"Outside the palace of Versailles, it's modern day. Inside, the people dress, eat, and act like it's the eighteenth century. The palace has every indulgence, but for one pretty young thing, it's about to become a very beautiful prison. When Danica witnesses an act of murder by the young king, her mother makes a cruel power play...blackmailing the king into making Dani his queen on her eighteenth birthday. That gives Dani six months to escape her terrifying destiny."--Page [4] of cover.

NEW YORK TIMES BESTSELLER • A memoir from the author of The Middle Place about mothers and daughters—a bond that can be nourishing, exasperating, and occasionally divine. When Kelly Corrigan was in high school, her mother neatly summarized the family dynamic as “Your father’s the glitter but I’m the glue.” This meant nothing to Kelly, who left childhood sure that her mom—with her inviolable commandments and proud stoicism—would be nothing more than background chatter for the rest of Kelly’s life, which she was carefully orienting toward adventure. After college, armed with a backpack, her personal mission statement, and a wad of traveler’s checks, she took off for Australia to see things and do things and Become Interesting. But it didn’t turn out the way she pictured it. In a matter of months, her savings shot, she had a choice: get a job or go home. That’s how Kelly met John Tanner, a newly widowed father of two looking for a live-in nanny. They chatted for an hour, discussed timing and pay, and a week later, Kelly moved in. And there, in that house in a suburb north of Sydney, 10,000 miles from the house where she was raised, her mother’s voice was suddenly everywhere, nudging and advising, cautioning and directing, escorting her through a terrain as foreign as any she had ever trekked. Every day she spent with the Tanner kids was a day spent reconsidering her relationship with her mother, turning it over in her hands like a shell, straining to hear whatever messages might be trapped in its spiral. This is a book about the difference between travel and life experience, stepping out and stepping up, fathers and mothers. But mostly it’s about who you admire and why, and how that changes over time. Praise for Glitter and Glue “I loved this book, I was moved by this book, and now I will share this book with my own mother—along with my renewed appreciation for certain debts of love that can never be repaid.”—Elizabeth Gilbert, New York Times bestselling author of Eat, Pray, Love “Kelly Corrigan’s thoughtful and beautifully rendered meditation invites readers to reflect on their own launchings and homecomings. I accepted the invitation and learned things about myself. You will, too. Isn’t that why we read?”—Wally Lamb, New York Times bestselling author of We Are Water “Kelly Corrigan is no stranger to mining the depths of her heart. . . . Through her own experience of caring for children, she begins, for the first time, to appreciate the complex woman who raised her.”—O: The Oprah Magazine

Illustrations and simple, rhyming text encourage the reader to add glitter to everything in sight, until even what should really sparkle is obscured.

A teenage fairy contends with the consequences of war in this coming-of-age fantasy by the award-winning author of Teeth and Not Otherwise Specified. Sixteen-year-old Beckan and her friends are the only fairies brave enough to stay in Ferrum when war breaks out. Now there is tension between the immortal fairies, the subterranean gnomes, and the mysterious tightropers who arrived to liberate the fairies. But when Beckan’s clan is forced to venture into the gnome underworld to survive, they find themselves tentatively forming unlikely friendships and making sacrifices they couldn’t have imagined. As danger mounts, Beckan finds herself caught between her loyalty to her friends, her desire for peace, and a love she never expected. This stunning, lyrical fantasy is a powerful exploration of what makes a family, what justifies a war, and what it means to truly love. Praise for A History of Glitter and Blood “With Ferrum, Moskowitz has built a vividly gritty fairy realm and populated it with a richly diverse cast of characters. . . . This novel of friendship, love, and fighting for one’s beliefs should find a place among fans of the modern fairy story.” —Kirkus Reviews “Reminiscent of Holly Black and Laini Taylor, this gritty fantasy/war story is also an exploration of love in many forms . . . and creating a family of choice.” —The Horn Book Magazine “The author’s talent is evident as she ambitiously tackles complex themes of violence, sexual awakening, politics, and even infertility.” —School Library Journal “Thick, sultry, lyrical language builds a strong sense of atmosphere . . . [in] this rich, off-kilter snarl of a story.” —Booklist “Gritty, intense, sensational, and moving.” —Fresh Fiction

An Instagram trendsetter and body-positive fashionista provides the world with a modern guide to positivity and self-acceptance backed by scientific research, down-to-earth humor, and practical advice.

After she's forced to marry the evil King, Dani must use her power as Queen to stop selling Glitter for good and escape with Saber, the boy she loves, in the sequel to "Glitter" by #1 "New York Times"-bestselling author Pike.

An original examination of the ubiquity of glitter—from bodily adornment to activist glitter bombing—and its vibrant and transformational properties. Glitter is everywhere, from crafting to makeup, from vagazelling to glitter-bombing, from fashion to fish. Glitter also gets everywhere. It sticks to what it is and isn't supposed to, and travels beyond its original uses, eliciting reactions ranging from delight to irritation. In Glitterworlds, Rebecca Coleman examines this ubiquity of glitter, following it as it moves across different popular cultural worlds and exploring its effect on understandings and experiences of gender, sexuality, class and race. Coleman investigates how girls engage with glitter in collaging workshops to imagine their futures; how glitter can adorn the outside and the inside of the body; how glitter features in the films Glitter and Precious; and how LGBTQ* activists glitter bomb homophobic and transphobic people. Throughout, Coleman attends to the plurality of politics that glitter generates, approaching this through the concepts of hope, wonder, fabulation, and prefigurative politics—all of which indicate the making of different, better worlds, although often not in ways that are straightforward or conventional. She develops an original account of future politics, where time is nonlinear and sometimes non-progressive. Coleman's argument brings together feminist cultural theory, feminist new materialisms, and theories on futures and temporality, in order to propose that we should understand glitter as a thing—vibrant, processual, transformational, and traversing boundaries between media and material, culture and nature, bodies and environments.