This volume offers insights into a unique philosophical landscape and enriches current Heidegger studies by offering fresh perspectives on his philosophy that are based on the traditions of Arabic and Persian Islamic philosophy

This volume traces the ways in which Heidegger’s philosophical thinking has been taken up, critically re-appropriated, and disseminated in literary and poetic writing since the middle of the 20th century.

Heidegger, Ontology, and the Destiny of Islam: Thoughts and Reflections on the Nature of Islam in the World critiques Islam as a phenomenon set into motion from its beginning. It is a reflective work that addresses difficult questions about Islam through familiar historical concerns and grapples with the issues that arise in that process. Notably, it attests to making no substantive claims about Muslims and instead keeps to the course of analysis of the phenomenon that is Islam, which is taken as an assessable entity rather than a categorical construct. Understood largely in light of a history of observable realities, the ontological analysis of Islam reveals the general acquaintance with it to be imperfect. This suggests the reality of Islam is based on a primal truth that is only partially seen. The analysis then confronts two problems: firstly, that Islam is not what its historical “story,” as it were, proclaims and, secondly, that Islam is therefore not what is traditionally made out of the surviving historical narratives. It is not a question of “what” Islam is, but more critically, “how” Islam appears in the world.

This book investigates the methodological issues raised by the encounter between Islamic thought and contemporary philosophical hermeneutics. It features essays that examine why and how current Muslim thinkers refer to Continental philosophy. The contributors put the universality of the hermeneutic order to the test with three different approaches. The first looks at exegetical aspects. It addresses contemporary thinkers from the Islamicate world who have engaged critically or not with main representatives or key concepts of philosophical hermeneutics. The second presents an interpretative analysis. The essays here present attempts at using philosophical hermeneutics in order to develop new interpretations of canonical or traditional ensembles of texts such as the Qur’an and the Hadith as well as legal, spiritual, and philosophical corpuses from the Islamicate world. The third looks at different political and critical issues. The clear and sound reference to religion of Islamic thought makes its entanglement with philosophical hermeneutics a burning challenge for all parties involved. Is it true, as some contend, that philosophical hermeneutics can help interpret Islamic thought anew? This book reveals how the two philosophies are likely to expand each other’s horizons and influence each other’s conceptual frameworks. It features revised papers from an International Conference.

Examines Avicenna’s phenomenological considerations of the question of being.

Although philosophers have examined and commented on music for centuries, Martin Heidegger, one of the greatest philosophers of the 20th century, had frustratingly little to say about music—directly, at least. This volume, the first to tackle Heidegger and music, features contributions from philosophers, musicians, educators, and musicologists from many countries throughout the world, aims to utilize Heidegger’s philosophy to shed light on the place of music in different contexts and fields of practice. Heidegger’s thought is applied to a wide range of musical spheres, including improvisation, classical music, electronic music, African music, ancient Chinese music, jazz, rock n’ roll, composition, and musical performance. The volume also features a wide range of philosophical insights on the essence of music, music’s place in society, and the promise of music’s ability to open up new ways of understanding the world with the onset of the technological and digital musical age. Heidegger and Music breaks new philosophical ground by showcasing creative vignettes that not only push Heidegger’s concepts in new directions, but also get us to question the meaning of music in various contexts.