This collection provides a systematic survey of the wide readership the works of Godfrey of Viterbo enjoyed in the late Middle Ages. In the last years of the twelfth century this chronicler and imperial notary wrote a series of historical collections that gained considerable and lasting popularity: between the thirteenth and fifteenth centuries, his works were copied in elaborate manuscripts in almost all of Latin Europe. This wide distribution is particularly surprising for an author like Godfrey whom modern historians have never credited with any importance at all, as they considered his works chaotic and historically unreliable. Yet Godfrey was certainly one of the most daring historiographers of his time. In his works, the lineage of the Hohenstaufen emperors Frederick Barbarossa and Henry VI is traced directly to Charlemagne and Augustus, to the kings of Troy and of the Old Testament, and to Jupiter and everyone who, in his view, wielded imperial power in the past. Godfrey was a herald of the new political ideas the Hohenstaufen developed after the years of defeat against the papacy and the Italian communes, but also a universal chronicler whose interests reached far beyond the political issues of his day. Bringing together a group of specialists on manuscripts and historical writing in late medieval England, Spain, Italy, Germany, Bohemia and Poland, this volume aims to revive Godfrey’s reputation by demonstrating how his works were understood by medieval readers.

New perspectives on and interpretations of the popular medieval genre of the universal chronicle.

Euhemerism and Its Uses offers the first interdisciplinary, focussed, and all-round view of the long history of an important but understudied phenomenon in European intellectual and cultural history. Euhemerism – the claim that the Greek gods were historically mortal men and women – originated in the early third century BCE, in an enigmatic and now fragmentary text by the otherwise unknown author Euhemeros. This work, the Sacred Inscription, has been read variously as a theory of religion, an atheist’s manifesto, as justifying or satirizing ruler-worship, as a fantasy travel-narrative, and as an early ‘utopia’. Influencing Hellenistic and Roman literature and religious and political thought, and appropriated by early Christians to debunk polytheism while simultaneously justifying the continued study of classical literature, euhemerism was widespread in the middle ages and Renaissance, and its reverberations continue to be felt in modern myth-theory. Yet, though frequently invoked as a powerful and pervasive tradition across several disciplines, it is still under-examined and poorly understood. Filling an important gap in the history of ideas, this volume will appeal to scholars and students of classical reception, mediaeval and Renaissance literature, historiography, and theories of myth and religion.

A Companion to Geoffrey of Monmouth brings together scholars from a range of disciplines to provide an updated scholarly introduction to all aspects of his work. Arguably the most influential secular writer of medieval Britain, Geoffrey (d. 1154) popularized Arthurian literature and left an indelible mark on European romance, history, and genealogy. Despite this outsized influence, Geoffrey’s own life, background, and motivations are little understood. The volume situates his life and works within their immediate historical context, and frames them within current critical discussion across the humanities. By necessity, this volume concentrates primarily on Geoffrey’s own life and times, with the reception of his works covered by a series of short encyclopaedic overviews, organized by language, that serve as guides to further reading. Contributors are Jean Blacker, Elizabeth Bryan, Thomas H. Crofts, Siân Echard, Fabrizio De Falco, Michael Faletra, Ben Guy, Santiago Gutiérrez García, Nahir I. Otaño Gracia, Paloma Gracia, Georgia Henley, David F. Johnson, Owain Wyn Jones, Maud Burnett McInerney, Françoise Le Saux, Barry Lewis, Coral Lumbley, Simon Meecham-Jones, Paul Russell, Victoria Shirley, Joshua Byron Smith, Jaakko Tahkokallio, Hélène Tétrel, Rebecca Thomas, Fiona Tolhurst.

Bestsellers and masterpieces: The changing medieval canon addresses the strange fact that, in both European and Middle Eastern medieval studies, those texts that we now study and teach as the most canonical representations of their era were in fact not popular or even widely read in their day. On the other hand, those texts that were popular, as evidenced by the extant manuscript record, are taught and studied with far less frequency. The book provides cross-cultural insight into both the literary tastes of the medieval period and the literary and political forces behind the creation of the ‘modern canon’ of medieval literature.

“A bold, sweeping bird’s eye view of thousands of years of history that provides a truly global perspective of the past. A fantastic achievement.”—Peter Frankopan, internationally bestselling author of The Silk Roads Prize-winning historian Naoíse Mac Sweeney delivers a captivating exploration of how “Western Civilization”—the concept of a single cultural inheritance extending from ancient Greece to modern times—is a powerful figment of our collective imagination. An urgently needed emergent voice in big history, she offers a bold new account of Western history, real and imagined, through the lives of fourteen remarkable individuals. In this groundbreaking, story-driven retelling of Western history, Naoíse Mac Sweeney debunks the myths and origin stories that underpin the history we thought we knew. Told through fourteen figures who each played a role in the creation of the Western idea—from Herodotus, a mixed-race migrant, to Phylis Wheatley, an enslaved African American who became a literary sensation; and from Gladstone, with a private passion for epic poetry, to the medieval Arab scholar Al-Kindi—the subjects are a mind-expanding blend of unsung heroes and familiar faces viewed afresh. These characters span the millennia and the continents, representing different religions, varying levels of wealth and education, diverse traditions and nationalities. Each life tells us something unexpected about the age in which it was lived and offers us a piece of the puzzle of how the modern idea of the West developed—and why we've misunderstood it for too long. The concept of “the West” is present in every daily interaction you have, from entertainment and politics to world markets and world history. This engagingly intimate history will reshape the way you see the world around you. At this moment of civilizational redefinition, if we are to chart a future for the West, we must properly understand its past.

The Routledge History Handbook of Medieval Revolt charts the history of medieval rebellion from Spain to Bohemia and from Italy to England, and includes chapters spanning the centuries between Imperial Rome and the Reformation. Drawing together an international group of leading scholars, chapters consider how uprisings worked, why they happened, whom they implicated, what they meant to contemporaries, and how we might understand them now. This collection builds upon new approaches to political history and communication, and provides new insights into revolt as integral to medieval political life. Drawing upon research from the social sciences and literary theory, the essays use revolts and their sources to explore questions of meaning and communication, identity and mobilization, the use of violence and the construction of power. The authors emphasize historical actors’ agency, but argue that access to these actors and their actions is mediated and often obscured by the texts that report them. Supported by an introduction and conclusion which survey the previous historiography of medieval revolt and envisage future directions in the field, The Routledge History Handbook of Medieval Revolt will be an essential reference for students and scholars of medieval political history.