One of the foremost Native writers in North America, Lee Maracle links her First Nations heritage with feminism in this visionary book. "Maracle has created a book of true wisdom, intense pride, sisterhood and love." -Milestones Review

(Applause Books). I Am A Woman is a journey, not through time so much as through realms of consciousness expressed in the haunting voices of some of literature's most powerful women. Together, on the page or in performance, these voices weave a powerful and haunting tapestry. Each woman's struggle permeates another's triumph, and each triumph rings with the irony of its passing. Here is a repertoire of the heart. Among the selections: Pentimento * Diary of Anne Frank * Lady Chatterly's Lover * A Conversation Against Death * The Liberated Orgasm * Little Girl My Stringbean My Lovely Woman * Dance of Death * In My Mother's House * The Madwoman of Chaillot * Lovers and Other Strangers * Misalliance.

Everyday life may be rife with challenges for the modern woman, but she prevails with her hip humor and sassy sentiments. We may be invincible, but we are also tired; we may be quirky and stressed, but we also know how to live and love large, with attitude. Here is a book that celebrates you in all your outrageous glory.

The Woman I Am is an incredibly inspiring autobiography by Helen Reddy, the woman who made "I Am Woman, Hear Me Roar" a household phrase. With her song "I Am Woman," Reddy provided the feminist anthem of the 1970s. She became the first Australian to win a Grammy, to have her own prime-time variety show on a U.S. television network, and to have three number-one singles in the same year. Then, at the height of her career, Reddy's world was shattered by the death of both her parents, and simultaneously, the news that she had a rare, incurable disease. In this riveting, frank, and ultimately brave memoir, Reddy reveals the emotional highs and lows that have shaped her as an artist and as a complex woman, with a rich inner life sustained by a strong spiritual faith.

Swedish artist Lotta Antonsson's recent work recalls her fascination with the late 1960s and '70s, in a style "where documentary and fiction blur in a merging of social and sexual revolutions" according to the essay by Patrik Andersson. From a process that utilizes techniques of collage and montage emerges a very personal way of looking at the ephemeral nature of things, whether printed matter (magazines, books) or natural objects (shells, minerals, driftwood). Antonsson's analogue cuts and repetitions seize upon the allegorical potential of image fragments, freeing fashion and erotic photography in an exploration into the gendered side of this clichéd history.

Lyrics and guitar chords for traditional and modern folk songs.