“Hellrider is a thunder and muscle hell ride through dangerous territory. Fun, wicked, and unrelenting. A horror thriller that breaks the rules and the speed limit at the same time.” - Jonathan Maberry, New York Times bestselling author When Eddie Ryder is burned alive by fellow members of the Hell Riders motorcycle gang for ratting on them, he vows revenge with his dying breath. He returns as a ghost, with his custom motorcycle Diablo by his side. After he finds out he can possess people, he launches a campaign of vengeance that leaves plenty of bodies in its wake and the police in a state of confusion. Spouting fire and lightning from his fingers and screaming heavy metal lyrics as he rides the sky above the town of Hell Creek, he brings destruction down on all those who wronged him, his power growing with every death. Only Eddie’s younger brother, Carson, and the police chief’s daughter, Ellie, understand what’s really happening, and now they have to stop him before he destroys the whole town. FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

Hero or Villain? There's no question that Glenn Curtiss was one of the most significant figures in the early development of motorcycles, aviation, and engine development. This book will take you on a journey through both his life and his innovative technological developments. And what a life it was. Descriptions of this man prove to be contradictory and controversial. He was quiet, yet dashing. Kind, yet stern. Uneducated, yet a technological and entrepreneurial pioneer. He began his inventing career by building and racing motorcycles, while creating new internal combustion engines, then moved on to work with dirigibles, airplanes (particularly seaplanes), community development, and travel trailers. In the end, Glenn Curtiss - a man respected by contemporaries for his character - went to his grave accused of fiduciary irresponsibility and patent theft. His bitter patent disputes with the Wright Brothers leave many wondering whether Curtiss should be seen as a hero or a villain when his place in history is considered. Hell-Rider to King of the Air examines Curtiss's life, career, and accomplishments in an engaging and accessible way, so that readers can answer that question for themselves.

When Eddie Ryder is burned alive by fellow members of the Hell Riders motorcycle gang for ratting on them, he vows revenge with his dying breath. He returns as a ghost, with his custom motorcycle Diablo by his side. After he finds out he can possess people, he launches a campaign of vengeance that leaves plenty of bodies in its wake and the police in a state of confusion. Spouting fire and lightning from his fingers and screaming heavy metal lyrics as he rides the sky above the town of Hell Creek, he brings destruction down on all those who wronged him, his power growing with every death. Only Eddie's younger brother, Carson, and the police chief's daughter, Ellie, understand what's really happening, and now they have to stop him before he destroys the whole town.FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

On the 150th anniversary of the world's most famous cavalry charge comes a revisionist retelling of the battle based on firsthand accounts from the soldiers who fought there In October 1854, with the Crimean War just under way and British and French troops pushing the tsar's forces back from the Black Sea, seven hundred intrepid English horsemen charged a mile and a half into the most heavily fortified Russian position in the Crimea in Ukraine. In the seven minutes it took the cavalry to cross this distance, more than five hundred of them were killed. Celebrated in poetry and legend, the charge of the Light Brigade has stood for a century and a half as a pure example of military dash and daring. Until now, historical accounts of this cavalry charge have relied upon politically motivated press reports and diaries kept by the aristocratic British generals who commanded the action. In Hell Riders, noted historian and Crimean War expert Terry Brighton looks, for the first time, to the journals recorded by survivors-the soldiers who did the fighting. His riveting firsthand narrative reveals the tragically inept leadership on the part of the British commander in chief, Lord Raglan, whose orders for the charge were poorly communicated and misinterpreted, and an unfathomable indifference on the part of British officers to the men who survived the battle and were left to tend their wounds and bury the dead in the freezing cold. While the charge overran the Russians, it gained nothing and the war continued for another two years. In finally capturing the truth behind the charge of the Light Brigade, Brighton offers a stirring portrait of incredible bravery in the service of a misguided endeavor.

Wyoming was a tough land and toughness was required to tame it. Ella Watson and Jim Averell figgered they fit the bill when they homesteaded close by the Sweetwater River. Trouble was they'd settled on land owned by a well-heeled carrle baron, and it wasn't long before word flashed across the state that Averell and "Cattle Kate" had been strung up side by side from a cottonwood as a warning from the Stock growers Association:any other rustlin' transgressors would be treated in the same fashion

In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.