"Drawing on her years as a campaigner and commentator on women's issues in the Middle East, [Eltahawy] explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake: one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens ... Her book is a plea for outrage and action on their behalf, confronting the 'toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend'" --

A passionate manifesto decrying misogyny in the Arab world, by an Egyptian American journalist and activist When the Egyptian journalist Mona Eltahawy published an article in Foreign Policy magazine in 2012 titled "Why Do They Hate Us?" it provoked a firestorm of controversy. The response it generated, with more than four thousand posts on the website, broke all records for the magazine, prompted dozens of follow-up interviews on radio and television, and made it clear that misogyny in the Arab world is an explosive issue, one that engages and often enrages the public. In Headscarves and Hymens, Eltahawy takes her argument further. Drawing on her years as a campaigner and commentator on women's issues in the Middle East, she explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake: one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens. Eltahawy has traveled across the Middle East and North Africa, meeting with women and listening to their stories. Her book is a plea for outrage and action on their behalf, confronting the "toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend." A manifesto motivated by hope and fury in equal measure, Headscarves and Hymens is as illuminating as it is incendiary.

Visual images are everywhere in international politics. But how are we to understand them? In Sensible Politics, William A. Callahan uses his expertise in theory and filmmaking to explore not only what visuals mean, but also how visuals can viscerally move and connect us in "affective communities of sense." The book's rich analysis of visual images (photographs, film, art) and visual artifacts (maps, veils, walls, gardens, cyberspace) shows how critical scholarship needs to push beyond issues of identity and security to appreciate the creative politics of social-ordering and world-ordering. Here "sensible politics" isn't just sensory, but looks beyond icons and ideology to the affective politics of everyday life. It challenges our Eurocentric understanding of international politics by exploring the meaning and impact of visuals from Asia and the Middle East. Sensible Politics offers a unique approach to politics that allows us to not only think visually, but also feel visually-and creatively act visually for a multisensory appreciation of politics.

This volume is the first text to provide a comprehensive account of the great books across the academic disciplines written by Africans born in the continent and those who became naturalized citizens of African countries. These great books are those that have had a powerful, important or affecting influence on the author of a chapter in this book, as an individual, and on society. The books included here are mostly of the storytelling type and, thus, not representative of most of the academic disciplines. This volume allows each contributor to write a chapter on a discipline showcasing five great books written by African authors. Each selection is appraised and suggestions made by other experts in a discipline, while every chapter entails an introduction to the topic, a conceptual discussion of the discipline, a book-by-book review of the five books, and a conclusion and recommendations for research using the selected books.

Why are liberal politicians banning our hijabs and niqabs? Under the presidency of Emmanuel Macron, France had the audacity to ban Muslim women and girls under the age of 18 from wearing the hijab in public. What was the response from the liberal progressive world? Shameful silence. So as Muslim women, how should we react to this attack on our Islamic dress code? Why do non-Muslims politicians and governments hate our hijab? How can Muslims individually and collectively support the challenges sisters are facing? These are the questions I will be tackling in Hands off our Hijab, and I believe we need to put liberal hypocrisy on trial. I sincerely want to help Muslimahs make sense of the challenging situation and take back control of the narrative but not on their own terms: on Allah's terms. Inshallah, I pray this book will help you make sense of the world right now so you can move forward confident and comfortable in your hijab. It may seem like our enemies have the upper hand, but we have Allah on our side: the creator of the universe. To read Farhat Amin's other books, please visit www.smartmuslima.com. Review Sister Farhat Amin is in the front line of many women’s issues of the day. She is also a student of knowledge and a researcher of history and Islamic rulings. I have read her material and listened to her podcasts. All this is to say that Sister Farhat is uniquely positioned to know and to respond to these issues in the most appropriate manner as a person of wisdom that is well-grounded in our religious tradition. Her contributions in this area are very important and urge everyone to purchase the book and listen to her work. Thank you Sister Farhat for all your work in helping us understand and navigate a path forward to helping our youth and young adults. Azmat Mukhtar, Ilmtree.org

This book discusses Egyptian Muslim women’s dress as the social, political and ideological signifier of the changing attitudes towards Western modernity. It employs women’s clothing styles as a feminist act that provides rich insights into the power and limits of legal regulations and hegemonic discourses in constructing gendered and cultural borders in the modern Egyptian public sphere. Furthermore, through highlighting marginalized but significant models and historical moments of cultural exchange between Muslim and Western cultures through female dress, the book tells a third story beyond the binary model of an assumed modest oppressed traditional Muslim woman vis-à-vis consumer emancipated modern Western woman in mainstream Western discourse and literary representation.

Iranian Feminism and Transnational Ethics in Media Discourse examines the mediated dialogue of #WhiteWednesdays, specifically between U.S. mainstream news narratives and Iranian activists on Twitter. These narratives highlight how hierarchies of visibility in both news and social media discourse overshadow transnational feminist politics while reinforcing femonationalist narratives. Such discourses seemingly support women in Iran, but simultaneously promote Islamophobic messages aligned with U.S. geopolitical politics. In a critical discourse analysis of the #WhiteWednesdays campaign on Twitter and mainstream U.S. news coverage of the movement, this analysis complicates representations of Iran, Muslim women, and feminist politics. The author also unpacks the politics of representation, where voices on the ground are obscured in favor of elite sources who reaffirm U.S Islamophobic and xenophobic ideologies. Scholars and students of communication and media studies will find this book particularly interesting.