Thirteen of Hollywood's horror classics in detail: Dr. Jekyll and Mr. Hyde (1931), The Old Dark House(1932), The Mask of Fu Manchu (1932), Mark of the Vampire (1935), Mad Love (1935), The Black Room (1935), The Walking Dead (1936), Cat People (1942), Bluebeard (1944), The Lodger (1944), The Picture of Dorian Gray (1945), Hangover Square (1945) and Bedlam (1946). From original interviews and research, the styles of the various studios (from giant M-G-M to Poverty Row's PRC), along with the performers, directors, and backstage events, are examined.

Bedlam & Belfry are back -- again! This time around the solicitors from 32 London Lane face conspiracies, scandals, and online dating apps as they ply their trade in the New London legal arena. Follow them from lower to higher court as they take on stakes that range from life and death to beyond! Contains the stories: Bedlam & Belfry Get Cursed Bedlam & Belfry Swipe Right Bedlam & Belfry Fight The Power and three squared more! Also! A flashback to their early days! A hint of romance! Questionable moral judgement and sizable monetary rewards! All the legal nonsense that fits between two covers, and it can be yours today! Don't delay!

They had more in common than just a scream, whether they faced Dracula, Frankenstein’s Monster, the Mummy, Dr. Jekyll, Mr. Hyde, King Kong, the Wolf Man, or any of the other legendary Hollywood monsters. Some were even monsters themselves, such as Elsa Lanchester as the Bride, and Gloria Holden as Dracula’s Daughter. And while evading the Strangler of the Swamp, former Miss America Rosemary La Planche is allowed to rescue her leading man. This book provides details about the lives and careers of 21 of these cinematic leading ladies, femmes fatales, monsters, and misfits, putting into perspective their contributions to the films and folklore of Hollywood terror—and also the sexual harassment, exploitation, and genuine danger they faced on the job. Veteran actress Virginia Christine recalls Universal burying her alive in a backlot swamp in full “mummy” makeup for the resurrection scene in The Mummy’s Curse—and how the studio saved that scene for the last day in case she suffocated. Filled with anecdotes and recollections, many of the entries are based on original interviews, and there are numerous old photographs and movie stills.

Mercedes Lackey and Rosemary Edghill are the biggest names in the urban fantasy subgenre-where elves, banshees, trolls, and even stranger creatures walk modern city streets, their presence, and even their existence unsuspected by the human inhabitants. Now these two present a volume of all new urban fantasy, with a stellar lineup of the best new fantasy writers, such as Roberta Gellis, Dave Freer and Eric Flint, Diana Paxton, and more-including two new stories and an afterword by Mercedes Lackey herself, as well as a story by Rosemary Edghill. This is an indispensable volume for fans of urban fantasy in general, and the thousands of fans of Mercedes Lackey in particular. At the publisher's request, this title is sold without DRM (Digital Rights Management).

Cat People (1942) and I Walked with a Zombie (1943) established Val Lewton's hauntingly graceful style where suggestion was often used in place of explicit violence. His stylish B thrillers were imitated by a generation of filmmakers such as Richard Wallace, William Castle, and even Walt Disney in his animated Adventures of Ichabod and Mr. Toad (1949). Through interviews with many of Lewton's associates (including his wife and son) and extensive research, his life and output are thoroughly examined.

The book deals with five European film directors who were forced to remain in exile in the wake of the rise of Hitler and who subsequently enriched the American motion picture industry with a reservoir of new talent that had been nurtured in Europe. The directors treated are Fritz Lang, William Wyler, Otto Preminger, Fred Zinnemann, and Billy Wilder.