In Harold: The Boy Who Became Mark Twain, the beloved stage, film, and television actor Hal Holbrook presents an affecting memoir about his struggle to discover his true self, even as he learned to transform himself onstage. Abandoned by his mother and father when he was two, Holbrook and his two sisters commenced separate journeys of survival. Raised by his powerful grandfather, who died when Holbrook was twelve, he spent his childhood at boarding schools, visiting his father in an insane asylum and hoping his mother would suddenly surface in Hollywood. As World War II engulfed Europe, Holbrook began acting almost by accident. Through war, marriage, and the work of honing his craft, his fear of insanity and his fearlessness in the face of risk were channeled into discovering that the riskiest path of all—success as an actor—would be his birthright. The climb up that forbidding mountain was a lonely one. And how he achieved it—the cost to his wife and children and to his own conscience—is the dark side of the fame he would eventually earn by portraying the man his career would forever be most closely associated with: Mark Twain. “If I were to conjure an image of an individual who best fits the phrase ‘a real American,’ it would be Hal Holbrook. This book shows him as a complete person. You will be compelled by the wit and wisdom of this beautifully composed story of self-determination and survival.”—Robert Redford

Vanderbilt, Carnegie, Rockefeller, Ford, Drew, Fisk, Harriman, Du Pont, Morgan, Mellon, Insull, Gould, Frick, Schwab, Swift, Guggenheim, Hearst- these are only a few of the foundation giants that have changed the face of America. They gave living reality to that great golden legend-The American Dream. Most were self-made in the Horatio Alger tradition. Those whose beginnings were blessed with wealth parlayed their inheritances many times through the same methods as their rags-to-riches compatriots: shrewdness, ruthlessness, determination, or a combination of all three. The Age of the Moguls is not overly concerned with the comparative business ethics of these men of money. The best of them made "deals," purchased immunity, and did other things which in 1860, 1880, or even 1900, were considered no more than "smart" by their fellow Americans, but which today would give pause to the most conscientiously dishonest promoter. Holbrook does not pass judgments on matters that have baffled moralists, economists, and historians. He is less concerned with how these men achieved their fortune as much as how they disbursed the funds. Stewart Holbrook has written a brilliant and wholly captivating study of the days when America's great fortunes were built; when futures were unlimited; when tycoons trampled across the land. Few writers today could range backwards and forwards in American history through the last century and a half, and could take their readers to a dozen different sections of the country, or combine the lives of over fifty famous men in such a way as to produce a continuous and exciting narrative of sponsored growth. Leslie Lenkowsky's new introduction adds dimension to this classic study.

The compassionate and redemptive story of a prominent Black woman in the Twin Cities literary community Carolyn Holbrook’s life is peopled with ghosts—of the girl she was, the selves she shed and those who have caught up to her, the wounded and kind and malevolent spirits she’s encountered, and also the beloved souls she’s lost and those she never knew who beg to have their stories told. “Now don’t you go stirring things up,” one ghostly aunt counsels. Another smiles encouragingly: “Don’t hold back, child. Someone out there needs to hear what you have to say.” Once a pregnant sixteen-year-old incarcerated in the Minnesota juvenile justice system, now a celebrated writer, arts activist, and teacher who helps others unlock their creative power, Holbrook has heeded the call to tell the story of her life, and to find among its chapters—the horrific and the holy, the wild and the charmed—the lessons and necessary truths of those who have come before. In a memoir woven of moments of reckoning, she summons stories born of silence, stories held inside, untold stories stifled by pain or prejudice or ignorance. A child’s trauma recalls her own. An abusive marriage returns to haunt her family. She builds a career while raising five children as a single mother; she struggles with depression and grapples with crises immediate and historical, all while countenancing the subtle racism lurking under “Minnesota nice.” Here Holbrook poignantly traces the path from her troubled childhood to her leadership positions in the Twin Cities literary community, showing how creative writing can be a powerful tool for challenging racism and the healing ways of the storyteller’s art.

Examines the violence, destruction, and suppression that have hounded books throughout their history and the fears that lead to such treachery. This book identifies three deeply seated fears: fear of insurrection, fear of blasphemy, and fear of pornography.

Sir Bentley, an honorable young knight, abandons his calling in order to seek the truth of the Prince. Choosing to live as the Prince did, he forsakes his former lifestyle and wealth to live as a pauper. His travels take him to Holbrook, where the townsfolk live in poverty, paying high taxes to support the lavish lifestyle of Lord Kingsley and his court. But something even darker is lurking in the shadows of the beautiful castle. Bentley soon befriends Eirwyn, a mysterious but compassionate young woman who often distributes food among the poor. When Eirwyn is kidnapped by a ruthless tribe to serve as a sacrifice, Bentley battles a vicious mountain creature to save her life. But when he discovers who is really behind Holbrook’s downfall, he’s faced with an even bigger challenge–battling the Dark Knight’s most evil commander and his Shadow Warriors as they attack the castle. Will greed destroy the kingdom the way it destroyed Lord Kingsley? Or can Sir Bentley and Eirwyn work together to restore order and prosperity to the kingdom through the compassion and grace of the Prince? Journey to Arrethtrae, where these knights of noble heart live and die in loyal service to the King and the Prince. These knights are mighty, for they serve a mighty King. They are…the Knights of Arrethtrae!

Holy Old Mackinaw is the rough and lusty story of the American lumberjack at work and at play, from Maine to Oregon. In these modern days timber is harvested by cigarette-smoking married men, whose children go to school in buses, but for nearly three hundred years the logger was a real pioneer who ranged through the forests of many states, steel calks in his boots and ax in his fist, a plug of chew handy, who emerged at intervals into the towns to call on soft ladies and drink hard liquor.

"This book, a polished, winding meditation on the theory and fractiousness of motorcycles, celebrates both their eccentric history and the wary pleasures of touring."—The New Yorker In a book that is "a must for anyone who has loved a motorcycle" (Oliver Sacks), Melissa Pierson captures in vivid, writerly prose the mysterious attractions of motorcycling. She sifts through myth and hyperbole: misrepresentations about danger, about the type of people who ride and why they do so. The Perfect Vehicle is not a mere recitation of facts, nor is it a polemic or apologia. Its vivid historical accounts-the beginnings of the machine, the often hidden tradition of women who ride, the tale of the defiant ones who taunt death on the racetrack-are intertwined with Pierson's own story, which, in itself, shows that although you may think you know what kind of person rides a motorcycle, you probably don't.