One night, when I am old, sick, right out of semen, and don't need things to get any worse, I hear the noises growing louder. I am sure they are making love in Zenab's bedroom which is next to mine.Waldo, a fêted filmmaker, is confined by old age and ill health to his London apartment. Frail and frustrated, he is cared for by his lovely younger wife, Zee. But when he suspects that Zee is beginning an affair with Eddie, 'more than an acquaintance and less than a friend for over thirty years,' Waldo is pressed to action: determined to expose the couple, he sets himself first to prove his suspicions correct - and then to enact his revenge.Written with characteristic black humour and with an acute eye for detail, Kureishi's eagerly awaited novella will have his readers dazzled once again by a brilliant mind at work.

Originally published: Great Britain: Faber and Faber, 2014.

Winner of the Whitbread First Novel Award 'A wonderful novel. I doubt I will read a funnier one, or one with more heart, this year, possibly this decade.' Angela Carter, Guardian The hero of Hanif Kureishi's first novel is Karim, a dreamy teenager, desperate to escape suburban South London and experience the forbidden fruits which the 1970s seem to offer. When the unlikely opportunity of a life in the theatre announces itself, Karim starts to win the sort of attention he has been craving - albeit with some rude and raucous results. 'One of the best comic novels of growing up, and one of the sharpest satires on race relations in this country that I've ever read.' Independent on Sunday 'Brilliantly funny. A fresh, anarchic and deliciously unrestrained novel.' Sunday Times 'A distinctive and talented voice, blithe, savvy, alive and kicking.' Hermione Lee, Independent

THE STUNNINGLY ORIGINAL, ICONOCLASTIC, AWARD-WINNING AUTHOR OF THE BUDDHA OF SUBURBIA RETURNS WITH HIS FINEST, MOST EXUBERANT NOVEL. In the early 1980s Hanif Kureishi emerged as one of the most compelling new voices in film and fiction. His movies My Beautiful Laundrette and Sammy and Rosie Get Laid and his novel The Buddha of Suburbia captivated audiences and inspired other artists. In Something to Tell You, he travels back to those days of hedonism, activism and glorious creativity. And he explores the lives of that generation now, in a very different London. Jamal is middle-aged, though reluctant to admit it. He has an ex-wife, a son he adores, a thriving career as a psychoanalyst and vast reserves of unsatisfied desire. "Secrets are my currency," he says. "I deal in them for a living." And he has some of his own. He is haunted by Ajita, his first love, whom he hasn't seen in decades, and by an act of violence he has never confessed. With great empathy and agility, Kureishi has created an array of unforgettable characters -- a hilarious and eccentric theater director, a covey of charming and defiant outcasts and an ebullient sister who thrives on the fringe. All wrestle with their own limits as human beings; all are plagued by the past until they find it within themselves to forgive. Comic, wise and unfailingly tender, Something to Tell You is Kureishi's best work to date, brilliant and exhilarating.

This provocative collection of short stories charts the growth of a generation from the liberating irreverence of the late 1970s to the dilemmas of responsibility and fidelity of the 1990s. The stories resonate with Hanif Kureishi's dead-on observations of human passion and folly, his brilliant depiction of seedy locales and magical characters, and his original, wicked sense of humor.

Described in a recent New York Times Magazine profile as a "postcolonial Philip Roth," Hanif Kureishi first captured the attention of audiences and critics in the 1980s with the award-winning novel The Buddha of Suburbia and the films My Beautiful Laundrette and Sammy and Rosie Get Laid. In three decades of acclaimed work, Kureishi has written fiction and films exploring a series of interconnected themes about identity and desire—from Islamic radicalism to kinky sex, and from psychoanalysis to the relationships of fathers and sons. After discovering an abandoned manuscript of his father’s, hidden for years, Kureishi was compelled to turn his "unflinching perspective" (Time Out) onto his own history. Like Roth, Martin Amis and Geoffrey Wolfe, who also have written books about their fathers, Kureishi wanted to understand and perhaps to reconcile. My Ear at His Heart offers remarkable insight into the birth of a writer, chronicling how Kureishi’s own literary calling emerged from the ashes of his father’s aspirations. And so begins a journey that takes Kureishi through his father’s privileged childhood by the sea in Bombay, through the turbulent birth of Pakistan and to his modest adult life in England—his days spent as a civil servant, his nights writing prose, hopeful of one day receiving literary recognition. "A beguiling and complex tale of fact, fiction and family tensions" (The Guardian), My Ear at His Heart was published to great acclaim in the United Kingdom in 2004 and went on to win the prestigious Prix France Culture Etranger. Now, this profound work from one of the most compelling artists of our time is at last available in a Scribner edition.

"Hanif Kureishi is a proper Englishman. Almost." So observes biographer Kenneth Kaleta. Well known for his films My Beautiful Laundrette and Sammy and Rosie Get Laid, the Anglo-Asian screenwriter, essayist, and novelist has become one of the leading portrayers of Britain's multicultural society. His work raises important questions of personal and national identity as it probes the experience of growing up in one culture with roots in another, very different one. This book is the first critical biography of Hanif Kureishi. Kenneth Kaleta interviewed Kureishi over several years and enjoyed unlimited access to all of his working papers, journals, and personal files. From this rich cache of material, he opens a fascinating window onto Kureishi's creative process, tracing such works as My Beautiful Laundrette, Sammy and Rosie Get Laid, The Buddha of Suburbia, London Kills Me, The Black Album, and Love in a Blue Time from their genesis to their public reception. Writing for Kureishi fans as well as film and cultural studies scholars, Kaleta pieces together a vivid mosaic of the postcolonial, hybrid British culture that has nourished Kureishi and his work.