New York Times bestselling author of the Spenser series of crime thrillers - Book 2 in the series - Appie Knoll is the kind of suburb where kids grow up right. But something is wrong. Fourteen-year-old Kevin Bartlett disappears. Everyone thinks he's run away -- until the comic strip ransom note arrives. It doesn't take Spenser long to get the picture -- an affluent family seething with rage, a desperate boy making strange friends...friends like Vic Harroway, body builder. Mr. Muscle is Spenser's only lead and he isn't talking...except with his fists. But when push comes to shove, when a boy's life is on the line, Spenser can speak that language too. "A brillant, and cynical, comic tragedy or tragic comedy of manners. Long may Parker wave." -- Los Angeles Times

NATIONAL BESTSELLER • A New York Times Notable Book • This fiery and provocative novel from the acclaimed Nobel Prize winner weaves a tale about the way the sufferings of childhood can shape, and misshape, the life of the adult. At the center: a young woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life, but which caused her light-skinned mother to deny her even the simplest forms of love. There is Booker, the man Bride loves, and loses to anger. Rain, the mysterious white child with whom she crosses paths. And finally, Bride’s mother herself, Sweetness, who takes a lifetime to come to understand that “what you do to children matters. And they might never forget.” “Powerful.... A tale that is as forceful as it is affecting, as fierce as it is resonant.” —Michiko Kakutani, The New York Times

An illustrated version of the swing spiritual based on the proverb "God blessed the child that's got his own"; lacks music; also lacks sound CD that was issued with the first printing.

At the height of the religious ferment of the 1970s, David Van Zandt studied firsthand the most vilified of the new radical religious movements--the Children of God, or the Family of Love. First feigning membership and later gaining the permission of the Family, the author lived full-time in COG colonies in England and the Netherlands. From that experience, he has produced an informed, insightful, and humane report on how COG members function in what seems at first to be a completely bizarre setting. The COG, an offshoot of the Jesus People movement of the late 1960s, was one of the first radical religious groups to be accused of "brainwashing." Led by the charismatic David Berg, known as Moses David, the group demands total commitment from its full-time members and proselytizes continuously. Until recently the COG used sex as a proselytizing tool, and it continues to encourage full sexual sharing among group members. Instead of examining the COG's ideology in the abstract, Van Zandt analyzes how its ideas are understood and used by ordinary members in their daily lives. For them the Family is its practical, day-to-day, and all-consuming activities, such as "litnessing" (the street sale of COG literature). This is a vivid eyewitness account that will fascinate anyone interested in life in modern radical communal religions, such as the Unification Church and the Hare Krishnas, as well as in other radical, Christian-based, total-commitment groups. Van Zandt's frank reflections on his near-conversion experience and on the ethics of his covert observation enrich our knowledge of doing research with such groups. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Gargoyles have been feared and misunderstood for centuries, but now Caldecott Honor artist Dav Pilkey tells the real story of these gentle stone creatures come to life. Behind their cold, stone faces, gargoyles have warm, loving souls -- yet most people don't look deeply enough to notice. Angels can see the good inside them, though, and tonight the angels will sweep down to take their silent, stone friends on a magical journey, hand in hand.Caldecott Honor artist Dav Pilkey's lyrical tale of these gentle stone creatures come to life is a reminder that everyone -- from the grievers to the dreamers to the believers -- is worthy of love.

Contributions by Alice Knox Eaton, Mar Gallego, Maxine Lavon Montgomery, Evelyn Jaffe Schreiber, Shirley A. Stave, Justine Tally, Susana Vega-González, and Anissa Wardi In her eleventh novel, God Help the Child, Toni Morrison returned to several of the signature themes explored in her previous work: pernicious beauty standards for women, particularly African American women; mother-child relationships; racism and colorism; and child sexual abuse. God Help the Child, published in 2015, is set in the contemporary period, unlike all of her previous novels. The contemporary setting is ultimately incidental to the project of the novel, however; as with Morrison’s other work, the story takes on mythic qualities, and the larger-than-life themes lend themselves to allegorical and symbolic readings that resonate in light of both contemporary and historical issues. New Critical Essays on Toni Morrison's “God Help the Child”: Race, Culture, and History, a collection of eight essays by both seasoned Morrison scholars as well as new and rising scholars, takes on the novel in a nuanced and insightful analysis, interpreting it in relation to Morrison’s earlier work as well as locating it within ongoing debates in literary and other academic disciplines engaged with African American literature. The volume is divided into three sections. The first focuses on trauma—both the pain and suffering caused by neglect and abuse, as well as healing and understanding. The second section considers narrative choices, concentrating on experimentation and reader engagement. The third section turns a comparative eye to Morrison's fictional canon, from her debut work of fiction, The Bluest Eye, until the present. These essays build on previous studies of Morrison’s novels and deepen readers’ understanding of both her last novel and her larger literary output.

All Ray Peterson ever wanted was to escape the rough, unforgiving neighborhood he grew up in; for him that meant working hard ... all the time. Eventually, Ray's life would include all the trappings of a good one. However, the sacrifices he made to get there cut too deep. It isn't until tragedy strikes that Ray realizes that his family needed more.