Helen Twelvetrees, Perfect Ingenue Rediscovering a 1930s Movie Star and Her 32 Films At her peak, Helen Twelvetrees was leading lady to legends like John Barrymore and Spencer Tracy. Other early co-stars who were billed below her included Joan Blondell, John Wayne, and Clark Gable. Twelvetrees broke out in Her Man (1930) and affirmed her stardom in Millie (1931). Her ten-year Hollywood career is highlighted by a run of starring roles in pre-Code era melodramas, but Helen Twelvetrees kept working long after movie audiences had forgotten her. She lost momentum for a variety of reasons. External factors such as typecasting, studio anarchy, and Production Code enforcement, combined with an independent attitude that spurred inconvenient headlines and whispers of temperament are among those that kept her career from progressing. At her peak she chose to follow natural impulses and start a family, but in terms of her career, her pregnancy couldn't have come at a worse time. When she returned to the screen it was with a new studio, and the types of films she was known for were not as popular as they had been before her maternity leave. Afterward, time itself may have been Helen Twelvetrees' greatest enemy: one can only remain an ingenue for so long. Helen Twelvetrees, Perfect Ingenue is one-half biography, one-half film retrospective. Presented here are the life, loves, and career of an unexpectedly modern woman. An extensive collection of notes supports corrections and new findings about Twelvetrees, including her accurate birth-date and a previously unreported marriage, while also supplying additional background about each of her thirty-two movies: the good, the bad, and the lost. Foreword by Dan Van Neste, author of The Whistler: Stepping Into the Shadows. Illustrated with still photographs from the author's personal collection.

In Las Vegas, there's a family-owned business called the Gold & Silver Pawn Shop, run by three generations of the Harrison family: Rick; his son, Big Hoss; and Rick's dad, the Old Man. Now License to Pawn takes readers behind the scenes of the hit History show Pawn Stars and shares the fascinating life story of its star, Rick Harrison, and the equally intriguing story behind the shop, the customers, and the items for sale. Rick hasn't had it easy. He was a math whiz at an early age, but developed a similarly uncanny ability to find ever-deepening trouble that nearly ruined his life. With the birth of his son, he sobered up, reconnected with his dad, and they started their booming business together. License to Pawn also offers an entertaining walk through the pawn shop's history. It's a captivating look into how the Gold & Silver works, with incredible stories about the crazy customers and the one-of-a-kind items that the shop sells. Rick isn't only a businessman; he's also a historian and keen observer of human nature. For instance, did you know that pimps wear lots of jewelry for a reason? It's because if they're arrested, jewelry doesn't get confiscated like cash does, and ready money will be available for bail. Or that WWII bomber jackets and Zippo lighters can sell for a freakishly high price in Japan? Have you ever heard that the makers of Ormolu clocks, which Rick sells for as much as $15,000 apiece, frequently died before forty thanks to the mercury in the paint? Rick also reveals the items he loves so much he'll never sell. The shop has three Olympic bronze medals, a Patriots Super Bowl ring, a Samurai sword from 1490, and an original Iwo Jima battle plan. Each object has an incredible story behind it, of course. Rick shares them all, and so much more -- there's an irresistible treasure trove of history behind both the Gold & Silver Pawn Shop and the life of Rick Harrison.

In 1922, an early association of film publicists known as the Western Associated Motion Picture Advertisers (Wampas) hit upon a strategy to call attention to their organization and their industry. The group selected 13 young actresses with potential star power and promoted them heavily as Baby (meaning junior) Stars. To be selected a Wampas Baby Star soon became a much-sought honor--a ticket to recognition and publicity in those days before the Academy Awards. While a few Baby Stars (Ginger Rogers, Joan Crawford) went on to superstardom and others enjoyed modest success, some failed to shine. Many of the nearly 150 actresses chosen during the program's existence, 1922-1934, are forgotten names today. This book offers full biographical details on every actress selected as a Wampas Baby Star. Each actress's entry traces her career and lists films in which she appeared. A year-by-year section lists each year's stars and alternates. Appendices include lists of rivals and successors to the Wampas Baby program (such as the Paramount Protegees), Wampas Drop-Outs, presidents of Wampas, and miscellaneous facts about the Wampas Babies (which actress was tallest? Shortest? Oldest at time of selection?). Photographs, a bibliography and an index are included.

These were unique, complex, personal and professional relationships between master director John Ford and his two favorite actors, John Wayne and Ward Bond. The book provides a biography of each and a detailed exploration of Ford's work as it was intertwined with the lives and work of both Wayne and Bond (whose biography here is the first ever published). The book reveals fascinating accounts of ingenuity, creativity, toil, perseverance, bravery, debauchery, futility, abuse, masochism, mayhem, violence, warfare, open- and closed-mindedness, control and chaos, brilliance and stupidity, rationality and insanity, friendship and a testing of its limits, love and hate--all committed by a "half-genius, half-Irish" cinematic visionary and his two surrogate sons: Three Bad Men.

With his dark good looks, muscular physique, heavy-lidded bedroom eyes, and easy smile, amateur boxer and Wall Street business man Jacob Krantz left Wall Street to cut a dashing figure on the silver screen for over five decades. Few knew that he was a Jewish man, when Paramount Pictures signed him in 1922, changed his name from Jacob Krantz to Ricardo Cortez, and widely publicized him as a "Latin lover" in the style of Rudolph Valentino, Antonio Moreno, and Ramon Navarro. He worked in silent movies with top directors and stars, including The Next Corner (1924) with Lon Chaney, Cecil B. DeMille's Feet of Clay (1924), The Pony Express (1925), Torrent (1926) with Greta Garbo, D. W. Griffith's The Sorrows of Satan (1926), Mockery (1927) with Lon Chaney, and Excess Baggage (1928) with William Hanes. Within six years, chaos took hold of topsy turvy Hollywood as the industry converted from silent movies to talking pictures, yet Cortez successfully transitioned through Frank Capra's The Younger Generation(1929), Montana Moon (1930) with Joan Crawford, as Sam Spade in the first film adaptation of Dashiell Hammett's The Maltese Falcon (1931), Wonder Bar (1934) with Al Jolson, The Big Shakedown (1934) with Bette Davis, Walking Dead (1936) with Boris Karloff, Charlie Chan in Reno (1939), and John Ford's The Last Hurrah (1958). Renowned for his professionalism, and for his ability to play a wide range of characters in all genres, Cortez appeared in more than a hundred films and was recognized as one of the movies' premier heavies in a rogue's gallery of sexy wastrels and troublemakers, to more nefarious gangsters and maniacal murderers. In 1934, one astute critic proclaimed him "the magnificent heel." Relive his dramatic story, from his poverty-stricken childhood to Wall Street and on through Hollywood triumphs, tragedies, and scandals. The author draws from rare material gathered from key libraries and studio archives, much of which has never been published. 160 illustrations, including portraits, scene stills, and memorabilia from Cortez' personal collection, including his last passport, scrapbook, a contract, and letters. Index, Bibliography, and extensive End Notes. About the author: Dan Van Neste articles have appeared in Classic Images and Films of the Golden Age, and he is the author of The Whistler: Stepping Into the Shadows. He currently lives in Lansing, Michigan.

The first book on the career of actress Ann Blyth. Multitalented and remarkably versatile, Blyth began on radio as a child, appeared on Broadway at the age of 12 in Lillian Hellman's WATCH ON THE RHINE, and enjoyed a long and diverse career in films, theatre, television, and concerts. A sensitive dramatic actress, the youngest at the time to be nominated for her role in MILDRED PIERCE (1945), she also displayed a gift for comedy, and was especially endeared to fans for her expressive and exquisite lyric soprano, which was showcased in many film and stage musicals. Still a popular guest at film festivals, lovely Ms. Blyth remains a treasure of the Hollywood's golden age.

While John Ford (1894-1973) remains one of the most influential and revered directors in film history, he is also one of the most frequently misunderstood. One widespread assumption is that he was almost exclusively a man's director, dismissive of, or at best not well attuned to, the stories, perspectives and concerns of women. This book forthrightly challenges such an assumption, giving readers a richer understanding of the director's view of the world and of the women as well as the men who inhabit it. Taking a fresh look at dozens of Ford films, both familiar favorites and under-appreciated gems, it focuses on the complex and diverse female characters in them as well as the actresses who so ably portrayed them.