Peter Ffitch brings us an exciting new evolutionary theory that undermines humanity's grandiose views of our role in the natural hierarchy. While all other books about human evolution and hands have concentrated on our ability to manipulate objects and create artefacts, Hands, the Achilles' Heel reveals the much darker side to the use of hands that, as yet, has not been disclosed. Peter traces our ancestors' evolution to become terrestrial primates, freeing our hands from arboreal locomotion and allowing them to grasp and hole other members of their own species for restraint and coercion. The consequent repercussions for humanity's social and sexual behaviour has resulted in a catastrophic loss of autonomy for the human female compared to other animal species. This also resulted in the heteronomous controls by which we now regulate our lives. Understandably, our loss of autonomy has lead to us becoming the most tense, anxious and fearful species that has ever lived, which tragically has given rise to our present desecration of the planet. The question is, can we now move towards an enlightened future in which heteronomous controls become a relic of our dystopian past, allowing autonomy to regain its original priority and enabling us to live and survive within nature, just as the animals have done since the beginning of evolution?

Annie Whitman's ordinary Midwest life is shattered with the sudden death of her husband Jack. Thirty-five and failing at life as a widow, she turns to the comforts of vodka in an attempt to camouflage the cold sheets of an empty bed. The necessary inebriation helps her to cope with Jack's death, but proves to be a deterrent in recovering any sense of normalcy. After spending several months at the bottom of a bottle, Annie stumbles upon a lockbox in the crawl space of her basement. Opening this box also opens her eyes to the likelihood that Jack Whitman might not have been the honest and doting man she married. Annie embarks on a mission to the Virgin Islands to uncover the truth about her husband's past and seek safety from her brother-in-law, who seems to be the captain of his own sinking ship. While settling into paradise, she meets the wickedly handsome, but surprisingly reserved Kessler Carlisle, who is struggling with his retirement from country music superstardom. With Kessler's help, Annie discovers the heart's uncanny ability to heal, and the possibility that dead men don't always keep their secrets-even if they're buried in the Caribbean waters of St. Croix. The Achilles Heel delves into the formidable fact that everyone harbors darkness, and some will go to the depths of the ocean to keep their secrets hidden.

For over forty years in more than sixty countries, Raymond Baker has witnessed the free-market system operating illicitly and corruptly, with devastating consequences. In Capitalism’s Achilles Heel, Baker takes readers on a fascinating journey through the global free-market system and reveals how dirty money, poverty, and inequality are inextricably intertwined. Readers will discover how small illicit transactions lead to massive illegalities and how staggering global income disparities are worsened by the illegalities that permeate international capitalism. Drawing on his experiences, Baker shows how Western banks and businesses use secret transactions and ignore laws while handling some $1 trillion in illicit proceeds each year. He also illustrates how businesspeople, criminals, and kleptocrats perfect the same techniques to shift funds and how these tactics negatively affect individuals, institutions, and countries.

"The first critical edition of W. H. Auden's poetry collection The Shield of Achilles, which won the 1956 National Book Award in Poetry, this book will include the complete text of Auden's award-winning volume The Shield of Achilles, accompanied critical commentary by Alan Jacobs: a preface to provide historical and publishing context; a longer introduction to orient the reader to the poems themselves; and detailed notes on words or passages in need of clarification for contemporary readers. Jacobs, who has edited two previous critical editions of Auden's poetry, argues that this was the most important single collection of poems Auden published, and also the most coherent of his collections. The two poetic sequences, "Bucolics" and "Horae Canonicae," bookend a remarkable set of lyrics, with "The Shield of Achilles" itself at the heart. One of Auden's last long poems, it refers to moment in The Iliad in which Thetis, mother of Achilles, asks Hephaestus to forge a shield for her son. Auden re-imagines how the shield of Achilles would look in the modern age, when the rules of war and the role of the hero have been rewritten. While the volume was widely praised, it is now out of print (although the title poem is included in larger collections of Auden's poetry). A critical edition allows readers to better understand and appreciate one of Auden's most important later poetic works, written in what Jacobs describes as "a poetic idiom that differs quite significantly from what anyone else at the time was doing. . . . it is, in a vital sense, public poetry and it can be enjoyed, understood, and profited from. This edition is meant to make that enjoyment, understanding, and profit easier of access.""--

"9 Ph.D. scientists explain evolution's fatal flaws, in areas claimed to be its greatest strengths."--Cover.

WINNER OF THE ORANGE PRIZE FOR FICTION 2012 Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper - despite the displeasure of Achilles's mother Thetis, a cruel sea goddess. But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.