Hamlet of Shakespeare's Audience
Title | Hamlet of Shakespeare's Audience PDF eBook |
Author | John Draper |
Publisher | Psychology Press |
Total Pages | 276 |
Release | 1966 |
Genre | Drama |
ISBN | 9780714610276 |
First Published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.
The Hamlet of Shakespeare's Audience
Title | The Hamlet of Shakespeare's Audience PDF eBook |
Author | John William Draper |
Publisher | New York : Octagon Books, 1966 [c1939] |
Total Pages | 254 |
Release | 1966 |
Genre | Hamlet (Legendary character) |
ISBN |
Hamlet of Shakespeare's Audience
Title | Hamlet of Shakespeare's Audience PDF eBook |
Author | John William Draper |
Publisher | |
Total Pages | 254 |
Release | 1966 |
Genre | |
ISBN | 9780374923181 |
The Influence of the Audience on Shakespeare's Drama
Title | The Influence of the Audience on Shakespeare's Drama PDF eBook |
Author | Robert Bridges |
Publisher | |
Total Pages | 46 |
Release | 1966 |
Genre | Dramatists, English |
ISBN |
Shakespeare's Audience
Title | Shakespeare's Audience PDF eBook |
Author | Alfred Harbage |
Publisher | |
Total Pages | 224 |
Release | 1941 |
Genre | Literary Criticism |
ISBN |
Presents and interprets evidence on the size, social composition, behavior, and the aesthetic and intellectual capacity of Shakespeare's audience.
The Othello of Shakespeare's Audience
Title | The Othello of Shakespeare's Audience PDF eBook |
Author | John William Draper |
Publisher | Buccaneer Books |
Total Pages | 264 |
Release | 1966 |
Genre | Drama |
ISBN |
Shakespeare’s Audiences
Title | Shakespeare’s Audiences PDF eBook |
Author | Matteo Pangallo |
Publisher | Routledge |
Total Pages | 341 |
Release | 2021-03-28 |
Genre | Literary Collections |
ISBN | 1000352579 |
Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare’s plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare’s audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare’s audiences and a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance.