Giving voice to the women who worked as maids—known as "house-girls" in the Pacific islands of Vanuatu—is the goal of this innovative work. The stories the women tell resonate with the experiences of domestic workers around the world; their histories contribute to theorizing intimacy and traveling culture; and their struggles with adverse working conditions help find solutions, which are outlined at the end of the book. In addition to contributions by the editors, workshop reports by eleven ni-Vanuatu women fieldworkers and ten others who spoke about their lives as house-girls are included. These reports detail ni-Vanuatu women’s experiences as domestic workers during the colonial period. One chapter presents an elderly French woman’s recollections of the Vietnamese orphan who grew up in her home and worked as a house-girl. Material from contemporary house-girls appears in a final chapter based on research conducted in Port Vila.

A powerful and intensely moving true-life account from two sisters who wereamong the very few children to survive Auschwitz. For readers of Lily'sPromise and The Tattooist of Auschwitz, Always Remember Your Name is anunforgettable story of the power of sisterhood, and of how a mother's lovetriumphed over impossible odds.

The House of Remember When focuses on a middle-aged man, Neil Moreland, who is dealing with a broken marriage, a boring job, and an estranged father suffering from dementia. Written in first-person narrative, the story weaves significant life events into his present-day problems as Neil attempts to put his life and family back together. From the beginning, Neil is drawn to an old abandoned home that turns out to be a time portal that allows him to go back in time to relive past moments in his life. With the help of a guide, Dobie, he chooses events that had a significant negative or positive impact on his life and personality. Unlike with a theoretical time machine, Neil is not able to change his actions or the outcome of the previous event, but he is able to review the experience and see it from a new perspective. In the process, Neil is better able to deal with the death of a significant loved one and to fill the emptiness in his life. Learning that faith and trust are critical to any relationship, Neil takes one last trip back in time to his wedding day to review his vows to his wife, Rachel.

Nancy Mairs reconstructs her past by exploring her erotic and emotional development in order to lay claim to her life—and women's lives in general. Lyrical, intense, and particular, flouting taboos and self-censorship, this acclaimed memoir explores the spaces that have shaped a life, including the "bone house" of her body.

Winner of the PEN Center USA Literary Award for Creative Nonfiction From Chicago to Mexico, the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, a place where she could truly take root, has eluded her. In this jigsaw autobiography, made up of essays and images spanning three decades-and including never-before-published work-Cisneros has come home at last. Written with her trademark lyricism, in these signature pieces the acclaimed author of The House on Mango Street and winner of the 2019 PEN/Nabokov Award for Achievement in International Literature shares her transformative memories and reveals her artistic and intellectual influences. Poignant, honest, and deeply moving, A House of My Own is an exuberant celebration of a life lived to the fullest, from one of our most beloved writers.

Tells the full story of house music in Chicago, from its emergence to its queer remediation to its memorialization from the late '70s to the present.

Today, no matter where you are in the world, you can turn on a radio and hear the echoes and influences of Chicago house music. Do You Remember House? tells a comprehensive story of the emergence, and contemporary memorialization of house in Chicago, tracing the development of Chicago house music culture from its beginnings in the late '70s to the present. Based on expansive research in archives and his extensive conversations with the makers of house in Chicago's parks, clubs, museums, and dance studios, author Micah Salkind argues that the remediation and adaptation of house music by crossover communities in its first decade shaped the ways that Chicago producers, DJs, dancers, and promoters today re-remember and mobilize the genre as an archive of collectivity and congregation. The book's engagement with musical, kinesthetic, and visual aspects of house music culture builds from a tradition of queer of color critique. As such, Do You Remember House? considers house music's liberatory potential in terms of its genre-defiant repertoire in motion. Ultimately, the book argues that even as house music culture has been appropriated and exploited, the music's porosity and flexibility have allowed it to remain what pioneering Chicago DJ Craig Cannon calls a "musical Stonewall" for queers and people of color in the Windy City and around the world.