How long did the guillotine's blade hang over the heads of French criminals? Was it abandoned in the late 1800s? Did French citizens of the early days of the twentieth century decry its brutality? No. The blade was allowed to do its work well into our own time. In 1974, Hamida Djandoubi brutally tortured 22 year-old Elisabeth Bousquet in an apartment in Marseille, putting cigarettes out on her body and lighting her on fire, finally strangling her to death in the Provencal countryside where he left her body to rot. In 1977, he became the last person executed by guillotine in France in a multifaceted case as mesmerizing for its senseless violence as it is though-provoking for its depiction of a France both in love with and afraid of The Foreigner. In a thrilling and enlightening account of a horrendous murder paired with the history of the guillotine and the history of capital punishment, Jeremy Mercer, a writer well known for his view of the underbelly of French life, considers the case of Hamida Djandoubi in the vast flow of blood that France's guillotine has produced. In his hands, France never looked so bloody...

Hiding the Guillotine examines the question of state involvement in violence by tracing the evolution of public executions in France. Why did the state move executions from the bloody and public stage of the guillotine to behind prison doors? In a fascinating exploration of a grim subject, Emmanuel Taïeb exposes the rituals and theatrical form of the death penalty and tells us who watched, who participated in, and who criticized (and ultimately brought an end to) a spectacle that the state called "punishment." France's abolition of the death penalty in 1981 has long overshadowed its suppression of public executions over forty years earlier. Since the Revolution, executions attracted tens of thousands of curious onlookers. But, gradually, there was a shift in attitude and the public no longer saw this as a civilized pastime. Why? Combining material from legal archives, police files, an executioner's notebooks, newspaper clippings, and documents relating to 566 executions, Hiding the Guillotine answers this question. Taïeb demonstrates the ways in which the media was at the vanguard of putting an end to the publicity surrounding the death penalty. The press had ample reason to be critical: cities were increasingly being used for leisure activity and prisons for those accused of criminal activity. The agitation surrounding each execution, coupled with a growing identification with the condemned, would blur these boundaries. Ranked among the top hundred history books by the website, Café du Web Historizo, Hiding the Guillotine has much to impart to students of legal history, human rights, and criminology, as well as to American historians.

As in a number of France’s major cities, civil war erupted in Lyon in the summer of 1793, ultimately leading to a siege of the city and a wave of mass executions. Using Lyon as a lens for understanding the politics of revolutionary France, this book reveals the widespread enthusiasm for judicial change in Lyon at the time of the Revolution, as well as the conflicts that ensued between elected magistrates in the face of radical democratization. Julie Patricia Johnson’s investigation of these developments during the bloodiest years of the Revolution offers powerful insights into the passions and the struggles of ordinary people during an extraordinary time.

"In this wickedly humorous book, Geoffrey Abbott describes the effectiveness of instruments of torture and reveals the macabre origins of familiar phrases such as 'gone west' or 'drawn a blank'. Covering everything from the preparation of the victim to the disposal of the body 'What a Way to Go' is everything you ever wanted to know about the ultimate penalty--and a lot you never thought to ask."--Publisher's description

*Includes pictures *Includes contemporary accounts describing the use of the guillotine *Includes online resources and a bibliography for further reading *Includes a table of contents "But here I should imagine the most terrible part of the whole punishment is, not the bodily pain at all-but the certain knowledge that in an hour, then in ten minutes, then in half a minute, then now-this very instant-your soul must quit your body and that you will no longer be a man-and that this is certain, certain!" - Fyodor Dostoyevsky, The Idiot The Guillotine. Its very name recalls scenes of horror during the French Revolution, as nobles lost their heads while gangs of people cheered and Madame Defarge knitted. Some of history's most famous people lost their heads at the guillotine, including Marie Antoinette, King Louis XVI of France, and Robespierre, and the apparatus is immediately recognizable across the world, not just for its appearance but for all the stories it featured prominently in. However, the truth behind this device is much more complicated than its short-lived use during France's Reign of Terror. For one thing, societies have been executing people since ancient times and have used various devices, the guillotine being just one. Even as early as the 13th century, there were moves among some to make the arduous task of state-sanctioned executions quicker and easier, and in time, the evolution of various devices helped bring about the invention of the guillotine. Though many their names have now faded into history, both the instruments of the past and the people who used them were the parents of this monstrous device. But a funny thing happened along the way as people became less and less enamored of killing each other, even for those who had themselves committed murder. As the Age of Enlightenment spread in the mid-1700s, so did a sense that government should not take lives at all, or if they did, that they should do so as quickly and painlessly as possible. Thus it was that the guillotine was created, not to hurt others so much as to dispatch those condemned as painlessly as possible. It is but a sad coincidence that its design was perfected on the eve of one of the bloodiest eras in French history; had it been developed at another point in time, it might very-well have been hailed as a merciful way to mete out justice. Like all important devices, the guillotine did not remain unchanged during its centuries of use. Its design was periodically tweaked for decades until the latter half of the 19th century, when it was completely redesigned, likely in light of a growing hostility toward capital punishment in general and beheadings in particular. By this time, such notable Frenchmen as Victor Hugo had spoken out against the right of the state to take a human life. Even the Sanson family, who had served as France's executioners for more nearly 200 years, had given up their work, and it fell to others to master the new apparatus. These men would be increasingly maligned for their work as a more civilized world insisted that it was not for the state to conduct executions. That said, it often surprises people to learn that the guillotine remained in use through the middle part of the 20th century, outliving other barbaric practices like slavery by nearly 100 years. Though the government outlawed public executions in the mid-1930s, men and women continued to be beheaded in the name of justice long after the end of World War II. But ultimately, the times were changing, and Nazi and Japanese atrocities had opened the eyes of many to man's ability to hurt fellow man. Killing was even less attractive to those who had already killed in the name of patriotism, and their voices raised, higher and higher, until ultimately the device that had dispatched royalty and paupers alike was finally used for the last time. As one author wrote, "May it never be used again."

Full of Arriaga's trademark humor and irony present in his films and novels, The Guillotine Squad takes us back to one of the most exciting times in Mexican history. Feliciano Velasco y Borbolla de la Fuente, a lawyer, sells his famous invention, the guillotine, to Pancho Villa, the renowned insurgent general of the Mexican Revolution. Soon Feliciano finds himself immersed in the logic of this simultaneously bizarre, heroic, and cruel world of Villa's troops.

The guillotine is a most potent image of revolutionary France, the tool whereby a whole society was 'redesigned'. Tracing the development of the guillotine, this book recounts the stories of famous executions, the lives of the executioners, and the research into whether the head retained consciousness after it was separated from the body.