This fascinating selection of photographs tells the story of Heart of Midlothian FC during the First World War and the men who made the supreme sacrifice.

When war broke out in Europe in 1914, it surprised a European population enjoying the most beautiful summer in memory. For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable. In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.

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A captivating and poignant tale, this is the little-known story of a group of Scottish athletes and their fans who went to war together—and what happened to the few who made it home. The saga of McCrae's Battalion brings much-needed human scale to World War I and explains why a group of young men from a small country with almost no direct connection to the conflict would end up sacrificing their careers, their homes, their health, and in many cases their lives to an abstract cause.

The Great War transformed the Middle East, bringing to an end four hundred years of Ottoman rule in Arab lands while giving rise to the Middle East as we know it today. A century later, the experiences of ordinary men and women during those calamitous years have faded from memory. A Land of Aching Hearts traverses ethnic, class, and national borders to recover the personal stories of the civilians and soldiers who endured this cataclysmic event. Among those who suffered were the people of Greater Syria—comprising modern Syria, Lebanon, Jordan, Israel, and Palestine—as well as the people of Turkey, Iraq, and Egypt. Beyond the shifting fortunes of the battlefield, the region was devastated by a British and French naval blockade made worse by Ottoman war measures. Famine, disease, inflation, and an influx of refugees were everyday realities. But the local populations were not passive victims. Fawaz chronicles the initiative and resilience of civilian émigrés, entrepreneurs, draft-dodgers, soldiers, villagers, and townsmen determined to survive the war as best they could. The right mix of ingenuity and practicality often meant the difference between life and death. The war’s aftermath proved bitter for many survivors. Nationalist aspirations were quashed as Britain and France divided the Middle East along artificial borders that still cause resentment. The misery of the Great War, and a profound sense of huge sacrifices made in vain, would color people’s views of politics and the West for the century to come.

British Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the `missing link’ in the study of First World War writing.