In this new gourd book, author Angela Mohr demonstrates how to select and prepare gourds from the garden and demonstrates basic techniques for cleaning, shaping, and fixing gourds, which then can be decorated for everyday use, such as bowls and vases.\nThis do-it-yourself how-to is perfect for any beginning gourd artisan to learn the finer points of a gourd, fix their common flaws and put the gourds to good use as accessories around the house.

In gourd art, there is a vast array of material that can be used when carving and decorating a gourd. When it comes to doing the rim, the options are just as varied. The best rims are those that complement the gourd's overall design. The rim "completes" the gourd--it makes the gourd look finished. Through more than 200 color images and tutorials from contributing artists, learn how to finish the rims of gourd bowls using chip stone, tubular beading, paper, coiling, leather, wire, clay, pine needle, and flowers. The rims illustrated range from the very simple to the extremely elaborate. A gallery of completed works will inspire your own creative ideas. This book is perfect for gourd artists of all skill levels.

Provides examples from twenty artists along with information on their tools, methods, and influences.

A guide to gourd pyrography--using heat to create works of gourd art--that discusses gourd prep and work basics, provides step-by-step instructions for several designs and techniques, and presents secrets from fifty artists.

Coiling is a basketry technique used as decoration in gourd art. Step-by-step coiling techniques, as well as pattern designs, help gourd enthusiasts use coiled waxed linen and colored thread to enhance their work. 196 color photos show how to trim a gourd bowl or vase and use the coiled threads to add color to your favorite gourds. A special chart will help crafters design their own coiling patterns. Beginners and advanced workers with gourds will be inspired by this book.

The Shattered Gourd uses the lens of visual art to examine connections between the United States and the Yoruba region of western Nigeria. In Yoruba legend, the sacred Calabash of Being contained the Water of Life; when the gourd was shattered, its fragments were scattered over the ground, death invaded the world, and imperfection crept into human affairs. In more modern times, the shattered gourd has symbolized the warfare and enslavement that culminated in the black diasporas. The "re-membering" of the gourd is represented by the survival of people of African origin all over the Americas, and, in this volume, by their rediscovery of African art forms on the diaspora soil of the United States. Twentieth-century African American artists employing Yoruba images in their work have gone from protest art to the exploration and celebration of the self and the community. But because the social, economic, and political context of African art forms differs markedly from that of American culture, critical contradictions between form and meaning often appear in African American works that use African forms. In this book -- the first to treat Yoruba forms while transcending the conventional emphasis on them as folk art, focusing instead on the high art tradition -- Moyo Okediji uses nearly four dozen works to illustrate a broad thematic treatment combined with a detailed approach to individual African and African American artists. Incorporating works by such artists as Meta Warrick Fuller, Hale Woodruff, Aaron Douglas, Elizabeth Catlett, Ademola Olugebefola, Paul Keene, Jeff Donaldson, Howardena Pindell, Muneer Bahauddeen, Michelle Turner, Michael Harris, Winnie Owens-Hart, and John Biggers, the author invites the reader to envision what he describes as "the immense possibilities of the future, as the twenty-first century embraces the twentieth in a primal dance of the diasporas," a future that heralds the advent of the global as a distinct movement in art, beyond postmodernism.

Clearly rendered illustrations on 30 pages display authentic designs taken from rugs, masks, sandpaintings, pottery, jewelry, baskets, and other artifacts created by southwestern Native Americans. Geometrical designs on a Navajo woven saddlebag, a Chumash rock painting of mythical creatures, a Hopi kachina doll, an Apache "crown headdress," and more.