"In the book's impressionistic and personal moments, Rieff succeeds in capturing the mood of the city. He is pleasantly open to the place he is exploring and generally maintains a stance of naïveté--the mark of a good travel writer."--New York Times Book Review "A clear, insightful book of firsthand impressions of Florida's once-heralded Magic City and what its flamboyant Latinization since the 1960s means. Rieff looks thoughtfully at Miami as America's New Havana, with a nod to the image fostered by TV's Miami Vice--an easygoing recital of his visits with some of Miami's most influential Cuban leaders, ranging from moderates to possibly murderous, anti-Castro politicos, along with tours of the city's now-famed Calle Ocho stretch."--Publishers Weekly "David Rieff gives Miami the treatment it deserves: an anti-travelogue that tours states of mind and basks in projected images. . . . No cub reporter, he wisely dodges the dry testimony of experts in favor of the hunches that emerge from after-dinner gossip. His factual storehouse is stocked with random bits of the social environment: menus, in-flight movies, graffiti, Toltec pottery, Phil Donahue."--Commentary "A book that restores one's faith in the foreignness of America. A shrewd, inquisitive guide to a city that has been over-glamourized, much condescended to (though not by Rieff), and rarely understood--and to one of the world's oddest and most intensely knit exiled communities, the Cubans in Miami. Read before heading south."--Robert Hughes, author of The Fatal Shore From David Rieff's preface to the new edition: "This book is a personal narrative as well as a book about Miami at the moment in the mid-1980s when the transformation of the city by its Cuban exile population was achieving critical mass. . . . I never believed that Miami was, as some people said at the time, 'the new Casablanca' or the capital of Latin America. What I did believe--and continue to believe--is that it was a harbinger of many things about America's future, from the inescapability of the Spanish language and of the further hispanicization of the United States to the broader phenomenon of a radical demographic shift in which the country, in only a few generations, has gone from being comprised largely of people of European and, to a lesser extent, African origin, to being an anthology of the world's peoples. That is now clear." David Rieff is the author of Slaughterhouse: Bosnia and the Failure of the West; The Exile: Cuba in the Heart of Miami; and Los Angeles: Capital of the Third World. His work appears regularly in various publications including the New York Times, Los Angeles Times, Washington Post, The Nation, Esquire, New Republic, and Newsweek. He is a freelance journalist and writer living in New York City.

A New York Times bestseller—a brilliantly funny exploration of the Sunshine State from the man who knows it best: Pulitzer Prize winner Dave Barry. We never know what will happen next in Florida. We know only that, any minute now, something will. Every few months, Dave Barry gets a call from some media person wanting to know, “What the hell is wrong with Florida?” Somehow, the state's acquired an image as a subtropical festival of stupid, and as a loyal Floridian, Dave begs to differ. Join him as he goes in hunt of the legendary Skunk Ape; hobnobs with the mermaids of Weeki Wachee Springs; and visits Cassadaga, the psychic capital of the world, to have his dog's aura read (apparently, she's "very spiritual"). Hitch a ride for the non-stop thrills of alligator-wrestling ("the gators display the same fighting spirit as a Barcalounger"), the hair-raising spectacle of a clothing-optional bar in Key West, and the manly manliness of the Machine Gun Experience in Miami. It's the most hilarious book yet from “the funniest damn writer in the whole country” (Carl Hiaasen, and he should know). By the end, you'll have to admit that whatever else you might think about Florida—you can never say it's boring.

NATIONAL BESTSELLER • From the national bestselling author of The Dog Stars comes a "carefully composed story about one man’s downward turning life in the American West” (The Boston Globe). After having shot a man in a Santa Fe bar, the famous artist Jim Stegner served his time and has since struggled to manage the dark impulses that sometimes overtake him. Now he lives a quiet life ... until the day that he comes across a hunting guide beating a small horse, and a brutal act of new violence rips his quiet life right open. Pursued by men dead set on retribution, Jim is left with no choice but to return to New Mexico and the high-profile life he left behind, where he’ll reckon with past deeds and the dark shadows in his own heart.

Peter Sagal, the host of NPR’s Wait Wait...Don’t Tell Me! and a popular columnist for Runner’s World, shares “commentary and reflection about running with a deeply felt personal story, this book is winning, smart, honest, and affecting. Whether you are a runner or not, it will move you” (Susan Orlean). On the verge of turning forty, Peter Sagal—brainiac Harvard grad, short bald Jew with a disposition towards heft, and a sedentary star of public radio—started running seriously. And much to his own surprise, he kept going, faster and further, running fourteen marathons and logging tens of thousands of miles on roads, sidewalks, paths, and trails all over the United States and the world, including the 2013 Boston Marathon, where he crossed the finish line moments before the bombings. In The Incomplete Book of Running, Sagal reflects on the trails, tracks, and routes he’s traveled, from the humorous absurdity of running charity races in his underwear—in St. Louis, in February—or attempting to “quiet his colon” on runs around his neighborhood—to the experience of running as a guide to visually impaired runners, and the triumphant post-bombing running of the Boston Marathon in 2014. With humor and humanity, Sagal also writes about the emotional experience of running, body image, the similarities between endurance sports and sadomasochism, the legacy of running as passed down from parent to child, and the odd but extraordinary bonds created between strangers and friends. The result is “a brilliant book about running…What Peter runs toward is strength, understanding, endurance, acceptance, faith, hope, and charity” (P.J. O’Rourke).

Independent Publisher Book Awards, Silver Medal for Anthology National Indie Excellence Awards, Finalist in the Anthology Category International Latino Book Awards, Gold Medal for Best Fiction (Multi-Author) International Latino Book Awards, Honorable Mention, Best Nonfiction (Multi-Author) A powerful collection of contemporary voices Showcasing a variety of voices shaped in and by a place that has been for them a crossroads and a land of contradictions, Home in Florida presents a selection of the best literature of displacement and uprootedness by some of the most talented contemporary Latinx writers who have called Florida home. Featuring fiction, nonfiction, and poetry by Richard Blanco, Jaquira Díaz, Patricia Engel, Jennine Capó Crucet, Reinaldo Arenas, Judith Ortiz Cofer, and many others, this collection of renowned and award-winning contributors includes several who are celebrated in their countries of origin but have not yet been discovered by readers in the United States. The writers in this volume—first- , second- , and third-generation immigrants to Florida from Cuba, Mexico, Honduras, Perú, Argentina, Chile, and other countries—reflect the diversity of Latinx experiences across the state. Editor Anjanette Delgado characterizes the work in this collection as literature of uprootedness, literatura del desarraigo, a Spanish literary tradition and a term used by Reinaldo Arenas. With the heart-changing, here-and-there perspective of attempting life in environments not their own, these writers portray many different responses to displacement, each occupying their own unique place on what Delgado calls a spectrum of belonging. Together, these writers explore what exactly makes Florida home for those struggling between memory and presence. In these works, as it is for many people seeking to make a new life in the United States, Florida is the place where the uprooted stop to catch their breath long enough to wonder, “What if I stayed? What if here could one day be my home?” Contributors: Daniel Reschinga | Ana Menéndez | Frances Negrón Muntaner | Hernán Vera Álvarez | Liz Balmaseda | Ariel Francisco | Andreina Fernandez | Amina Lolita Gautier PhD | Jennine Capó-Crucet | Dainerys Machado Vento | Carlos Harrison | Legna Rodríguez Iglesias | Judith Ortiz Cofer | Chantel Acevedo | Guillermo Rosales | Achy Obejas | Alex Segura | Patricia Engel | Anjanette Delgado | Mia Leonin | Carlos Pintado | Nilsa Ada Rivera | Natalie Scenters-Zapico | Pedro Medina León | Caridad Moro-Gronlier | Aracelis González Asendorf | Michael García-Juelle | Jaquira Díaz | José Ignacio Chascas-Valenzuela | Raúl Dopico | Javier Lentino | Yaddyra Peralta

From Charlie Smith, critically acclaimed poet, author of Three Delays, and novelist of “appalling brilliance” (New York Times Book Review) comes the thrilling, moving, and violent story of Cotland Sims, a Miami gangster hellbent on helping his mother—when he steals a trove of emeralds to cover costs, he risks losing everyone he loves In Men in Miami Hotels, Smith tells the story of Cot Sims, a listing Miami gangster who returns to Key West aiming to—among other things—save his fool-proof mother from homelessness after a recent hurricane. For love, for cash, and for the hell of it, he snatches a trove of emeralds that his boss, the relentlessly vicious Albertson, keeps hidden on a small island. And then trouble, which has been coiling around him for years like a snake, bites. Cot has forty-eight hours to return the emeralds before items of equal or greater value—namely, the lives of everyone he loves—are repossessed by Albertson and his army of hired gunmen. Fleeing across the Caribbean, Cot blazes a trail of survival, skeltering between the narrowing walls of fate.

From the critically acclaimed author of Honor Girl, comes a “sassy, sultry whodunit” (School Library Journal) set in an Atlanta boarding school that’s infused with subversive humor and featuring a cast of bizarre and unforgettable characters. It’s better to know the truth. At least sometimes. Halfway through Friday night’s football game, beautiful cheerleader Brittany Montague—dressed as the giant Winship Wildcat mascot—hurls herself off a bridge into Atlanta’s surging Chattahoochee River. Just like that, she’s gone. Eight days later, Benny Flax and Virginia Leeds will be the only ones who know why. Their search for the truth reveals a web of depravity hiding in plain sight at their picture perfect school. When love becomes obsession, how far will someone go to make their twisted fantasies a reality? And who has the power to stop them? A twisty, turny mystery loaded with the perfect punch of satire and heart.