'A beautiful love letter to the diaspora, Haramacy is an essential collection of essays that push the conversation forward on issues to do with visibility, mental health, race and class' Nikesh Shukla 'A superbly crafted collection of essays. Often elegant, often visceral, always essential' Musa Okwonga Journalism in the UK is 94 per cent white and 55 per cent male, while only 0.4 per cent of journalists are Muslim and 0.2 per cent are Black. The publishing industry’s statistics are equally dire. Many publications will use British Black, Indigenous People of Colour when it’s convenient; typically, when the region the writer represents is topical and newsworthy. Otherwise, their voices are left muted. Haramacy amplifies under-represented voices. Tackling topics previously left unspoken, this anthology offers a space for writers to explore ideas that mainstream organisations overlook. Focusing on the experiences of twelve Middle Eastern and South Asian writers, the essays explore visibility, invisibility, love, strength and race, painting a picture of what it means to feel fractured - both in the UK and back home. Appreciating both heritage and adopted home, the anthology highlights the various shades that make up our society. The title, Haramacy, is an amalgamation of the Arabic word ‘haram’, meaning indecent or forbidden, and the English word ‘pharmacy’, implying a safe, trustworthy space that prescribes the antidote to ailments caused by intersectional, social issues. The book features contributions by novelists, journalists, and artists including Aina J. Khan, Ammar Kalia, Cyrine Sinti, Joe Zadeh, Kieran Yates, Nasri Atallah, Nouf Alhimiary, Saleem Haddad and Sanjana Varghese, as well as essays by editors Dhruva Balram, Tara Joshi and Zahed Sultan.

**A 2024 literary highlight in Esquire, Vogue, GQ, i-D, and Dazed** 'Crisp narration and lyricism... Kalia's take is refreshingly nuanced and - thank God - funny' - Esquire (The Biggest Books Landing on Your Reading List in 2024) 'Soulful, funny and daring... A Person is a Prayer is a plaintive and refreshing take on a cross-generational saga... From the bursting white rapids of the Ganges, to the nail-rapping table tops of a Hounslow kitchen, Kalia proves himself a transportive and stylish novelist, sensitive to the precious, emotional tissues that bind a family unit, and just how easily these can disintegrate when put under inspection' - Vogue (Best Books of 2024) 'Equal parts funny and touching... A multigenerational story reflecting on the transient connections between generations across time and place, and the nature of home and memory' - GQ (Best Books of 2024) 'Kalia's debut is a moving and often very funny portrait of a family in transit - both physically and emotionally' - Dazed (10 exciting books to look out for in 2024) 'A moving family drama that explores migration, inheritance and loss' - i-D (Fiction to be excited for in 2024) ‘This rich debut... has poignancy and focus. Telling the story over the course of three single days spanning six decades, [Kalia] interrogates the fundamental question of what makes a life happy through characters all striving for a better future’ - Observer An intensely moving, lyrical and often funny novel about a family whose story of migration from Kenya and India to England is told over three separate days, across six decades. Bedi and Sushma's marriage is arranged. When they first meet, they stumble through a faltering conversation about happiness and hope and agree to go in search of these things together. But even after their children Selena, Tara and Rohan are grown up and have their own families, Bedi and Sushma are still searching. Years later, the siblings attempt to navigate life without their parents. As they travel to the Ganges to unite their father’s ashes with the opaque water, it becomes clear that each of them has inherited the same desire to understand what makes a life happy, the same confusion about this question and the same enduring hope. A Person is a Prayer plumbs the depths of the spaces between family members and the silence that rushes in like a flood when communication deteriorates. It is about how short a life is and how the choices we make can ripple down generations. Perfect for fans of Ali Smith, Jhumpa Lahiri and Monica Ali. 'A Person is a Prayer moved me so deeply, it's filled with so much feeling you will not be able to stop thinking about it' - Annie Lord, author of Notes on Heartbreak 'A deeply felt debut – smart, funny and impressively soulful. I read it in one sitting' - Harriet Gibsone, author of Is This OK? 'Nuanced and deeply perceptive, an honest reflection of families and how we are inescapably shaped by them. A heartbreaking yet funny and poetic story of finding home in comfort over joy' - Sarathy Korwar, award-winning musician 'An exquisitely written, incisive and evocative family saga. Kalia explores cultural complexity and human frailty with compassion, wit and generosity of spirit' - Jake Lamar, author of Viper's Dream 'A Person is a Prayer has a prismatic quality... It's a rich read, freighted with the weight of expectation, where overlapping perspectives illuminate new corners of contemporary British life' - Emma Warren, author of Dance Your Way Home

I don't think I'll ever meet someone who loves me as much as Ryan loves me and hates me as much as Ryan hates me A loving relationship can be anything but. In this one-woman thriller, Ruckus explores coercive control, an issue not widely recognised - yet its side effects kill up to three women every week in the UK. Each moment of the play has been inspired by real women and real stories. Acclaimed by critics and audiences, this powerful piece sends brings to light the suppression caused by coercive control. During its original run at Edinburgh Fringe in August 2022, Ruckus was the 1st Finalist for the Popcorn New Writing Award 2022, shortlisted for The Filipa Bragança Award, and winner of a Lustrum Award. This edition was published to coincide with the run at the Southwark Playhouse in London, in October 2022.

"An astonishingly powerful play with a mesmeric performance from Bilal Hasna. He is an important young Palestinian voice who deserves a wide audience." - Palestine Solidarity Campaign But there's this feeling. And it really is impossible to translate. But if you feel it you know what it is. If you're watching this and you're Palestinian, you know what it is. Bilal has always been obsessed with love stories. Here he tells you his favourite: the true story of Palestinian translator Wa'el Zuaiter. Join Bilal as he ventures through the orange groves of Jaffa, Rome's piazzas, and the Duty-Free aisles of Luton Airport, piecing together this untold story, and asking what it means to be a Palestinian in the West. After receiving standing ovations and glowing audience reviews when it appeared as a work in progress in 2021, WoLab returned to Camden People's Theatre and transferred to the Bristol Old Vic in Autumn 2022, with Bilal Hasna and Aaron Kilercioglu's acclaimed, For A Palestinian. The play was supported by P21 Gallery, Palestine Solidarity Campaign, Na'amod, Bristol Palestine Museum and Cultural Centre, and New Diorama Theatre.

"Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, the reassessment of Eggleston's career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, which serves as a visual preface, the remaining books cover Eggleston's travels from his familiar ground in Memphis and Tennessee to Dallas, Pittsburgh, Miami, Boston, the pastures of Kentucky, and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson, the President from Tennessee. The democracy of Eggleston's title refers to his democracy of vision, through which he represents the most mundane subjects with the same complexity and significance as the most elevated. The exhaustive editing process of The Democratic Forest--a rarely shown body of work of which only a fraction has been published to date--has taken over three years, and was guided by the belief that only on this large scale can the magnitude of Eggleston's achievement be represented. With no precedent in American art, Eggleston's photography seen as a whole has all the grandeur of an epic piece of fiction.--Publisher's Web site.

The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)

A girl tries to cheer up her grieving, forgetful grandfather by taking him on a rollicking road-trip adventure in Keep Dancing, Lizzie Chu, a charming and poignant middle-grade novel from award-winning author Maisie Chan. Twelve-year-old Lizzie Chu has lived with her wai gong (grandfather) in Glasgow since her parents died when she was a baby. But Wai Gong has been acting different lately. He spends a lot of time talking to his Guan Yin statue—the Chinese goddess of compassion, kindness, and mercy—at his altar and seems to be becoming more forgetful. Even the shared passion he and Lizzie have for their favorite show, Strictly Come Dancing, seems to be tailing off. Then one day Lizzie’s friend Chi visits dressed as Princess Leia for Comic Con, and Wai Gong mistakes her for Guan Yin. He’s delighted—and Lizzie gets an idea. She and Chi (dressed as the goddess) can take Wai Gong to a ballroom dance at the Tower Ballroom, where he’d always dreamed of going with his late wife. If only she can get her granddad there, she thinks, he’ll find some peace, and perhaps things will be OK at home again. After all, one of the myths around Guan Yin is that she brings order and harmony, so it’s got to work out—right?