Learn all about animal and human body parts, the similarities and differences. From the giraffe's long neck and the owl who can practically turn its heads right round to differences in skin, hair fur and teeth, explore human and animal bodies. The Human Body, Animal Bodies series looks at the features and function of the human body in isolation and also in comparison to those of different animals, looking at similarities and differences. The end of each book will look at sorting the featured creatures into their animal groups, using the classification information learnt throughout.

A colourful book about the senses in human and animal bodies. Learn all about animal and human body parts, the similarities and differences. Explore how humans and animals use their senses, from ear shapes special senses, such as the platypus electricity sensing. The Human Body, Animal Bodies series looks at the features and function of the human body in isolation and also in comparison to those of different animals, looking at similarities and differences. The end of each book will look at sorting the featured creatures into their animal groups, using the classification information learnt throughout.

Learn all about animal and human body parts and their similarities and differences. From the giraffe's long neck and the owl who can practically turn its head right round to differences in skin, hair fur and teeth, explore human and animal bodies. The Human Body, Animal Bodies series looks at the features and function of the human body in isolation and also in comparison to those of different animals, looking at similarities and differences. The end of each book looks at sorting the featured creatures into their animal groups, using the classification information learnt throughout. Perfect for readers aged 5 and up.

Animal Bodies, Renaissance Culture examines how the shared embodied existence of early modern human and nonhuman animals challenged the establishment of species distinctions. The material conditions of the early modern world brought humans and animals into complex interspecies relationships that have not been fully accounted for in critical readings of the period's philosophical, scientific, or literary representations of animals. Where such prior readings have focused on the role of reason in debates about human exceptionalism, this book turns instead to a series of cultural sites in which we find animal and human bodies sharing environments, mutually transforming and defining one another's lives. To uncover the animal body's role in anatomy, eroticism, architecture, labor, and consumption, Karen Raber analyzes canonical works including More's Utopia, Shakespeare's Hamlet and Romeo and Juliet, and Sidney's poetry, situating them among readings of human and equine anatomical texts, medical recipes, theories of architecture and urban design, husbandry manuals, and horsemanship treatises. Raber reconsiders interactions between environment, body, and consciousness that we find in early modern human-animal relations. Scholars of the Renaissance period recognized animals' fundamental role in fashioning what we call "culture," she demonstrates, providing historical narratives about embodiment and the cultural constructions of species difference that are often overlooked in ecocritical and posthumanist theory that attempts to address the "question of the animal."

This volume grew out of an interdisciplinary discussion held in the context of the Leverhulme-funded project 'Changing Beliefs in the Human Body', through which the image of the body in pieces soon emerged as a potent site of attitudes about the body and associated practices in many periods. Archaeologists routinely encounter parts of human and animal bodies in their excavations. Such fragmentary evidence has often been created through accidental damage and the passage of time - nevertheless, it can also signify a deliberate and meaningful act of fragmentation. As a fragment, a part may acquire a distinct meaning through its enchained relationship to the whole or alternatively it may be used in a more straightforward manner to represent the whole or even act as stand-in for other variables. This collection of papers puts bodily fragmentation into a long-term historical perspective. The temporal spread of the papers collected here indicates both the consistent importance and the varied perception of body parts in the archaeological record of Europe and the Near East. By bringing case studies together from a range of locations and time periods, each chapter brings a different insight to the role of body parts and body wholes and explores the status of the body in different cultural contexts. Many of the papers deal directly with the physical remains of the dead body, but the range of practices and representations covered in this volume confirm the sheer variability of treatments of the body throughout human history. Every one of the contributions shows how looking at how the human body is divided into pieces or parts can give us deeper insights into the beliefs of the particular society which produced these practices and representations.

Everyone's body has many internal systems and external parts, all working together to ensure they can function properly and be healthy. In this volume, readers will learn about the ways their body works and what happens within each body part. They can compare many human body parts to those of animals as the similarities and differences between the two are explored. Age-appropriate text is paired with eye-catching graphics to teach readers important scientific concepts that further their learning outside the classroom.