This cookbook is a collection of some of the best homemade Italian cooking from the Calabria region of Italy. It contains recipes for great antipastos, soups, meat dishes, pasta and rice specialties, vegetable and side dishes, breads and pizza, fish, desserts and sauces. It offers ideas ranging from quick and satisfying dinner dishes to such Italian specialties as Easter Pie, Bacala, Ricotta Pie, Pizelles and more.

Throughout the book, Marcus brings a variety of perspectives to bear on the question of how Italian filmmakers are confronting the Holocaust, and why now given the sparse output of Holocaust films produced in Italy from 1945 to the early 1990s.

For centuries, Italy was torn apart by war. When unification finally occurred, the north received significant advantages while the south was left to struggle. As southern landowners tried to find their footing, Mafia oligarchs took over Sicily. The first mass execution occurred in 1862 and it was on the field where so many were tragically murdered that Francesco Triolo met the love of his life. Francesco rescued Anna Montelone from the horrifying scene, carrying the badly wounded woman to the hospital. Their love outlasted the danger and anarchy of the old world and together they produced a son, Antonino Triolo, who made a lasting impact on the New World— specifically, in rough-and-tumble Louisiana. Antonino, his wife Giovanna Cusimano, and his friends, Vincenzo Lorenzo and Guglielmo Soracco, overcame the Mafia, sharks, pirates, outlaws, bigots, and a corrupt government to not just survive, but to thrive. Pillars of a Legacy: An Italian Experience is based on the true story of author Daniene Marciano’s mother’s family, the Triolos of Sicily. Her love of Italy and the culture of the Italians is evident in every word of this compelling book. Her family’s story is one of a triumph of will to overcome unimaginable obstacles to build a new life without forgetting the loved ones they left behind.

The Legacy of the The Limehouse Link is tale of intrigue on the original Chinatown in London's East End. Limehouse situated close to the East and West India Docks, near to the Isle of Dogs and Down to The City and West End of London.

"A model of academic praxis." - Public Books Elena Ferrante as World Literature is the first English-language monograph on Italian writer Elena Ferrante, whose four Neapolitan Novels (2011-2014) became a global phenomenon. The book proposes that Ferrante constructs a theory of feminine experience which serves as the scaffolding for her own literary practice. Drawing on the writer's entire textual corpus to date, Stiliana Milkova examines the linguistic, psychical, and corporeal-spatial realities that constitute the female subjects Ferrante has theorized. At stake in Ferrante's theory/practice is the articulation of a feminine subjectivity that emerges from the structures of patriarchal oppression and that resists, bypasses, or subverts these very structures. Milkova's inquiry proceeds from Ferrante's theory of frantumaglia and smarginatura to explore mechanisms for controlling and containing the female body and mind, forms of female authorship and creativity, and corporeal negotiations of urban topography and patriarchal space. Elena Ferrante as World Literature sets forth an interdisciplinary framework for understanding Ferrante's texts and offers an account of her literary and cultural significance today.

A renowned art critic of the 1960s, Carla Lonzi abandoned the art world in 1970 to found Rivolta Femminile, a pioneering feminist collective in Italy. Rather than separating the art world luminary from the activist, however, this book looks at the two together. It demonstrates that even as Lonzi refused art, she articulated how feminist spaces and communities drew strength from creativity. The eleven essays in this book document the artistic and feminist circles of postwar Italy, a time characterised both by radical protest and avant-garde aesthetics, using primary and archival sources never before translated into English. They map Lonzi's deep connections to the influential Italian Arte Povera movement, and explore her complicated relationship with female artists of the time, such as Carla Accardi and Suzanne Santoro. Carla Lonzi's written work and activism represents a crucial, but previously overlooked, feminist intervention in traditional art history from beyond the Anglo-American canon. This book is a timely and urgent addition to our understanding of radical politics, separatist feminism and art criticism in the postwar period.

What constitutes an archive in architecture? What forms does it take? What epistemology does it perform? What kind of craft is archiving? Crafting History provides answers and offers insights on the ontological granularity of the archive and its relationship with architecture as a complex enterprise that starts and ends much beyond the act of building or the life of a creator. In this book we learn how objects are processed and catalogued, how a classification scheme is produced, how models and drawings are preserved, and how born-digital material battles time and technology obsolescence. We follow the work of conservators, librarians, cataloguers, digital archivists, museum technicians, curators, and architects, and we capture archiving in its mundane and practical course. Based on ethnographic observation at the Canadian Centre for Architecture and interviews with a range of practitioners, including Álvaro Siza and Peter Eisenman, Albena Yaneva traces archiving through the daily work and care of all its participants, scrutinizing their variable ontology, scale, and politics. Yaneva addresses the strategies practicing architects employ to envisage an archive-based future and tells a story about how architectural collections are crafted so as to form the epistemological basis of architectural history.