The great eighteenth century portraitist comes to life in this “gritty, bawdy and funny” rags to riches novel told in the voice of the artist himself (The New York Times). William Hogarth was London’s artist par excellence, and his work—especially his satirical series of “modern moral subjects”—supplies the most enduring vision of the ebullience, enjoyments, and social iniquities of the eighteenth century. And in I, Hogarth, he tells a ripping good yarn. From a childhood spent in a debtor’s prison to his death in the arms of his wife, Hogarth recounts the incredible story of how he maneuvered his way into the household of prominent artist Sir James Thornhill, and from there to become one of England’s best portrait painters. Through his marriage to Jane Thornhill, his fight for the Copyright Act, his unfortunate dip into politics, and his untimely death, “the voice in which Dean’s Hogarth tells his own story is rich and persuasive . . . Like stepping into a Hogarth painting” (The New York Times). “A brilliant exercise in imagination and storytelling.” —Kirkus Reviews (starred review)

How William Hogarth and artists across Europe captured the new modernity of the 18th century, revealing themes still strikingly relevant today Illustrating the full range of Hogarth's most important paintings and prints, this book shows them in a new light, juxtaposed with work by major European contemporaries who influenced him or took their inspiration from him in their painting of modern life--including Watteau, Chardin, Troost, and Longhi. Hogarth is revealed not only as a key figure in British art history, but also as a major European artist. It is also a tale of four cities: London, Paris, Venice, and Amsterdam, represented in maps from the period. The themes of city life, social protest, sexuality, and satire, which come to the fore in the art of Hogarth and his contemporaries, are very much alive today.

When a party commemorating the anniversary of a gruesome killing at the infamous Boy Meets Girl Inn ends in a bloodbath, Noelle Dixon’s diary becomes the key piece of evidence. But the cryptic entries suggest there’s more to the bizarre case than can be rationally explained.

Traces the career of the English artist and satirist, and depicts life in eighteenth-century England

Rake's Progress, Harlot's Progress, Illustrations for Hudibras, Before and After, Beer Street, and Gin Lane, 96 more. Commentary by Sean Shesgreen.

Hogarth was one of the great 18th-century painters, a marvellous colourist and innovator at all levels of artistic expression. Art historian David Bindman surveys the works of this artist whose wry humour and sharp wit were reflected in his prolific paintings and prints including The Rakes Progress and Marriage-A-la-Mode. Hogarth was also a master of pictorial satire, highlighting the moral and political hypocrisies of the day with delightful detail and comedy themes that resonate deeply with our times. The artist was a keen observer of class and society; this new edition has been specially updated to include a discussion of Hogarths many representations of Black people in 18th-century Britain, a subject that has long been overlooked. Now revised with additional material and illustrated in colour throughout, this is a vivid and incisive study of the man and his art.

William Hogarth (1697-1764) was among the first British-born artists to rise to international recognition and acclaim and to this day he is considered one of the country's most celebrated and innovative masters. His output encompassed engravings, paintings, prints, and editorial cartoons that presaged western sequential art. This comprehensive catalogue of his paintings brings together over twenty years of scholarly research and expertise on the artist, and serves to highlight the remarkable diversity of his accomplishments in this medium. Portraits, history paintings, theater pictures, and genre pieces are lavishly reproduced alongside detailed entries on each painting, including much previously unpublished material relating to his oeuvre. This deeply informed publication affirms Hogarth's legacy and testifies to the artist's enduring reputation. Published for the Paul Mellon Centre for Studies in British Art