Walker brings a woman's wisdom to bear on love, life's unavoidable tragedies, blacks' struggle for equality and justice, and a world committing eco-suicide.

Through her role as London's first Young Poet Laureate, Warsan Shire turned her eye to the city, interrogating the capital and its continuing transformation, even while lending voice to its oft unheard or under-represented communities and spaces. Collecting work authored during Shire's tenure, 'Her Blue Body' stands as testament and witness, negotiating the complexities of heritage, cultural sensitivity, sensuality, trauma and womanhood, framed and ordered by a sequence of memorial poems, focused through the lens of Shire's intimate and unflinching vision.

Watch rupi kaur live now on Prime Video. From the #1 New York Times bestselling author of milk and honey and the sun and her flowers comes her greatly anticipated third collection of poetry. rupi kaur constantly embraces growth, and in home body, she walks readers through a reflective and intimate journey visiting the past, the present, and the potential of the self. home body is a collection of raw, honest conversations with oneself - reminding readers to fill up on love, acceptance, community, family, and embrace change. illustrated by the author, themes of nature and nurture, light and dark, rest here. i dive into the well of my body and end up in another world everything i need already exists in me there’s no need to look anywhere else - home

Poems of migration, womanhood, trauma, and resilience from the celebrated collaborator on Beyoncé’s Lemonade and Black Is King, award-winning Somali British poet Warsan Shire “The beautifully crafted poems in this collection are fiercely tender gifts.”—Roxane Gay, author of Bad Feminist “Shire is the real thing—fresh, cutting, indisputably alive.”—Dwight Garner, The New York Times Mama, I made it / out of your home / alive, raised by / the voices / in my head. With her first full-length poetry collection, Warsan Shire introduces us to a young girl, who, in the absence of a nurturing guide, makes her own way toward womanhood. Drawing from her own life, as well as pop culture and news headlines, Shire finds vivid, unique details in the experiences of refugees and immigrants, mothers and daughters, Black women and teenage girls. In Shire’s hands, lives spring into fullness. This is noisy life, full of music and weeping and surahs and sirens and birds. This is fragrant life, full of blood and perfume and shisha smoke and jasmine and incense. This is polychrome life, full of henna and moonlight and lipstick and turmeric and kohl. The long-awaited collection from one of our most exciting contemporary poets, this book is a blessing, an incantatory celebration of resilience and survival. Each reader will come away changed.

A debut collection of poetry exploring themes of religion, human behavior, identity, marriage, family, and loss. The mind and the body. The heavens and earth. God and animal. The speaker in God had a body considers how the image of a higher power is presented to her, beginning with a Catholic upbringing in Kentucky. Speckled with stars and peopled with creatures, these poems employ a trinity of sequences that address a present, past, and possible future—from a troubled reckoning with belief to loss and promise still ahead. In this debut collection from Jennie Malboeuf, we observe undercurrents of violence and power, the dynamics of memory, gender, marriage, and miscarriage. At times, God is brutal. At times, delicate. Through true stories of animal savagery, God had a body unravels human behavior and undoes the opaque and cryptic mysteries of faith. “There is a fierce spirituality and mordant wit in God had a body, Jennie Malboeuf’s first book of poems. Here is a poet with a transformative vision of divine and earthly enterprise as well as a sharp eye for the repercussions of physical detail. Malboeuf’s use of enactments and embodiments—actions and images—startle and awaken the reader to a powerful new voice in American poetry. What a glorious debut collection.” —Stuart Dischell “Salient and provoking, sensuous and cerebral, Jennie Malboeuf’s poems locate holiness in the living, dead, partial and whole creations of this planet. . . . I relish these poems and will return to them for their stories, their humor, and the ways they intertwine language and life.” —Lisa Williams

"Arts Council England"--Page facing title page.

A striking, shapeshifting volume from "one of the most fascinating female poets of our time (BOMB)." Inspired by her encounter with Dr. Chevalier Jackson’s collection of ingested curiosities at Philadelphia’s Mütter Museum, Kimiko Hahn’s tenth collection investigates the grip that seemingly insignificant objects exert on our lives. Itself a cabinet of curiosities, the collection provokes the same surprise, wonder, and pangs of recognition Hahn felt upon opening drawer after drawer of these swallowed, and retrieved, objects—a radiator key, a child’s perfect attendance pin, a mother-of-pearl button. The speaker of these moving poems sees reflections of these items in the heartbreaking detritus of her family home, and in her long-dead mother’s Japanese jewelry. As Hahn remakes the lyric sequence in chains reminiscent of the Japanese tanka, the foreign bodies of the title expand to include the immigrant woman’s trafficked body, fossilized remains, a grandmother’s Japanese body. She explores the relationship between our innermost selves and the relics of our vanished past, making room for meditation on grief and the ephemeral nature of the material world, for the account of a nineteenth-century female fossil hunter, and for a celebration of the nautilus. Foreign Bodies investigates the power of possession, replete with Hahn’s electric originality and thrilling mastery of ever-changing forms.