Drawing from topics of religion in India such as bhakti, puja rituals, and spirit posessions, these essays offer a close study of the physical representations of god as the central feature of Hinduism. A valuable tool for students of anthroplogy and the philosophy and history of religion.

Two men from disparate worlds search for what constitutes a meaningful life in a searing portrait of honor and masculinity, sport and celebrity, marriage and parenthood in this “rough, tough, and thoughtful” (Phil Mushnick, New York Post) debut from Pulitzer Prize finalist and front-page columnist Mark Di Ionno. Joe Grudeck is a living legend—a first-ballot Hall of Famer beloved by Boston Red Sox fans who once played for millions under the bright Fenway lights. Now, he finds himself haunted by his own history, searching for connection in a world that’s alienated his true self beneath his celebrity persona. Soon, he’ll step back into the spotlight once more with a very risky Cooperstown acceptance speech that has the power to change everything—except the darkness in his past. Horace Mueller is a different type altogether—working in darkness at a museum blacksmith shop and living in a rundown farmhouse on the outskirts of Cooperstown, New York. He clings to an antiquated lifestyle, fueled by nostalgia for simpler times and a rebellion against the sport-celebrity lifestyle of Cooperstown. His baseball prodigy son, however, veers towards everything Horace has spent his life railing against. Gods of Wood and Stone is the story of these two men—a timeless, but strikingly singular tale of the responsibilities of manhood and the pitfalls of glory in a painful and exhilarating novel that’s distinctly American. “Delivered with a fan’s passion, a journalist’s eye for detail, and the unblinking courage of a storyteller, Mark Di Ionno knocks it out of the park with this piercing literary thriller” (Bryan Gruley, award-winning author of the Starvation Lake trilogy).

"Loving Stones: Making the Impossible Possible in the Worship of Mount Govardhan is based on ethnographic and textual research with two major objectives. First, it is a study of the conceptions of and worshipful interactions with Mount Govardhan, a sacred mountain located in the Braj region of north-central India that has for centuries been considered an embodied form of Krishna. In this capacity it provides detailed information about the rich religious world associated with Mount Govardhan, much of which has not been available in previous scholarly literature. It is often said in that Mount Govardhan "makes the impossible possible" for devoted worshipers. This investigation includes examination of the perplexing paradox of an infinite god embodied in finite form, wherein each particular form is non-different from the unlimited. Second, it aims to address the challenge of interpreting something as radically different as the worship of a mountain and its stones for a culture in which this practice is quite alien. This challenge involves exploration of interpretive strategies that aspire to make the un-understandable understandable, and engages in theoretical considerations of incongruity, inconceivability, and like realms of the impossible. This aspect of the book includes critical consideration of the place and history of the pejorative concept of idolatry (and secondarily, its twin anthropomorphism) in the comparative study of religions. Accordingly, the second aim aspires to use the worship of Mount Govardhan as a site to explore ways in which scholars engaged in the difficult work of representing other cultures struggle to "make the impossible possible". ""--

The Hindu sacred order is guarded by the very gods who violate it and the demons who oppose it. This book is a who's who of such transgressive figures, both familiar and unfamiliar, showing their place within the Hindu order that they violate. It is also a reflection of the serious scholarly debate over the nature and composition of this Hindu order. The chapters range from pan-Hindu deities such as Bhairava and Virabhadra to guardian gods of specific regions and lineages and of different goddess cults. Chapters cover violent themes in SAaivite hagiography, the position of Brahmans in relation to cultic carnivorism, guardian heroes in folk epic, the deified dead, the royal mythology of a "criminal caste," and a wide-ranging overview of transgressive sacrality.

This text seeks to explain an enigmatic image common to many of the world religions, both polytheistic and monotheistic, that of the God who worships. Drawing on an array of comparative evidence, Patton suggests a theory of 'divine reflexivity'.

Nearly every form of religion or spirituality has a vital connection with art. Religions across the world, from Hinduism and Buddhism to Eastern Orthodox Christianity, have been involved over the centuries with a rich array of artistic traditions, both sacred and secular. In its uniquely multi-dimensional consideration of the topic, The Oxford Handbook of Religion and the Arts provides expert guidance to artistry and aesthetic theory in religion. The Handbook offers nearly forty original essays by an international team of leading scholars on the main topics, issues, methods, and resources for the study of religious and theological aesthetics. The volume ranges from antiquity to the present day to examine religious and artistic imagination, fears of idolatry, aesthetics in worship, and the role of art in social transformation and in popular religion-covering a full array of forms of media, from music and poetry to architecture and film. An authoritative text for scholars and students, The Oxford Handbook of Religion and the Arts will remain an invaluable resource for years to come.

This study is focused on the interaction of material and symbolic values ascribed to sacred trees in India and expressed in 3,000 years of ritual practice. Point of departure is the contemporary trend of mining religious narratives in order to mobilise environmental awareness.