YOU'RE EITHER A MILF OR YOU'RE A MILF-DUD. TAKE YOUR PICK. For thousands of years, women have been expected to hang up their "hotness" once they had kids. They disappeared behind their families and the dashboards of minivans...Until now! Whether sporting a cardigan and jeans, sweats or a business suit, today's Mom is a shining example of confidence, poise, and age-defying beauty. Even as she juggles carpool, PTA, and the demands of the office, or shrieks, "GET IN THE TUB, NOOOWWW!", she's pretty darn hot. A MILF ISN'T BORN, SHE'S MADE A Milf is confident in her choices, because doubt is for 20-year-olds. A Milf laughs. A lot. A Milf kisses her man in public and hugs her kids until they cry out in sheer embarrassment. A Milf doesn't let petty issues get her down and always looks up (take that gravity!). GOT MILF? CELEBRATES WHERE THE MODERN WOMAN HAS TAKEN MOTHERHOOD. IT'S TIME TO STAND UP, EMBRACE YOUR INNER MILF AND BE COUNTED! Watch a Video

I was a 6"2 tattooed biker, the ultimate male. But my fantasy was to become a milf and take on a gang of guys. I discovered a way to make my fantasy come true...

This work examines the Gilmore Girls from a post-feminist perspective, evaluating how the show's main female characters and supporting cast fit into the classic portrayal of feminine identity on popular television. The book begins by placing Gilmore Girls in the context of the history of feminism and feminist television shows such as Mary Tyler Moore and One Day at a Time. The remainder of the essays look at series' portrayal of traditional and non-traditional gender identities and familial relationships. Topics include the hyper-real utopia represented by Gilmore Girls' fictional Stars Hollow; the faux-feminist perspective offered by Rory Gilmore's unfulfilling (and often masochistic) romantic relationships; the ways in which "mean girl" Paris Geller both adheres to and departs from the traditional archetype of female power and aggression; and the role of Lorelai Gilmore's oft-criticized marriage in destroying the show's central theme of single motherhood during its seventh season. The work also studies the role of food and its consumption as a narrative device throughout the show's development, evaluating the ways in which food negotiates, defines, and upholds the characters' gendered and class performances. The work also includes a complete episode guide listing the air date, title, writer, and director of every episode in the series.

A huge bundle of 66 tales for all you milf lovers! It brings together the following 6-packs: Greedy gilfs/Hotwife milfs/Messy milfs/Milf homewreckers/Milfs in uniform/Money milfs/Spanked by milfs/Halloween milfs/Milf threesomes/Seduced by milfs/Fifteen on one

Sexy MILFs having toe-curling threesomes with hot young studs. These MILFs are in their prime, and they're getting exactly what they want – unprotected and from every angle! Guaranteed to leave you gasping for more.

Consensual gender swap. I wanted to be Mrs Dean, and not just that, I wanted to be her and take on the two guys across the road...

Putting the New Materialist figure of diffraction to use in a set of readings – in which cultural texts are materially read against their contents and their themes, against their readers or against other texts – this volume proposes a criticalintervention into the practice of reading itself. In this book, reading and reading methodology are probed for their materiality and re-considered as being inevitably suspended between, or diffracted with, both matter and discourse. The history of literary and cultural reading, including poststructuralism and critical theory, is revisited in a new light and opened-up for a future in which the world and reading are no longer regarded as conveniently separate spheres, but recognized as deeply entangled and intertwined. Diffractive Reading ultimately represents a new reading of reading itself: firstly by critiquing the distanced perspective of critical paradigms such as translation and intertextuality, in which texts encountered, processed or otherwise subdued; secondly, showing how all literary and cultural readings represent different ‘agential cuts’ in the world-text-reader constellation, which is always both discursive and material; and thirdly, the volume materializes, dynamizes and politicizes the activity of reading by drawing attention to reading’s intervention in, and (co)creation of, the world in which we live.