H. G. Wells and All Things Russian is a fertile terrain for research and this volume will be the first to devote itself entirely to the theme. Wells was an astute student of Russian literature, culture and history, and the Russians, in turn, became eager students of Wells’s views and works. During the Soviet years, in fact, no significant foreign author was safer for Soviet critics to praise than H. G. Wells. The reason was obvious. He had met – and largely approved of – Lenin, was a close friend of the Soviet literary giant Maxim Gorky and, in general, expressed much respect for Russia’s evolving Communist experiment, even after it fell into Stalin’s hands. While Wells’s attitude towards the Soviet Union was, nevertheless, often ambivalent, there is definitely nothing ambiguous about the tremendous influence his works had on Russian literary and cultural life.

H. G. Wells and All Things Russian is a fertile terrain for research and this volume will be the first to devote itself entirely to the theme. Wells was an astute student of Russian literature, culture and history, and the Russians, in turn, became eager students of Wells’s views and works. During the Soviet years, in fact, no significant foreign author was safer for Soviet critics to praise than H. G. Wells. The reason was obvious. He had met – and largely approved of – Lenin, was a close friend of the Soviet literary giant Maxim Gorky and, in general, expressed much respect for Russia’s evolving Communist experiment, even after it fell into Stalin’s hands. While Wells’s attitude towards the Soviet Union was, nevertheless, often ambivalent, there is definitely nothing ambiguous about the tremendous influence his works had on Russian literary and cultural life.

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D-503 is a mathematician and citizen of One State, a totalitarian society whose inhabitants live passionless lives under the all-powerful 'Benefactor'. However, when D-503 discovers that he has an individual soul, everything changes. Set in the twenty-sixth century, “We” is the dystopian science fiction novel that inspired George Orwell's famous “1984” and was the first work to be banned by the Soviet censorship board. A frightfully thought-provoking dystopian novel not to be missed by fans of speculative fiction. Yevgeny Ivanovich Zamyatin (1884–1937) was a Russian author who wrote science fiction and political satire. Other notable works by this author include: “Robert Maier” (1922), “Gerbert Uells” (1922), and “On Literature, Revolution, and Entropy” (1924). Read & Co. is republishing this classic science fiction novel in an affordable, modern, high-quality edition complete with an Introductory Chapter from H. G. Wells' “The Revolution And Famine In Russia”.

In Reimagining Nabokov: Pedagogies for the 21st Century, eleven teachers of Vladimir Nabokov describe how and why they teach this notoriously difficult, even problematic, writer to the next generations of students. Contributors offer fresh perspectives and embrace emergent pedagogical methods, detailing how developments in technology, translation and archival studies, and new interpretative models have helped them to address urgent questions of power, authority, and identity. Practical and insightful, this volume features exciting methods through which to reimagine the literature classroom as one of shared agency between students, instructors, and the authors they read together. "It is both timely and refreshing to have an influx of teacher-scholars who engage Nabokov from a variety of perspectives... this volume does justice to the breadth of Nabokov's literary achievements, and it does so with both pedagogical creativity and scholarly integrity."--Dana Dragunoiu, Carleton University "[A] valuable study for any reader, teacher, scholar, or student of Nabokov. Amongst specific and urgent insights on the potential for digital methods, the relevance of Nabokov for students today, and how to reconcile issues of identity with an author who disavowed history and politics, are much wider and timeless questions of authorial control and the ability to access reality."--Anoushka Alexander-Rose, Nabokov Online Journal Reimagining Nabokov takes a holistic approach to the many stumbling blocks in teaching Nabokov today. Especially intriguing about this volume is that through its essays a fresh picture of Nabokov emerges, not as an authoritarian and paranoid world-creator (an image long entrenched in Nabokov scholarship), but as someone who is tentative, hopeful, socially conscious, compassionate, and traumatized by the experience of exile....Reimagining Nabokov models pedagogical concepts that can be applied to teaching any literary text with a social conscience.--Alisa Ballard Lin, Modern Language Review Contributions by Galya Diment, Tim Harte, Robyn Jensen, Sara Karpukhin, Yuri Leving, Roman Utkin, José Vergara, Meghan Vicks, Olga Voronina, Lisa Ryoko Wakamiya, and Matthew Walker.

Wells (1866-1946) was an English writer prolific in many genres. He wrote dozens of novels, short stories, works of social commentary, history, satire, biography and autobiography, and even two books on recreational war games which set out the rules for fighting battles with toy soldiers. He is now best remembered for his science fiction novels, notably The Time Machine (1895) and The War of the Worlds (1898), and he was nominated for the Nobel Prize in Literature four times. Wells visited Russia on three occasions: in 1914, 1920 and 1934. During his second visit he saw his old friend Maxim Gorky, with whose help he met with Lenin. In this book published early in 1921, which includes a series of articles previously printed in The Sunday Express, he portrays Russia as recovering from a total social collapse, minimising the role of the Bolsheviks in the fall of the Russian state, and describes Lenin as a pragmatic leader. Illustrated with photographs.