Multimedia expressions of a universal human impulse: the desire to record our daily lives, from cave paintings to TikTok Home movies capture everything from mundane events to rites of passage: a child's first steps, a family vacation or a birthday party. These everyday subjects that fascinate amateur filmmakers have also long inspired visual artists. I AM HERE presents home movies alongside art by Njideka Akunyili Crosby, Nicole Eisenman, Keith Haring, David Hockney, Arthur Jafa, Ed Ruscha and others, as well as personal artifacts including family photo albums, mixtapes, time capsules, postcards and home movies. This book embraces a more-is-more visual approach with reproductions of art and film stills, plus an eye-popping cover by Toronto-based artist Fiona Smyth.

Film is the art form of our times. It has formed the background of our lives, informed visual arts practices, and formed our culture's stories, its memory. Moments of Perceptionis a landmark book. The first history of twentieth and early-twenty-first-century Canadian experimental filmmaking, it maps avant-garde films from the 1950s to the present day, including their contradictions and complexities. Experimental film is political in its very existence, critical of the status quo by definition. In Canada, some of the country's best-known artists took up the moving image as a form of artistic expression, allowing them to explore explicitly political themes. Mike Hoolboom's exposure of the horror of AIDS, Josephine Massarella's concern for the environment, and Joyce Wieland's satiric look at US patriotism are just a few examples of work that contributed to social movementsand provided a means to explore issues of race and gender and LGBTQ2S+ and Indigenous identities. Featuring a major essay on the history of the movement by film scholar Mike Zryd and profiles of key filmmakers by film historian Stephen Broomer and editors Jim Shedden and Barbara Sternberg, Moments of Perceptionoffers a fresh perspective on the ever-evolving history of Canada's experimental film and moving-image media arts.

Artists: Tristan Adams, Jan Allen, Michael Amar, Kristi Allik, Mary Lou Ashton, Joanne Bigham, Michael Drew Campbell, May Chan, Maralynn Cherry, Jeff Childs, Shayne Dark, Alan Dickson, Doug Donley, Ron Edding, Sam Erenburg, Alan Flint, Eric Folsom, Kathleen Gillis, V. Jane Gordon, Mary Green, Ryszard Litwiniuk, Mary Ellen Long, Jerry McDonald, Laurie McGugan, Louise McKissick, Anita Mitra, Robert Mulder, David Nagy, Alex Oliphant, Robert Park, Daniel-Jean Primeau, Jocelyn Purdie, Reinhardt Reitzenstein, Carol Lee Riley, Bill Roff, Jenny San Martin, Kaija Savinainen-Mountain, Glen Shoalts, Ron Snapp, Penelope Stewart, Aida Sulcs-Mcdonald, Joseph Tabah, Wayne Tousingnant, Bill Vazan, Deborah Washington, Karen Joan Watson, Richard Watts, Robert Wiens, Gayle Young.

The new novel from the author of As We Have Always Done, a poetic world-building journey into the power of Anishinaabe life and traditions amid colonialism In fierce prose and poetic fragments, Leanne Betasamosake Simpson’s Noopiming braids together humor, piercing detail, and a deep, abiding commitment to Anishinaabe life to tell stories of resistance, love, and joy. Mashkawaji (they/them) lies frozen in the ice, remembering the sharpness of unmuted feeling from long ago, finding freedom and solace in isolated suspension. They introduce the seven characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman, their conscience; Sabe, a gentle giant, their marrow; Adik, the caribou, their nervous system; and Asin and Lucy, the humans who represent their eyes, ears, and brain. Simpson’s book As We Have Always Done argued for the central place of storytelling in imagining radical futures. Noopiming (Anishinaabemowin for “in the bush”) enacts these ideas. The novel’s characters emerge from deep within Abinhinaabeg thought to commune beyond an unnatural urban-settler world littered with SpongeBob Band-Aids, Ziploc baggies, and Fjällräven Kånken backpacks. A bold literary act of decolonization and resistance, Noopiming offers a breaking open of the self to a world alive with people, animals, ancestors, and spirits—and the daily work of healing.

"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.

With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever. “Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason. Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams!

The Emmy Award-winning producer of PBS’s Masterpiece Theatre and Mystery! reveals the secrets to Downton Abbey, Sherlock, and its other hit programs For more than twenty-five years and counting, Rebecca Eaton has presided over PBS’s Masterpiece Theatre, the longest running weekly prime time drama series in American history. From the runaway hits Upstairs, Downstairs and The Buccaneers, to the hugely popular Inspector Morse, Prime Suspect, and Poirot, Masterpiece Theatre and its sibling series Mystery! have been required viewing for fans of quality drama. Eaton interviews many of the writers, directors, producers, and other contributors and shares personal anecdotes—including photos taken with her own camera—about her decades-spanning career. She reveals what went on behind the scenes during such triumphs as Cranford and the multiple, highly-rated programs made from Jane Austen’s novels, as well as her aggressive campaign to attract younger viewers via social media and online streaming. Along the way she shares stories about actors and other luminaries such as Alistair Cooke, Maggie Smith, Diana Rigg, Benedict Cumberbatch and Daniel Radcliffe, whose first TV role was as the title character in David Copperfield. Readers will also get to know Eaton on a personal level. With a childhood steeped in theater, an affinity for nineteenth century novels and culture, and an “accidental apprenticeship” with the BBC, Eaton was practically born to lead the Masterpiece and Mystery! franchises. Making Masterpiece marks the first time the driving force behind the enduring flagship show reveals all.