A man, an amputee, a dual amputee, wanders the West alone on half of a foot to discover what life has to offer. He takes off, running the only way he still knows how, in a car. A car procured from selling his prosthetic leg (the expensive one) on eBay. This true tale follows him on an adventure to angelic views in Zion National Park, to the top of the world in Death Valley, to mingling with the rainbow people, to pushing himself around in a wheelchair on the streets of Las Vegas, Nevada. The story turns back to how he found himself 'hopping' about and the drug addiction which caused it. While purposely estranged from his family, he learns mingling with others to accept differences and to resist judgement. Also, the deep importance of family. And most importantly that 'we are not defined by our mistakes'.

If Mr. Rabbit had to change one thing in his life-well, he wouldn't. His best friend Benny the Bunny could not agree more. The two wawas enjoy a vibrant life together on the Upper West Side of New York City. Their cozy days are filled with flowers, friends, and fresh strawberries smothered in whipped cream. That all changes when Benny's past comes knocking on the door of Apartment 1K in the form of Custerd the Cat. He's orange. He's outrageous. He's Boca Raton's leading feline bon vivant. And he is a cat with a plan. The wawas soon find themselves on a journey to find a lost friend that takes them across the Australian outback to a grand fortress, mysterious and dark. Will the wawas confront their greatest fears in order to find their friend? Or, like so many other wawas before them, will they end up lost without any hope of being found? Hop-About features beautifully crafted characters that overflow with humor and pathos as they confront the realities of our world today. Climate change, wildfire, callous indifference, trauma, and profound loss haunt the wawas' journey. But kindness, courage, friendship, and love are the ingredients in a powerful antidote that is needed now more than ever.

“The Hop is a fresh ode to sisterhood and sexual agency that crackles with verve and wit. I couldn't put it down.”—Gabriela Garcia, author of the New York Times bestseller and Good Morning America Pick Of Women and Salt "Clarke refuses to turn this story into a morality play…[and her] newly rich and famous [protagonist] doesn’t turn away from sex work. Instead, she uses her new freedom to imagine what sex work might look like if its practitioners were truly empowered and autonomous. Like Clarke’s debut, this is technically adventurous, politically relevant, and emotionally engaging." --Starred Kirkus Review A page-turning feminist novel that tells the story of a poor scrappy girl from rural New Zealand who grows reluctantly into a sex icon, the face of a movement, and a mother, all at the same time. Kate Burns grows up wanting attention from her Ma, but her Ma wants only money and Kate learns how to get both. She and her childhood friend, Lacey, run kissing lessons for cash in the janitor’s closet of Fenbrook High, and just like that, they find themselves in the sex work industry. From there, they go on to work at The Purple Panther, a strip club in Auckland. When Ma dies of cancer, Kate discovers that the men her Ma was always inviting over to their home were, in fact, clients. Ma was no stranger to sex work either. Following in Ma’s footsteps, Kate heads to Nevada where she picks up a job at America’s most prestigious brothel: The Hop. In her new life as a Bunny, Kate searches for an identity she can perform—the other Bunnies include a goth, a housewife, a cheerleader, a rebel, not to mention Betty, a trans beauty queen, Mia, a Japanese cosplayer, and Rain, a dominatrix. Kate becomes Lady Lane. The girls at The Hop are more fantasy than fact, and performance is always more perfect than the real. Kate is a natural and quickly rises through the ranks to become the bestselling Bunny and the owner, Daddy’s favorite. But when ten street hookers are killed in a nearby city, just bodies with no names, Lady joins her sister Bunnies in mourning and begins to see things in a new light. Lady’s success breeds scandal and unwanted fame, deeply affecting her, transforming her life and The Hop forever. Diana Clarke’s provocative second novel is subversive in the very best way, an unforgettable work of fiction with a radical message about women that couldn’t be more important.

Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies. The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study. Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader. Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi