A day in the life of a mad housewife in Manhattan: “One of the truest and most awesome books I have ever read” (The Scotsman). She was born Mary Dunne. A New York actress in a stalled career, she’s previously been known as Maria and Martha. Married three times, she’s also been called Mrs. Phelan, Mrs. Bell, and currently, Mrs. Terence Lavery—wife of the esteemed playwright. No wonder Mary Dunne forgot her name this morning at the hairdresser. She has no idea who she is anymore. Or maybe she’s just crazy. She’s curious to find out. Over the course of a single day, Mary tries to recall more than her name. But as memories of her past come trickling back—infuriating, illuminating, and grievous—she realizes there’s so much she’d prefer to forget. As she tries to escape what she calls “the dooms,” Mary must confront what she’s done with her life—deliberately, haplessly, or by default. If only she were going crazy; it would be so much easier to explain it all away. Hailed by the Globe and Mail as a “feminist novel written before the wave of feminist novels began,” I Am Mary Dunne is “as complex and satisfying as anything Moore has yet done” (The Observer).

“I adored stepping into to the world of the Prines through tough-as-rawhide Mary Pearl. Light Changes Everything is a novel as gritty and authentic as the women of the Arizona Territory. Nancy E. Turner brings the west and its people fully to life.” –Lisa Wingate, #1 New York Times bestselling author of Before We Were Yours Bestselling author Nancy E. Turner returns to the world of Sarah Agnes Prine through the wide-eyes of her irrepressible young niece, Mary Pearl. It’s the summer of 1907 and the sun is scorching down on Mary Pearl in the Arizona Territory. Mary Pearl and her sister Esther take their minds off the heat by sneaking banned Jane Austen novels from Aunt Sarah Elliot’s lively bookshelf. Whispered read alouds preoccupy their nights, and reveries of getting hitched to their own Mr. Darcy à la Pride and Prejudice swirl through their day dreams. In walks old-fashioned old-money suitor Aubrey Hanna, here to whisk seventeen year old Mary Pearl off her feet with a forbidden kiss and hasty engagement. With the promise of high society outings and a rich estate, Aubrey’s lustful courtship quickly creates petty tension among the three generations of Prine women. As autumn approaches all too quickly, Mary Pearl’s Wheaton College acceptance counters quick marriage preparations. Days of travel by horse and by train carry her deep into a sophisticated new world of Northern girls’ schooling. Seeking friendship but finding foes, Mary Pearl not only learns how to write, read, and draw, but also how to act, dress, and be a woman. Light Changes Everything is the story of a resilient young feminist a century ahead of her time. Full of gumption and spirit, Mary Pearl’s evocative coming of age tale is destined to be the next American classic.

Brian Moore (1921 1999) is one of the few novelists whose literary portrayal of Catholicism effectively spans the period prior to and following the Second Vatican Council. Many critics have discussed how Moore's life is reflected in his works, while others have dismissed his fictions as simple narratives in the mould of classical realism. In this timely book, Gearon contends that Moore's fictions are far more complex, as he was one of the great observers of Catholicism in all its modern and historical controversy. .

This is the story of the Trial of the Century as only Dominick Dunne can write it. Told from the point of view of one of Dunne's most familiar fictional characters-Gus Bailey-Another City, Not My Own tells how Gus, the movers and shakers of Los Angeles, and the city itself are drawn into the vortex of the O.J. Simpson trial. We have met Gus Bailey in previous novels by Dominick Dunne. He is a writer and journalist, father of a murdered child, and chronicler of justice-served or denied-as it relates to the rich and famous. Now back in Los Angeles, a city that once adored him and later shunned him, Gus is caught up in what soon becomes a national obsession. Using real names and places, Dunne interweaves the story of the trial with the personal trials Gus endures as he faces his own mortality. By day, Gus is at the courthouse, the confidant of the Goldman and Simpson families, the lawyers, the journalists, the hangers-on, even the judge; at night he is the honored guest at the most dazzling gatherings in town as everyone-from Kirk Douglas to Heidi Fleiss, from Elizabeth Taylor to Nancy Reagan-delights in the latest news from the corridors of the courthouse. Another City, Not My Own does what no other book on this sensational case has been able to do because of Dominick Dunne's unique ability to probe the sensibilities of participants and observers. This book illuminates the meaning of guilt and innocence in America today. A vivid, revealing achievement, Another City, Not My Own is Dominick Dunne at his best.