Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.

"The story of art is integral to the story of the rise of Nazi Germany. Adolf Hitler, an artist himself, was obsessed with art--in particular, the aesthetic of a purified regime, scoured of 'degenerate' influences that characterized Germany during the 1920s and 1930s. When they came to power in 1933, Hitler and Goebbels set their aesthetic vision into motion and removed degenerate art from German life: artists fled the country; museums were purged; and great works disappeared, only a fraction of which were rediscovered at the end of the Second World War. Most remained in garrets and cellars, the last hostages of the era of the Reich. In 2013, 1290 works by Chagall, Picasso, Matisse, Otto Dix, Max Beckmann and others were rediscovered. In Hitler's Last Hostages, Mary Lane brilliantly tells the story of art and the Third Reich, and the fate of Germany's great artists as they fought to survive the Nazi era"--

Revealed for the first time: how the SS rounded up the Nazis' most prominent prisoners to serve as human shields for Hitler in the last days of World War II In April 1945, as Germany faced defeat, Hitler planned to round up the Third Reich's most valuable prisoners and send them to his "Alpine Fortress," where he and the SS would keep the hostages as they made a last stand against the Allies. The prisoners included European presidents, prime ministers, generals, British secret agents, and German anti-Nazi clerics, celebrities, and officers who had aided the July 1944 bomb plot against Hitler--and the prisoners' families. Orders were given to the SS: if the German military situation deteriorated, the prisoners were to be executed--all 139 of them. So began a tense, deadly drama. As some prisoners plotted escape, others prepared for the inevitable, and their SS guards grew increasingly volatile, drunk, and trigger-happy as defeat loomed. As a dramatic confrontation between the SS and the Wehrmacht threatened the hostages caught in the middle, the US Army launched a frantic rescue bid to save the hostages before the axe fell. Drawing on previously unpublished and overlooked sources, Hitler's Last Plot is the first full account of this astounding and shocking story, from the original round-up order to the prisoners' terrifying ordeal and ultimate rescue. Told in a thrilling, page-turning narrative, this is one of World War II's most fascinating episodes.

Revealed for the first time: how the SS rounded up the Nazis' most prominent prisoners to serve as human shields for Hitler in the last days of World War II In April 1945, as Germany faced defeat, Hitler planned to round up the Third Reich's most valuable prisoners and send them to his "Alpine Fortress," where he and the SS would keep the hostages as they made a last stand against the Allies. The prisoners included European presidents, prime ministers, generals, British secret agents, and German anti-Nazi clerics, celebrities, and officers who had aided the July 1944 bomb plot against Hitler--and the prisoners' families. Orders were given to the SS: if the German military situation deteriorated, the prisoners were to be executed--all 139 of them. So began a tense, deadly drama. As some prisoners plotted escape, others prepared for the inevitable, and their SS guards grew increasingly volatile, drunk, and trigger-happy as defeat loomed. As a dramatic confrontation between the SS and the Wehrmacht threatened the hostages caught in the middle, the US Army launched a frantic rescue bid to save the hostages before the axe fell. Drawing on previously unpublished and overlooked sources, Hitler's Last Plot is the first full account of this astounding and shocking story, from the original round-up order to the prisoners' terrifying ordeal and ultimate rescue. Told in a thrilling, page-turning narrative, this is one of World War II's most fascinating episodes.

Revealed for the first time: how the SS rounded up the Nazis' most prominent prisoners to serve as human shields for Hitler in the last days of World War II In April 1945, as Germany faced defeat, Hitler planned to round up the Third Reich's most valuable prisoners and send them to his "Alpine Fortress," where he and the SS would keep the hostages as they made a last stand against the Allies. The prisoners included European presidents, prime ministers, generals, British secret agents, and German anti-Nazi clerics, celebrities, and officers who had aided the July 1944 bomb plot against Hitler-and the prisoners' families. Orders were given to the SS: if the German military situation deteriorated, the prisoners were to be executed-all 139 of them. So began a tense, deadly drama. As some prisoners plotted escape, others prepared for the inevitable, and their SS guards grew increasingly volatile, drunk, and trigger-happy as defeat loomed. As a dramatic confrontation between the SS and the Wehrmacht threatened the hostages caught in the middle, the US Army launched a frantic rescue bid to save the hostages before the axe fell. Drawing on previously unpublished and overlooked sources, Hitler's Last Plot is the first full account of this astounding and shocking story, from the original round-up order to the prisoners' terrifying ordeal and ultimate rescue. Told in a thrilling, page-turning narrative, this is one of World War II's most fascinating episodes.

The dark story of Adolf Hitler's life in 1924--the year that made a monster Before Adolf Hitler's rise to power in Germany, there was 1924. This was the year of Hitler's final transformation into the self-proclaimed savior and infallible leader who would interpret and distort Germany's historical traditions to support his vision for the Third Reich. Everything that would come--the rallies and riots, the single-minded deployment of a catastrophically evil idea--all of it crystallized in one defining year. 1924 was the year that Hitler spent locked away from society, in prison and surrounded by co-conspirators of the failed Beer Hall Putsch. It was a year of deep reading and intensive writing, a year of courtroom speeches and a treason trial, a year of slowly walking gravel paths and spouting ideology while working feverishly on the book that became his manifesto: Mein Kampf. Until now, no one has fully examined this single and pivotal period of Hitler's life. In 1924, Peter Ross Range richly depicts the stories and scenes of a year vital to understanding the man and the brutality he wrought in a war that changed the world forever.

The legendary names include Rothschild, Mendelssohn, Bloch-Bauer--distinguished bankers, industrialists, diplomats, and art collectors. Their diverse taste ranged from manuscripts and musical instru­ments to paintings by Old Masters and the avant-garde. But their stigma as Jews in Nazi Germany and occupied Europe doomed them to exile or death in Hitler's concentration camps. Here, after years of meticulous research, Melissa Müller (Anne Frank: The Biography) and Monika Tatzkow (Nazi Looted Art) present the tragic, compelling stories of 15 Jewish collectors, the dispersal of their extraordinary collections through forced sale and/or confiscation, and the ongoing efforts of their heirs to recover their inheritance. For every victory in the effort to return these works to their rightful heirs, there are daunting defeats and long court battles. This real-life legal thriller follows works by Rembrandt, Klimt, Pissarro, Kandinsky, and others. Praise for Lost Lives, Lost Art: "A heartbreaking and enthralling story of the brutal and mindless Nazi destruction of a singularly cultivated caste of rich German and Austrian Jews and the pillage of their great art collections: a world that was lost and could never be recreated." ~ Louis Begley "Each chapter focuses on a single collector. . . the adulatory profiles [are] matched with an attractive layout and an abundance of well-selected images." ~ Wall Street Journal "The book is meticulously researched, brilliantly and dispassionately written, and is in all likelihood a game changer in the world of art, art provenance, and art restitution that will resound for years to come."~ ForeWord Reviews "Richly illustrated with excellent art reproductions and family photographs, this is a solid addition to works on Nazi art plundering and the world of art restitution, ownership, and property rights. This will be of great interest to readers wanting to know more about upper-class Austrian and German Jews. Recommended." ~ Library Journal