It whispers, it sings, it rocks, and it howls. It expresses the voice of the folk—the open road, freedom, protest and rebellion, youth and love. It is the acoustic guitar. And over the last five decades it has become a quintessential American icon. Because this musical instrument is significant to so many—in ways that are emotional, cultural, and economic—guitar making has experienced a renaissance in North America, both as a popular hobby and, for some, a way of life. In Guitar Makers, Kathryn Marie Dudley introduces us to builders of artisanal guitars, their place in the art world, and the specialized knowledge they’ve developed. Drawing on in-depth interviews with members of the lutherie community, she finds that guitar making is a social movement with political implications. Guitars are not simply made—they are born. Artisans listen to their wood, respond to its liveliness, and strive to endow each instrument with an unforgettable tone. Although professional luthiers work within a market society, Dudley observes that their overriding sentiment is passion and love of the craft. Guitar makers are not aiming for quick turnover or the low-cost reproduction of commodities but the creation of singular instruments with unique qualities, and face-to-face transactions between makers, buyers, and dealers are commonplace. In an era when technological change has pushed skilled artisanship to the margins of the global economy, and in the midst of a capitalist system that places a premium on ever faster and more efficient modes of commerce, Dudley shows us how artisanal guitar makers have carved out a unique world that operates on alternative, more humane, and ecologically sustainable terms.

The Art Of Lutherie offers a glimpse into the mind and craft of luthier Tom Bills, whom many consider to be one of the most talented luthiers today. In this beautifully written and enjoyable read, Tom elegantly and clearly shares his best- kept secrets and methods of custom guitar making - those which make his guitars favorites among top collectors and players. Tom's unique approach to The Art Of Lutherie will empower and inspire you to create more than just a guitar, but a truly unique work of art. The information that is generously shared within this insightful and timeless work is both practical and applicable. It contains the same hard-won wisdom that only comes from years of experience and experimentation that Tom uses in creating his inspiring instruments. Over the years, he has producedinstruments considered to be some of the bestsounding guitars ever made. Learning the steps of how to build a guitar is important, but understanding whymaster luthiers take those steps and make those decisions can empower you to make your own educated choices. This will allow you to create unique guitars, and the world needs your art, your guitars - your important contribution. The Art Of Lutherie, a truly unique and inspiring guide, can prepare you to reach new heights when designing and creating unique guitars. It is not often I heap such lavish praise on people; however, Tom is in this case more than deserving: I know of no other luthier whose work I respect more. Tom knows his craft inside and out; he pours his soul into every guitar he makes; heuses cutting-edge science to guide his work, and it shows...as head of Artist Relations and Product Development at Mel Bay, it gives me great pleasure topublish Tom's work, which will no doubt take the art of lutherie to a new level. I hope you'll spend some time soaking in this book - it will certainly augmentyour musicality - Collin Bay. Includes access to online video

If you've ever wanted to make a guitar, you probably got overwhelmed quickly. The Boxmaker's Guitar Book takes you back to basics with the simple reminder that all woodworkers and maker's know how to make boxes. From that building block, you can create a beautiful guitar that sounds good, too. With simple construction techniques, author Doug Stowe breaks down the guitar into its component parts so you can mix and match to create your own unique instrument. You'll learn how to create sound holes, necks, frets, nuts, tail pieces, bridges, and all the pieces you need to complete your musical masterpiece. The 15 easy projects in The Boxmaker's Guitar include more than just a flat-sided box--try your hand at a scissor-tail or K-body design, or even a ukulele. With a minimal investment of time and tools, you can have a sweet-sounding box guitar to strum on your own or give to a friend.

A complete reference for the design and construction of the steel-string folk guitar and the classical guitar.

Acquired of the Angels documents the two most prominent guitar makers of the 20th century, John D'Angelico and James L. D'Aquisto. This book explores the lives, stories, and craftsmanship behind these American cultural icons. The expanded second edition offers greater insight and information.

The craft tradition of making string instruments goes back to Stradivarius, the 18th-century luthier whose instruments today are very nearly priceless. Kathryn Dudley here takes us on a quest for the Guitar Heroes of the 21st century, the luthiers whose artisanal skills (as opposed computer numerical control technology) produce exquisite one-of-a-kind instruments. But she tracks industrial guitar-making as well as artisanal, starting with the post-WW II golden era of the Martin and Gibson companies on to a second golden era, a result of new modes of information sharing. She has interviewed 100 luthiers and 50 dealers, collectors, musicians, material suppliers, and guitar festival organizers. We see how the advent of disco caused sales of acoustic guitars to plummet in the 1980s, and meet the key individuals who rescued both the craft and the big companies from almost certain demise. In-depth portraits of guitar-makers illuminate the kinds of emotional and tactile engagement these skilled workers have with the wood they shape into a guitar s unique voice. They talk to wood, and listen to what the piece of wood wants to be, how the grain is going to go, they bring wood to life, treating it not as a passive object but as a collaborator in the production process. Along the way, we meet up with consequences of the 1992 law prohibiting sales of Brazilian rosewood, as well as taking tours of the Martin Company museum and factory, and devour with pleasure her portraits of student and apprentice luthiers as well as masters. The interaction between people and things yields a longing to be in perfect synch with sound and with the human bodywhat Dudley calls acoustic desire. No other book has so perceptively shown us the role of human hands in shaping a guitar s unique voice."

This text is a thorough study on the Spanish luthier, Antonia de Torres (1817-1892) who had a profound influence on the shape of the modern guitar.