Abraham Kuyper is known as the energetic Dutch Protestant social activist and public theologian of the 1898 Princeton Stone Lectures, the Lectures on Calvinism. In fact, the church was the point from which Kuyper's concerns for society and public theology radiated. In his own words, ''The problem of the church is none other than the problem of Christianity itself.'' The loss of state support for the church, religious pluralism, rising nationalism, and the populist religious revivals sweeping Europe in the nineteenth century all eroded the church's traditional supports. Dutch Protestantism faced the unprecedented prospect of ''going Dutch''; from now on it would have to pay its own way. John Wood examines how Abraham Kuyper adapted the Dutch church to its modern social context through a new account of the nature of the church and its social position. The central concern of Kuyper's ecclesiology was to re-conceive the relationship between the inner aspects of the church—the faith and commitment of the members—and the external forms of the church, such as doctrinal confessions, sacraments, and the relationship of the church to the Dutch people and state. Kuyper's solution was to make the church less dependent on public entities such as nation and state and more dependent on private support, especially the good will of its members. This ecclesiology de-legitimated the national church and helped Kuyper justify his break with the church, but it had wider effects as well. It precipitated a change in his theology of baptism from a view of the instrumental efficacy of the sacrament to his later doctrine of presumptive regeneration wherein the external sacrament followed, rather than preceded and prepared for, the intenral work grace. This new ecclesiology also gave rise to his well-known public theology; once he achieved the private church he wanted, as the Netherlands' foremost public figure, he had to figure out how to make Christianity public again.

ONE OF ENTERTAINMENT WEEKLY’S 10 BEST DEBUT NOVELS OF THE YEAR “A charming, well-observed debut,” (NPR) featuring a gay male graduate student who falls for his brilliant female classmate, “you’ll tear through this tale of a thoroughly modern love triangle” (Entertainment Weekly). Exhausted by dead-end forays in the gay dating scene, surrounded constantly by friends but deeply lonely in New York City, and drifting into academic abyss, twenty-something graduate student Richard has plenty of sources of anxiety. But at the forefront is his crippling writer’s block, which threatens daily to derail his graduate funding and leave Richard poor, directionless, and desperately single. Enter Anne: his brilliant classmate who offers to “help” Richard write his papers in exchange for his company, despite Richard’s fairly obvious sexual orientation. Still, he needs her help, and it doesn’t hurt that Anne has folded Richard into her abundant lifestyle. What begins as an initially transactional relationship blooms gradually into something more complex. But then a one-swipe-stand with an attractive, successful lawyer named Blake becomes serious, and Richard suddenly finds himself unable to detach from Anne, entangled in her web of privilege, brilliance, and, oddly, her unabashed acceptance of Richard’s flaws. As the two relationships reach points of serious commitment, Richard soon finds himself on a romantic and existential collision course—one that brings about surprising revelations. “Intelligent, entertaining and elegantly written” (Adelle Waldman, author of The Love Affairs of Nathaniel P.) Going Dutch is an incisive portrait of relationships in an age of digital romantic abundance, but it’s also a heartfelt and humorous exploration of love and sexuality, and a poignant meditation on the things emotionally ravenous people seek from and do to each other. “This marvelously witty take on dating in New York City and the blurry nature of desire announces Gregor as a fresh, electric new voice” (Publishers Weekly, starred review).

“A thoroughly researched and provocative revisionist study.” — Wall Street Journal “Going Dutch is elegant and thought-provoking. . . . Jardine evokes a dialogue of civilizations.” — Lisa Ko, author of The Leavers “She explores the fascinating Anglo-Dutch relationship to answer how and why two sworn foes became friends so seamlessly. . . . A highly original work that will appeal to fans of Simon Schama’s The Embarrassment of Riches.” — Publishers Weekly “Jardine meticulously studies the exchange of ideas between England and Holland...she leaves no stone unturned...Absorbing, enjoyable reading.” — Kirkus Reviews “Jardine understands and appreciates her sources, and she writes exceptionally lively history. A pleasure to read, this book is enthusiastically recommended...” — Library Journal

This volume investigates the place of Dutch history and Dutch-derived culture in America over the last four centuries. It considers how the Dutch have fared in America, and it explores how American conceptions of Dutchness have developed, from Henry Hudson's historic voyage to Manhattan in 1609 through the rise of Dutch design at the turn of the twenty-first century. Essays probe a rich array of topics: Dutch themes in American arts and letters; the place of Dutch paintings in American collections; shifting American interests in Dutch art, literature, and architecture; the experience of Dutch immigrants in America; and the Dutch Reformed Church in America. Going Dutch presents a much needed overview of the Dutch-American experience from its beginnings to the present. Contributors include: Julie Berger Hochstrasser, Willem Frijhoff, Joyce D. Goodfriend, Hans Krabbendam, Joseph Manca, Nancy T. Minty, Mark A. Peterson, Christopher Pierce, Judith Richardson, Louisa Wood Ruby, Benjamin Schmidt, Robert Schoone-Jongen, Annette Stott, Tity de Vries, and Dennis P. Weller.

Pulitzer Prize Finalist | New York Times Bestseller | A Read with Jenna Today Show Book Club Pick | A New York Times Book Review Notable Book | TIME Magazine's 100 Must-Read Books of the Year Named one of the Best Books of the Year by NPR, The Washington Post; O: The Oprah Magazine, Real Simple, Good Housekeeping, Vogue, Refinery29, and Buzzfeed From Ann Patchett, the #1 New York Times bestselling author of Commonwealth, comes a powerful, richly moving story that explores the indelible bond between two siblings, the house of their childhood, and a past that will not let them go. The Dutch House is the story of a paradise lost, a tour de force that digs deeply into questions of inheritance, love and forgiveness, of how we want to see ourselves and of who we really are. At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakeable bond between them that both saves their lives and thwarts their futures. Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

Discover the rich theology of Neo-Calvinism. Abraham Kuyper and Herman Bavinck sparked a theological tradition in the Netherlands that came to be known as Neo-Calvinism. While studies in Neo-Calvinism have focused primarily on its political and philosophical insights, its theology has received less attention. In Neo-Calvinism: A Theological Introduction, Cory C. Brock and N. Gray Sutanto present the unique dogmatic contributions of the tradition. Each chapter focuses on a distinct theological aspect, such as revelation, creation, salvation, and ecclesiology. Neo-Calvinism produced rich theological work that yields promise for contemporary dogmatics. This book invites readers into this rich theological trajectory. "This book is the sign that [Neo-Calvinist] theology has now passed beyond the Dutch fairway. It has reached the international waters." —George Harinck