Anecdotal accounts of the most successful, most outrageous, and most expert scammers, flim-flammers, swindlers, and sharpers of the past two hundred years provide grist for Barnum's mill

This ethnography of NYC’s scammers presents “a revealing portrait of a critical but little known element of city life…timely, incisive, and poignant” (Elijah Anderson, author of Code of the Street). This vivid account of hustling in New York City explores the sociological reasons why con artists play their game and the psychological tricks they use to win it. Sociologists Terry Williams and Trevor B. Milton spent years with New York con artists to uncover their secrets. The result is an unprecedented view into how con games operate, whether in back alleys and side streets or in police precincts and Wall Street boiler rooms. Whether it's selling bootleg goods, playing the numbers, squatting rent-free, scamming tourists with bogus stories, selling knockoffs on Canal Street, or crafting Ponzi schemes, con artists use verbal persuasion, physical misdirection, and sheer charm to convince others to do what they want. Williams and Milton examine this act of performance art and find meaning in its methods. Through their sophisticated exploration of the personal experiences and influences that create a successful hustler, they build a portrait of unusual emotional and psychological depth. This engaging ethnography demonstrates how the city's unique urban and social architecture lends itself to the perfect con.

Ranging from pool hustling to pornography, this book analyzes deviant branches of American life, dispels misconceptions about them, and throws new light on sociological theory and method. Each chapter radically dissents from one or more mainstream opinions about deviance. The first chapter examines the alleged causes for the decline of American poolrooms and finds them wanting, traces the rise and fall of poolrooms to historical changes in America's social structure, and cogently dissects the recent poolroom revival. The second chapter, reports a field study of a deviant occupation, pool hustling, describing the hustler's work situation and career from recruitment to retirement. In revealing how pool hustlers, although dedicated wholly to a vocation that merely breaks unenforced gambling laws, frequently supplement their income by means of outright felonies, the author develops a new theory of "crime as moonlighting." The third chapter sharply criticizes our criminology textbooks for avoiding the study of uncaught adult criminals in their natural environments. It demonstrates such research to be both necessary and practical with career felons as well as moonlighters. The author describes field techniques he has used with career felons, offers new findings gleaned by means of these techniques, and answers moral objections to such research. The forth chapter presents the first genuinely empirical study of the beat delinquent sub-culture, in which the author corrects some journalistic views such as that most beats are exhibitionists and some sociological ones such as that "retreatist" drug-users can meet neither legitimate nor criminal success norms. The final chapter, on the sociology of pornography, holds that the courts are wrong to claim that naturalistic erotic art is non-pornographic, and wronger still to claim that hard-core pornography is, in Mr. Justice Brennan's words, "utterly without redeeming social importance." The author's unusual blend of

Once I hear the clatter of chips I almost go into convulsions," said Dostoyevsky, while Anatole France wrote, "The gambler is driven by the fascination of danger at the bottom of all great passions." The characters the reader meets in Players—chess grand masters, poolroom hustlers, or street-hardened practitioners of the short con—are all alike propelled by the ecstasy of risk. "The stake is money," France wrote, "in other words, immediate, infinite possibilities." In fact, as the reader hooks up with David Mamet in the poker room and meets Damon Runyon's Bookie Bob, Saul Bellow's immortal Yellow Kid, and learns from Herbert Asbury about the antics of Izzy and Moe, and from David Maurer about the discreet charm of the confidence man, Walter Tevis on Fast Eddie Felson and Minnesota Fats on the seductions of nineteenth-century gambling dens, high lives and low will merge and the world of gambler and con-artist will blur. Selected writings by Jorge Luis Borges, Hunter S. Thompson, Nick Tosches, and many others are featured.

True stories of nineteenth-century crooks, con artists, and quacks—including the man who “sold” the Brooklyn Bridge. Gunslingers and outlaws weren’t the only ones who made the West wild. The nineteenth century was the golden era of riverboat gamblers, crooked railroad contractors, and filthy-rich medical quacks. These crooks made a living deceiving people who took a stranger at face value and left their doors unlocked. Throw in some get-rich-quick schemes and a generous mixture of whiskey and there was never a shortage of suckers. Conman George Parker was able to stay in business for forty years by “selling” public structures such as Madison Square Garden and the Statue of Liberty. He even “sold” the Brooklyn Bridge as often as twice a week. For most, the Salted Gold Mine or the Magic Wallet cons were enough to satisfy their greed. However, the more ambitious grifters tried the Big Store, an illegal underground betting parlor like the one seen in the movie The Sting. With an honest-looking face and a lack of morals, these scammers played a big role in giving the frontier its lawless reputation—and this book tells their stories.

In our everyday walk in life we have experiences that shape our hearts and mind which direct the path we take and the decisions we make. We must learn to use wisdom along with the skills and abilities we acquire to create avenues that help move us forward. The Vision, a work of urban fiction inspired by actual events, narrates a story of what happens when individuals are motivated and determined to make a positive difference in life. It shows how forces and events move in ways to help accomplish the things that motivated them to take action. It communicates how we all have a purpose in life, how discovering and fulfilling that purpose benefits the world and everyone in it.

Counterculture, while commonly used to describe youth-oriented movements during the 1960s, refers to any attempt to challenge or change conventional values and practices or the dominant lifestyles of the day. This fascinating three-volume set explores these movements in America from colonial times to the present in colorful detail. "American Countercultures" is the first reference work to examine the impact of countercultural movements on American social history. It highlights the writings, recordings, and visual works produced by these movements to educate, inspire, and incite action in all eras of the nation's history. A-Z entries provide a wealth of information on personalities, places, events, concepts, beliefs, groups, and practices. The set includes numerous illustrations, a topic finder, primary source documents, a bibliography and a filmography, and an index.