Gerald Murnane turns to poetry at the end of his literary career, writing frank, disarming poems that traverse the rich span of his life. I esteem / above all poems or passages of prose / those that put a lump in my throat. — Gerald Murnane, ‘The Darkling Thrush’ Gerald Murnane, now in his eightieth year, began his writing career as a poet. After many years as a writer of fiction, he only returned to poetry a few years ago when he moved to Goroke, in the Western Districts of Victoria, after the death of his wife. The forty-five poems collected here are in a strikingly different mode to his fiction — without framing or digressions, and with very few images, they speak openly to the reader of the author’s memories, beliefs and experiences. They are for this reason an important addition to his internationally recognised body of fiction, most recently Border Districts and Collected Short Fiction, published by Giramondo. The poems include tributes to his mother and father and to his family, and to places that have played a formative role in his life, like Gippsland, Bendigo, Warrnambool, the Western Districts, and of course Goroke. Especially moving are his poems dedicated to authors who have influenced him — Lesbia Harford and Thomas Hardy, William Carlos Williams, Henry Handel Richardson, Marcel Proust, and with particular force, the eighteenth-century poet John Clare, who gives the collection its title, revered ‘not only for his writings / but for his losing his reason when / he was forced from the district he had wanted as his for life.’ Praise for Gerald Murnane: ‘A strong case could be made for Murnane…as the greatest living English-language writer most people have never heard of.’ — New York Times ‘No living Australian writer, not even Les Murray, has higher claims to permanence or a richer sense of distinction.’ — Sydney Morning Herald

A splendidly illustrated collection of poems inspired by young children that address common themes such as having a hard day at school, feeling shy or being a newcomer. The poems in Climbing Shadows were inspired by a class of kindergarten children whom poet and playwright Shannon Bramer came to know over the course of a school year. She set out to write a poem for each child, sharing her love of poetry with them, and made an anthology of the poems for Valentine’s Day. This original collection reflects the children’s joys and sorrows, worries and fears, moods and sense of humor. Some poems address common themes such as having a hard day at school, feeling shy or being a newcomer, while others explore subjects of fascination — bats, spiders, skeletons, octopuses, polka dots, racing cars and birthday parties. Evident throughout the book is a love of words and language and the idea that there are all kinds of poems and that they are for everyone — to read or write. Cindy Derby’s dreamy watercolor illustrations gently complement each poem. Beautiful, thoughtful, sensitive and funny, this is an exceptional collection. Key Text Features illustrations table of contents author’s note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.1 With prompting and support, ask and answer questions about key details in a text. CCSS.ELA-LITERACY.RL.K.4 Ask and answer questions about unknown words in a text. CCSS.ELA-LITERACY.RL.K.7 With prompting and support, describe the relationship between illustrations and the story in which they appear (e.g., what moment in a story an illustration depicts). CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.2.4 Describe how words and phrases (e.g., regular beats, alliteration, rhymes, repeated lines) supply rhythm and meaning in a story, poem, or song.

A collection of poems by Mexican poet and essayist Octavio Paz, presented in Spanish and in English.

"Kooser has written more perfect poems than any poet of his generation." -Dana Gioia, Can Poetry Matter?

Gerald Murnane is one of Australia’s most important contemporary authors, but for years was neglected by critics. In 2018 the New York Times described him as “the greatest living English-language writer most people have never heard of” and tipped him as a future Nobel Prize winner. Gerald Murnane: Another World in This One coincides with a renewed interest in his work. It includes an important new essay by Murnane himself, alongside chapters by established and emerging literary critics from Australia and internationally. Together they provide a stimulating reassessment of Murnane’s diverse body of work.