essential guide features an electronic sound module that demonstrates proper zombie pronunciation ("RAHHHhh!"), helpful text that explores the customs and etiquette of the zombie world, and detailed illustrations that show the undead doing everything from pumping iron to dancing the night away. Deeply informative, this handbook also includes an all-purpose BRAINS button that can be used in any situation, deadly or otherwise.

Zombie Talk offers a concise, interdisciplinary introduction and deep analytical set of theoretical approaches to help readers understand the phenomenon of zombies in contemporary and modern culture. With essays that combine Humanities and Social Science methodologies, the authors examine the zombie through an array of cultural products from different periods and geographical locations: films ranging from White Zombie (1932) to the pioneering films of George Romero, television shows like AMC's The Walking Dead, to literary offerings such as Richard Matheson's I am Legend (1954) and Seth Grahame-Smith's Pride, Prejudice and Zombies (2009), among others.

In Living with the Living Dead, Greg Garrett shows that the zombie apocalypse has become an archetypal narrative for the contemporary world, in part because zombies can represent a variety of global threats, from terrorism to Ebola, from economic uncertainty to mental illness. But paradoxically this narrative also offers human beings a chance to find emotional and spiritual comfort; these apocalyptic stories about individuals facing the imminent prospect of grisly death also offer us wisdom about living in community, present us with real-world ethical problems, and invite us into a conversation.

"I talked with a zombie"--it DOES seem like an odd thing to say! But for more than 25 years, Tom Weaver has been chatting up zombies and many other vintage movie monsters, along with the screenwriters, producers, directors and actors responsible for bringing them to life. In this compilation of interviews, 23 more veterans share their stories--strange, frightening and even a little funny--this time with an increased emphasis on genre television series courtesy of the stars of The Time Tunnel; Rocky Jones, Space Ranger; Tom Corbett, Space Cadet; Planet of the Apes; and The Wild Wild West. The many other interviewees include Tandra Quinn (Mesa of Lost Women), Eric Braeden (Colossus: The Forbin Project), Ann Carter (The Curse of the Cat People), Laurie Mitchell (Queen of Outer Space) and monster music maestro Hans J. Salter.

NATIONAL BESTSELLER • From the two-time Pulitzer Prize-winning author of The Underground Railroad and The Nickel Boys: A pandemic has devastated the planet, sorting humanity into two types: the uninfected and the infected, the living and the living dead. • "One of the best books of the year." —Esquire After the worst of the plague is over, armed forces stationed in Chinatown’s Fort Wonton have successfully reclaimed the island south of Canal Street—aka Zone One. Mark Spitz is a member of one of the three-person civilian sweeper units tasked with clearing lower Manhattan of the remaining feral zombies. Zone One unfolds over three surreal days in which Spitz is occupied with the mundane mission of straggler removal, the rigors of Post-Apocalyptic Stress Disorder (PASD), and the impossible task of coming to terms with a fallen world. And then things start to go terribly wrong… At once a chilling horror story and a literary novel by a contemporary master, Zone One is a dazzling portrait of modern civilization in all its wretched, shambling glory. Look for Colson Whitehead’s new novel, Crook Manifesto, coming soon!

Algonquin “Ali” Rhodes, the high school newspaper’s music critic, meets an intriguing singer, Doug, while reviewing a gig. He’s a weird-looking guy—goth, but he seems sincere about it, like maybe he was into it back before it was cool. She introduces herself after the set, asking if he lives in Cornersville, and he replies, in his slow, quiet murmur, “Well, I don’t really live there, exactly. . . .” When Ali and Doug start dating, Ali is falling so hard she doesn’t notice a few odd signs: he never changes clothes, his head is a funny shape, and he says practically nothing out loud. Finally Marie, the school paper’s fashion editor, points out the obvious: Doug isn’t just a really sincere goth. He’s a zombie. Horrified that her feelings could have allowed her to overlook such a flaw, Ali breaks up with Doug, but learns that zombies are awfully hard to get rid of—at the same time she learns that vampires, a group as tightly-knit as the mafia, don’t think much of music critics who make fun of vampires in reviews. . . .

BOOK 1 OF THE WHITE RABBIT CHRONICLES She won't rest until she's sent every walking corpse back to its grave. Forever. Had anyone told Alice Bell that her entire life would change course between one heartbeat and the next, she would have laughed. But that's all it took. One heartbeat. A blink, a breath, a second, and everything she knew and loved was gone. Her father was right. The monsters are real. To avenge her family, Ali must learn to fight the undead. To survive, she must learn to trust the baddest of the bad boys, Cole Holland. But Cole has secrets of his own, and if Ali isn't careful, those secrets might just prove to be more dangerous than the zombies.