Go Get Mother's Picket Sign tells the story of American suffragists who worked to balance their public and private lives as wives, mothers, and homemakers. American suffragists battled an intense fight against the idea that women in America could not engage in politics without also creating a great void in the home. It was believed that if women allowed this void to occur, the decline and decay of the home life would destroy 19th and 20th century society. Men could not help women fill the role of homemaker, as it was thought that men had neither experience nor the ability to learn the order and method of caring for home and children. The family framework known by Victorians remained doomed. However, to counter this concept, suffragists created a new woman who functioned in both the home and the public world. All of their suffrage materials showed that these women did not forget their responsibility to the home. Everything they used encompassed the right of suffrage and maintained the image of the dutiful wife and mother. By combining the forces of material culture and suffrage, this work will further the study of women's suffrage and expand knowledge of women within both political and domestic spheres.

"Over one hundred years ago, women organized to fight for a federal suffrage amendment. But many suffragists were fighting for much more than the vote. The suffrage movement included individuals who represented a wide range of genders and sexualities. It also included a variety of queer relationships. But, suffrage leaders concerned with presenting a respectable public image concealed the queerness of the suffrage movement. This resulted in greater policing of suffragist behavior as suffrage leaders, many of them queer themselves, publicly conformed to gendered views of acceptable appearance and behavior. The problematic effect was to erase the queer history of the movement. Instead suffrage leaders reinforced a patriarchal, heteronormative, cisgender standard of ideal femininity in order to make suffragists and women's suffrage more palatable to the public. The legacy of queer suffragists, however, could not be so easily erased. This book explores how queer women led the suffrage movement while challenging heteronormative concepts of domesticity, family, space, and death in both subtly subversive and radically transformative ways. This book also highlights the alliances that queer suffragists built and the innovative strategies they developed to protect and preserve their most intimate relationships - relationships that were ultimately crucial to the success of the suffrage movement"--

"For as long as American women have battled for equitable political representation, those battles have been defined by images--whether drawn, etched, photographed, or filmed. Some of these have been flattering, many of them have been condescending, and some have been scabrous. They have drawn upon prevailing cultural tropes about the perceived nature of women's roles and abilities, and they have circulated both with and without conscious political objectives. Allison K. Lange takes a systematic look at American women's efforts to control the production and dissemination of images of them in the long battle for representation, from the mid-nineteenth-century onward"--

Women Will Vote celebrates the 2017 centenary of women’s right to full suffrage in New York State. Susan Goodier and Karen Pastorello highlight the activism of rural, urban, African American, Jewish, immigrant, and European American women, as well as male suffragists, both upstate and downstate, that led to the positive outcome of the 1917 referendum. Goodier and Pastorello argue that the popular nature of the women’s suffrage movement in New York State and the resounding success of the referendum at the polls relaunched suffrage as a national issue. If women had failed to gain the vote in New York, Goodier and Pastorello claim, there is good reason to believe that the passage and ratification of the Nineteenth Amendment would have been delayed. Women Will Vote makes clear how actions of New York’s patchwork of suffrage advocates heralded a gigantic political, social, and legal shift in the United States. Readers will discover that although these groups did not always collaborate, by working in their own ways toward the goal of enfranchising women they essentially formed a coalition. Together, they created a diverse social and political movement that did not rely solely on the motivating force of white elites and a leadership based in New York City. Goodier and Pastorello convincingly argue that the agitation and organization that led to New York women’s victory in 1917 changed the course of American history.

An acclaimed writer on her mother’s tumultuous life as a Jewish immigrant in 1930s New York and her life-long guilt when the Holocaust claims the family she left behind in Latvia A story of love, war, and life as a Jewish immigrant in the squalid factories and lively dance halls of New York’s Garment District in the 1930s, My Mother’s Wars is the memoir Lillian Faderman’s mother was never able to write. The daughter delves into her mother’s past to tell the story of a Latvian girl who left her village for America with dreams of a life on the stage and encountered the realities of her new world: the battles she was forced to fight as a woman, an immigrant worker, and a Jew with family left behind in Hitler’s deadly path. The story begins in 1914: Mary, the girl who will become Lillian Faderman’s mother, just seventeen and swept up with vague ambitions to be a dancer, travels alone to America, where her half-sister in Brooklyn takes her in. She finds a job in the garment industry and a shop friend who teaches her the thrills of dance halls and the cheap amusements open to working-class girls. This dazzling life leaves Mary distracted and her half-sister and brother-in-law scandalized that she has become a “good-time gal.” They kick her out of their home, an event with consequences Mary will regret for the rest of her life. Eighteen years later, still barely scraping by as a garment worker and unmarried at thirty-five, Mary falls madly in love and has a torrid romance with a man who will never marry her, but who will father Lillian Faderman before he disappears from their lives. America is in the midst of the Depression, Hitler is coming to power in Europe, and New York’s garment workers are just beginning to unionize. Mary makes tentative steps to join, despite her lover’s angry opposition. As National Socialism engulfs Europe, Mary realizes she must find a way to get her family out of Latvia, and she spends frenetic months chasing vague promises and false rumors of hope. Pregnant again, after having submitted to two wrenching back-room abortions, and still unmarried, Mary faces both single motherhood and the devastating possibility of losing her entire Eastern European family. Drawing on family stories and documents, as well as her own tireless research, Lillian Faderman has reconstructed an engrossing and essential chapter in the history of women, of workers, of Jews, and of the Holocaust as immigrants experienced it from American shores.