Each double-page spread includes clues, a tab to pull to uncover a picture of the correct animal making the sound, and a flap to lift to uncover more facts about that animal.

An exciting collection of field recordings that provides unparalleled soundprints of the distinctive calls of night-dwellers.

Discover the magic of the night in this enchanting sound book. Little children will love listening to sleeping cats purring, owls twit-twooing and bats squeaking when they press the sound buttons on the pages of this beautifully illustrated book. There's a simple story to read aloud, holes to peek through and fingertrails to explore, too.

"This book is a fun and interactive way to celebrate the first Christmas. When the button on the front cover is pressed, a 'halo' of lights surround the baby Jesus and the song Silent Night begins to play ..."--Cover back.

One night, when Ethan reaches under his bed for a toy truck, he finds this note instead: "Monsters! Meet here for final test." Ethan is sure his parents are trying to trick him into staying under the covers, until he sees five colorful sets of eyes blinking at him from beneath the bed. Soon, a colorful parade of quirky, squeaky little monsters compete to become Ethan's monster. But only the little green monster, Gabe, has the perfect blend of stomach-rumbling and snorting needed to get Ethan into bed and keep him there so he falls asleep—which as everyone knows, is the real reason for monsters under beds. With its perfect balance of giggles and shivers, this silly-spooky prequel to the award-winning I Need My Monster and Hey, That's MY Monster! will keep young readers entertained.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.