Speaking to his supporters at the end of the Montgomery bus boycott in 1956, Martin Luther King, Jr.- then a young minister only two years out of divinity school - declared that their common goal was not simply the end of segregation as an institution. Rather, “the end is reconciliation, the end is redemption, the end is the creation of the beloved community.” King's words reflect the strong religious impetus behind the civil rights movement in the South in its early days. Consciously emphasizing the Judeo-Christian roots of their convictions, civil rights leaders at the time saw their ultimate purpose as building a “beloved community” on earth. In their quest for social justice, the radical idea of Christian love, specifically through the practice of nonviolence, would transform the social and political realities of twentieth-century America. By the end of the 1960s, that exuberant vision of the beloved community had come apart, lost to disillusionment and secular radicalism. But as noted theologian Charles Marsh shows, the same spiritual vision that animated the civil rights movement remains a vital-and growing-source of moral energy today. In moving prose, Marsh traces the history of this vision over the past four decades, from the racial reconciliation movement in American cities to the intentional communities that church groups have founded. His portraits of faith-based social justice initiatives-including Eugene Rivers' Azusa Christian Community in Boston and Koinonia Farm in Georgia-offer a stark contrast to the usual media portrayal of Christian activism. Despite the odds against it, the pursuit of the beloved community continues to foster racial unity and civic responsibility in a divided American culture. With The Beloved Community , Marsh lays out a exuberant new vision for Christian progressivism, and simultaneously reclaims the centrality of faith in the quest for social justice.

Reshaping Beloved Community: The Experiences of Black Male Felons and Their Impact on Black Radical Traditions offers a reflexive interrogation on the history of black male incarceration in the United States starting in the nineteenth century to both illustrate the complex ways black male felons have been discursively constructed and the various techniques utilized in the United States to erase the contributions of black male felons and their black radical projects. This erasure has left many black men without the benefit of fellowship and community. Therefore, Reshaping Beloved Community focuses on particular black male felons and their cultural production to highlight experiences of blackness that is often marginalized or ignored. In order to characterize these experiences and contributions of black male felons, Reshaping Beloved Community expands Victor Anderson’s definition of creative exchange by offering contemplative conversations of black male felons in history and the cultural works they produced. It draws on an interdisciplinary approach to reveal how some black male felons have used prison and the experience of incarceration to craft narratives and liberation movements. The philosophical approach within Reshaping Beloved Community deploys constructive and innovative concepts, particularly of the grotesque, to interpret how black male felons have resisted American political and cultural restraints on their humanity. Anderson’s concepts of creative exchange help create a framework that enables readers to see how the cultural production of black male felons reveals the unique experiences and worldview of black men trapped in various forms of penal captivity. These experiences speak to a deeper reality that is largely hidden because of the ways incarceration and penal captivity diminishes certain people in society. Yet a reengagement with those movements helps to link black male felons to the whole of black life and culture. In the end, Reshaping Beloved Community allows black radical scholars to gain deeper insight into the roles black male felons have played in critiquing American politics and culture. Moreover, it shows that the cultural productions of black male felons are just as important to understanding black life in American society as slave narratives, blues music, and the like.

Awakening the Heart of the Beloved Community is a compelling collection of the voices of the beloved community. The narratives of each writer, which includes Rev. Michael Bernard Beckwith and Andrew Harvey, are masterfully woven together in a book that will take you higher, drop you down and then lift you gently and lovingly and land you right in your heart - the center of the continuing evolution of the beloved community that is the foundation for a sustainable future for generations to come.